This cutting-edge volume has been brought together in honor of Thomas Boomershine, author, scholar, storyteller, innovator. The particular occasion inviting this recognition of his work is the twenty-fifth anniversary of the Society of Biblical Literature's section on The Bible in Ancient and Modern Media (BAMM), which Tom was instrumental in founding. For two and half decades this program unit has provided scholars with opportunities to explore and experience biblical material in media other than silent print, including both oral and multimedia electronic performances. This book explores many, though by no means all, of the issues lifted up in those sessions over the years. Contributors A. K. M. Adam Adam Gilbert Bartholomew Arthur J. Dewey Dennis Dewey Joanna Dewey Robert M. Fowler Holly E. Hearon David Rhoads Philip Ruge-Jones Whitney T. Shiner Marti J. Steussy Richard W. Swanson

The Dictionary of the Bible and Ancient Media is a convenient and authoritative reference tool, introducing specific terms and concepts helpful to the study of the Bible and related literature in ancient communications culture. Since the early 1980s, biblical scholars have begun to explore the potentials of interdisciplinary theories of oral tradition, oral performance, personal and collective memory, ancient literacy and scribality, visual culture and ritual. Over time these theories have been combined with considerations of critical and exegetical problems in the study of the Bible, the history of Israel, Christian origins, and rabbinics. The Dictionary of the Bible and Ancient Media responds to the rapid growth of the field by providing a source of reference that offers clear definitions, and in-depth discussions of relevant terms and concepts, and the relationships between them. The volume begins with an overview of 'ancient media studies' and a brief history of research to orient the reader to the field and the broader research context of the book, with individual entries on terms and topics commonly encountered in studies of the Bible in ancient media culture. Each entry defines the term/ concept under consideration, then offers more sustained discussion of the topic, paying particular attention to its relevance for the study of the Bible and related literature

This book is a collection of cutting-edge essays on the Dead Sea Scrolls as part of ancient Mediterranean media culture, featuring interdisciplinary feedback from scholars in New Testament studies and Classics.

"To experience the gospel message as first-century people heard it is to move into an oral world, one with very little reliance on manuscripts. The essays in this book explore this oral world and the Gospel of Mark within it. They demonstrate the oral style of Mark's gospel, which suggests that it was composed orally, transmitted orally in its entirety by literate and nonliterate storytellers, and survived to become part of the canon only because it was widely known orally. Women's storytelling also thrived during the first centuries of Christianity. With the transition to manuscript authority beginning in the middle of the second century, women's voices were often minimized, trivialized, or completely omitted in written versions. Further, when the Gospel of Mark was one of four written Gospels these voices were quickly ignored. An ancient audience hearing Mark performed, however, enjoyed a vibrant experience of the gospel message and its urgent call to follow."

Werner Kelber's The Oral and the Written Gospel substantially challenged predominant paradigms for understanding early Jesus traditions and the formation of written Gospels. Since that publication, a more precise and complex picture of first-century media culture has emerged. Yet while issues of orality, aurality, performance, and mnemonics are now well voiced in Synoptic Studies, Johannine scholars remain largely unaware of such issues and their implications. The highly respected contributors to this book seek to fill this lacuna by exploring various applications of orality, literacy, memory, and performance theories to the Johannine Literature in hopes of opening new avenues for future discussion. Part 1 surveys the scope of the field by introducing the major themes of ancient media studies and noting their applicability to the Fourth Gospel and the Johannine Epistles. Part 2 analyzes major themes in the Johannine Literature from a media perspective, while Part 3 features case studies of specific texts. Two responses by Gail O'Day and Barry Schwartz complete the volume.

... Contemporary scholarship to address the question, What does critical thinking about the Bible mean as the Bible itself is 'transmediated' from print to electronic formats?

An In-Depth Look at Bible Translation ·The concerns, issues, and approaches ·The history ·The ins and outs of the translation task With a reach that covers the entire globe, the Bible is the best-selling, most earnestly studied book of all time. It has been translated into well over 1,000 languages, from those of global reach such as English, French, and Arabic, to a myriad of isolated tribal tongues. Yet while most readers of the English Bible have a favorite version, few understand how the different translations came about, or why there are so many, or what determines whether a particular translation is trustworthy. Written in tribute to one of today’s true translation luminaries, Dr. Ronald Youngblood, The Challenge of Bible Translation will open your eyes to the principles, the methods, the processes, and the intricacies of translating the Bible into language that communicates clearly, accurately, and powerfully to readers of many countries and cultures. This remarkable volume marshals the contributions of foremost translators and linguists. Never before has a single book shed so much light on Bible translation in so accessible a fashion. In three parts, this compendium gives scholars, students, and interested Bible readers an unprecedented grasp of: 1. The Theory of Bible Translation 2. The History of Bible Translation 3. The Practice of Bible Translation The Challenge of Bible Translation will give you a new respect for the diligence, knowledge, and care required to produce a good translation. It will awaken you to the enormous cost some have paid to bring the Bible to the world. And it will deepen your understanding of and appreciation for the priceless gift of God’s written Word. Contributors Kenneth L. Barker D. A. Carson Charles H. Cosgrove Kent A. Eaton Dick France David Noel Freedman Andreas J. Köstenberger David Miano Douglas J. Moo Glen G. Scorgie Moisés Silva James D. Smith III John H. Stek Mark L. Strauss Ronald A. Veenker Steven M. Voth Larry Lee Walker Bruce K. Waltke Walter W. Wessel Herbert M. Wolf

Foreword by Don Wardlaw This exceptional book by Charles Cosgrove and Dow Edgerton will be a rich resource for pastors wanting to reach their congregations in a fresh way. Rather than discussing preaching in general or even a specific approach to preaching, it focuses on a new way of engaging the biblical text for preaching. In Other Words combines Cosgrove and Edgerton's critical acumen, creative imagination, and pastoral discernment to present contemporizing restatements of Scripture, speaking timeless truths in modern speech. In describing their "incarnational translation," the authors invite readers to imagine what the text might have looked like if produced in the preacher's own culture, time, and place. Drawing on translation theory, genre studies, and recent hermeneutical theory, they offer both a comprehensive theory of incarnational translation and a set of specific guidelines and examples for carrying it out.

An experimental journal for Biblical criticism.