Noting that the doctrine of Purgatory does not appear in the Latin theology of the West before the late twelfth century, the author identifies the profound social and intellectual changes which caused its widespread acceptance.

Companion to: Heaven: The logic of eternal joy (2002).

The Year's Work in Medievalism, volume XXV, is based upon but not restricted to the 2010 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for the International Society for the Study of Medievalism, Gwendolyn Morgan, and, for 2009, Dr. Pam Clements. The Year's Work in Medievalism also publishes bibliographies, book reviews, and announcements for conferences and other events. Richard Utz, Pi(o)us Medievalism vs. Catholic Modernism: The Case Of George Tyrell Martha Oberle, The Legacy of the Medieval Mendicant Orders Chelsea Gunter, Mysticism and Messianism in the Poetry of Paul Celan William Calin, Postcolonialism and Medievalism: How French Regional Cultures/Literatures Reshape Their Past and Present Jana K. Schulman, Retelling Old Tales: Germanic Myth and Language in Christopher Paolini's Eragon Arthur Russell, From English Stage to American Page: The Transatlantic Dissemination of Leonard MacNally's Robin Hood; or, Sherwood Forest Gwendolyn Morgan, The Battle of Maldon in Imitative Translation Edward L. Risden, The Battle of Maldon: A One-act Play for Readers' Theater T.S. Miller, A Look at Some New Lays of Beowulf: The Misunderstood Monsters of Contemporary Popular Music Aspen Hougen, Debilitating Dracula: Vampire as Illness Metaphor from the Middle Ages to the Present Day Peter Johnsson, Purged by Fire: The Influence of Medieval Visionary Literature on Post-Apocalyptic Science Fiction Gerald Nachtwey, Unburied Corpses: The Violence of the Past in William Morris's Froissartian Poems Karl Fugelso, Dante as Surfer Medievalism: Sandow Birk's Commedia Illustrations

The debate about when the middle ages ended and the modern era began, has long been a staple of the historical literature. In order to further this debate, and illuminate the implications of a longue durée approach to the history of the Reformation, this collection offers a selection of essays that address the medieval-modern divide. Covering a broad range of topics - encompassing legal, social, cultural, theological and political history - the volume asks fundamental questions about how we regard history, and what historians can learn from colleagues working in other fields that may not at first glance appear to offer any obvious links. By focussing on the concept of the medieval-modern divide - in particular the relation between the Middle Ages and the Reformation - each essay examines how a medievalist deals with a specific topic or issue that is also attracting the attention of Reformation scholars. In so doing it underlines the fact that both medievalists and modernists are often involved in bridging the medieval-modern divide, but are inclined to construct parallel bridges that end between the two starting points but do not necessarily meet. As a result, the volume challenges assumptions about the strict periodization of history, and suggest that a more flexible approach will yield interesting historical insights.

The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.

"In 1576, as the Protestant Reformation continued to sweep across Western Europe and Catholic prelates tried to stem the tide through diligent application of Trent's reforming agenda, the Cardinal Archbishop of Milan, Charles Borromeo (1538-84) penned a letter to his clergy. In order to restore the Church to its former glory, he enjoined his "beloved brethren" to "bring back good observances and holy customs which have grown cold and been abandoned over the course of time." Chief among them, he wrote, was the custom, which although ancient, had been "practically lost nearly everywhere in Italy . . . I mean the practice that ecclesiastical persons not grow, but rather shave the beard, . . .a custom of our Fathers, almost perpetually retained in the Church" that was "replete with mystical meanings.""--

The Didache in Context contains an intriguing look into the background of the Didache, exploring the influence of the text upon the development of early Christianity. It offers an insightful collection of essays that have been gathered from the research efforts of numerous biblical and patristic scholars from around the world. The book seeks to explore questions that relate to the composition of the text itself, the history of the role and function of the Didache within early Christian circles, and the influence of the manuscript upon early Christian traditions and trends of thought. In addition to the numerous, individual investigations that are featured here, the collection includes a fresh translation of the text in English and a comprehensive, up-to-date bibliography of literature on the Didache.

In this book, Andrew Hronich endeavors to synthesize the many strands of orthodox doctrine into a single telos: ultimate reconciliation. While a great deal of ink has already been spilled on this subject, this book addresses ponderances previously overlooked due to a lack of ecumenical dialogue between the differing streams of Christian tradition. Ancient lights, such as Origen, Gregory of Nyssa, and Clement of Alexandria are given a voice to speak again to the masses, whilst contemporary thinkers, such as Thomas Talbott, David Bentley Hart, and Eric Reitan, are unleashed upon the unwitting world of Christian philosophy. Stagnant tradition has hindered the church from abiding by its historic motto semper reformanda, but with its ecumenical voice, this book calls on Protestants, Catholics, and Orthodox adherents alike to acknowledge apokatastasis panton, the salvation of all beings, as the orthodoxy it always has been.

The twelfth century saw a wide-ranging transformation of the Irish church, a regional manifestation of a wider pan-European reform movement. This book, the first to offer a full account of this change, moves away from the previous concentration on the restructuring of Irish dioceses and episcopal authority, and the introduction of Continental monastic observances, to widen the discussion. It charts changes in the religious culture experienced by the laity as well as the clergy and takes account of the particular Irish experience within the wider European context. The universal ideals that were defined with increasing clarity by Continental advocates of reform generated a series of initiatives from Irish churchmen aimed at disseminating reform ideology within clerical circles and transmitting it also to lay society, even if, as elsewhere, it often proved difficult to implement in practice. Whatever the obstacles faced by reformist clergy, their genuine concern to transform the Irish church and society cannot be doubted, and is attested in a range of hitherto unexploited sources this volume draws upon. Marie Therese Flanagan is Professor of Medieval History at the Queen's University of Belfast.

Chaucer's writings (the 'Canterbury Tales', lyrics and dream poems and Troilus) are here freshly examined in relation to the religions, the religious traditions and the religious controversies of his era.