The success story of The Big Issue is both inspirational and paradoxical; rather than a charity, it is a flourishing commercial enterprise, but one that genuinely benefits those involved. The magazine is sold by homeless and vulnerable people and, in return, they achieve financial independence and status and self-reliance. The story of the paper's development has a practical angle; it should offer help and insights to NGOs and governments involved with the homeless, or to those businesses wishing to set up enterprises for the common good.

‘Home’ is a significant geographical and social concept. It is not only a three-dimensional structure, a shelter, but it is also a matrix of social relations and has wide symbolic and ideological meanings; home can be feelings of belonging or of alienation; feelings of home can be stretched across the world, connected to a nation or attached to a house; the spaces and imaginaries of home are central to the construction of people’s identities. An essential guide to studying home and domesticity, this book locates ‘home’ within wider traditions of thought. It analyzes different sources, methods and examples in both historical and contemporary contexts; ranging from homes on the American frontier and imperial domesticity in British India, to Australian suburbs, multicultural London, and South Asian diasporic homes. The core argument of the book has three main parts that cut across each of its chapters: home-making identity and belonging homely and unhomely spaces. Each chapter includes text boxes and exercises and is well illustrated with cartoons, line drawings, and photographs. Outlining the social relations shaping, (and being influenced by) the geographies of home; and the imaginative as well as material importance of home, this book will be a valuable reference for students of geography, sociology, gender studies, and those interested in the home and domesticity.

Drawing the Line examines the ways in which cultural, political, and legal lines are imagined, drawn, crossed, erased, and redrawn in post-apartheid South Africa—through literary texts, artworks, and other forms of cultural production. Under the rubric of a philosophy of the limit, and with reference to a range of signifying acts and events, this book asks what it takes to recalibrate a sociopolitical scene, shifting perceptions of what counts and what matters, of what can be seen and heard, of what can be valued or regarded as meaningful. The book thus argues for an aesthetics of transitional justice and makes an appeal for a postapartheid aesthetic inquiry, as opposed to simply a political or a legal one. Each chapter brings a South African artwork, text, speech, building, or social encounter into conversation with debates in critical theory and continental philosophy, asking: What challenge do these South African acts of signification and resignification pose to current literary-philosophical debates?

Stella felt sick to her stomach. How could her marriage be over? She did the maths, counting it out on her fingertips - it was only eight hundred and sixty-four hours old. She hadn't even finished writing the thank-you cards yet ...'. Stella de Villiers doesn't know which way is up. Rewind forty-eight hours and she has the perfect life. Married to a great guy. A super-supportive family around her. Awesome friends. In fact, the only fly in her ointment is that her job is, well, just a bit crap. As sex column aunt Dr Dee she has to deal with a slew of correspondence about the ickiest of things when all she really wants is to be taken seriously as a journalist. And then, just when it seems like things can't get any worse on the work front, Stella's dream job - features writer - is given to the über-cool Yolanda. Upset and disappointed, Stella calls her husband Max to tell him what's happened, but instead she tells a small untruth - just a little white lie - that slowly but surely unravels her whole perfect universe. Meanwhile, on the other side of the planet, Poppy is on a trip of a lifetime with her best friend Buck. America, India, Holland, Germany, France - for a twenty-one-year-old Capetonian who's never been further than Hermanus it's a whole new world. But will Poppy find more than she bargains for on her travels? Is she falling in love with travelling or falling in love while travelling? How do you tell which way is up when you don't even know where you are?

It's time to say it loud and clear – it's not a luxury to have a home, it's a human right. It's time we all found room in our hearts to help end homelessness. Joining the Homeless World Cup family is the first step in realising that goal. From the foreword by VAL McDERMID An estimated 100 million people worldwide are homeless and 1.6 billion live in sub-standard housing. But how can such a simple game like football tackle such a complex problem? Mel Young and Peter Barr tell the story of the 1.2 million homeless people from 70 countries who have taken part in the Homeless World Cup since it started in 2003. Home Game describes its profound impact on players, spectators and society at large – and how 'a ball can change the world'

Even after the release of Nelson Mandela and the promise of free elections, extremist groups terrorized South Africa, bombing churches, opening fire in bars and restaurants. Nearly twenty-five years ago, as a young Captain, Vaughn de Vries finds himself in pursuit of the suspects of a fatal bombing in his precinct, under the command of one of the most feared white police officers of the time: Major Kobus Nel. Out of radio communication and without clear evidence, the SAPS barge into a township and set off a chain of events which will resonate for a quarter of a century. In Cape Town in 2015, the heiress of an Apartheid-era industrialist is found murdered, her body posed to suggest a racial hate crime. But, as Colonel Vaughn De Vries investigates, possible motives for her death abound: a highly controversial art exhibition, her sexual preferences, her relationship - as yet unknown by the press - with the son of one of the heroes of The Struggle. And, moving South down through the country, five men are murdered, each with a connection to a point in history De Vries would sooner forget. When the link is made, De Vries must re-live the traumatic event to uncover the perpetrator. Old wounds, hidden in history, are exposed, and a mysterious killer approaches, whom no one seems able to stop. Longlisted for the 2015 Crime Writer's Association Golden Dagger (Crime Novel of the Year) Praise for Paul Mendelson: 'Authoritative and unblinkered fare' Financial Times 'Once more, South Africa is brought vividly to life in a fine crimer which delivers a warm change from the regular diet of Scandinavian angst' Weekend Sport 'The Serpentine Road has been my discovery of the year. Paul Mendelson has the makings of a literary superstar' Jenny Crwys Williams, Radio 702/Cape Talk 567 'In another superb slice of South African noir, Mendelson illuminates the corruption and criminality that plagues a country still haunted by apartheid. A taut thriller which evokes a unique political and geographic landscape' Cath Staincliffe 'An excellent, uncompromising crime thriller made even better by its setting ... the story is two journeys in one, and I'm glad I took both' Lee Child 'A jaw-droppingly brilliant crime thriller. Imagine The Killing moved to Cape Town and into the landscape of the hot and dusty African veld' Philip Glenister 'The First Rule of Survival is an incredibly atmospheric, complex and dazzling debut from a thrilling and authentic new voice in crime fiction' Brian McGilloway 'An impressive debut' The Times

Passport to the best of Cape Town, South Afrca is relevant not just to the first time traveller to this city, but the second and third time visitor too, serving travellers from around the world as well as fellow South Africans.