This study of Medieval military leadership offers a critical comparison of two great rivals of the Hundred Year War. Known to history as The Black Prince, Edward of Woodstock led the English army to victory at the Battle of Poitiers against the French King Jean II. With an illuminating analysis of these fourteenth century commanders, historian Peter Hoskins examines the importance of leadership, strategic vision, and tactical skill in medieval warfare. Paying close attention to their strengths and weaknesses as soldiers, both on campaign and on the battlefield, Hoskins also considers their contrasting characters and backgrounds as well as the military traditions of their time. The Black Prince was one of the most admired generals of his generation: a charismatic leader, decisive commander, and shrewd tactician and strategist. In contrast King Jean was impulsive, driven more by pride than by strategic priorities. When he was put to the ultimate test at Poitiers, Jean lost control of his army. Meanwhile, the Black Prince took the initiative personally to secure victory against the odds. Peter Hoskins analyses the leadership qualities of the prince and the king according to the principles of war enunciated by Sun Tzu and Vegetius as well as the modern principles of war of the United Kingdom armed forces. He gives readers a fascinating insight into the nature of command and the conduct of war in the Middle Ages.

This historical account of humanity's 5000 year history of recorded conflict looks at ancient wars, modern conflict, and everything in-between.

The author has retraced on foot the routes taken by the Black Prince during the French campaigns of 1355-1356, enabling him to provide an entirely new dimension to the events. In 1355 the Black Prince took an army to Bordeaux and embarked on two chevauchées (mounted military expeditions, generally characterised by the devastation of the surrounding towns and countryside), which culminated in hisdecisive victory over King Jean II of France at Poitiers the following year. Using the recorded itineraries as his starting point, the author of this book walked more than 1,300 miles across France, retracing the routes of the armies in search of a greater understanding of the Black Prince's expedition. He followed the 1355 chevauchée from Bordeaux to the Mediterranean and back, and that for 1356 from Aquitaine to the Loire, to the battlefield at Poitiers, and back again to Bordeaux. Drawing on his findings on the ground, a wide range of documentary sources, and the work of local historians, many of whom the author met on his travels, the book provides a unique perspective on the Black Prince's chevauchées of 1355 and 1356 and the battle of Poitiers, one of the greatest English triumphs of the Hundred Years War, demonstrating in particular the impact of the landscape on the campaigns. Peter Hoskins is a former Royal Air Force pilot, now living in France. He combines his interest in exploration of his adopted country with his research into the Hundred Years War.

With its impressive breadth of coverage – both geographically and chronologically – the International Encyclopedia of Military History is the most up-to-date and inclusive A-Z resource on military history. From uniforms and military insignia worn by combatants to the brilliant military leaders and tacticians who commanded them, the campaigns and wars to the weapons and equipment used in them, this international and multi-cultural two-volume set is an accessible resource combining the latest scholarship in the field with a world perspective on military history.

This fully updated second edition uses the career of Edward the Black Prince to explore key developments in the history of late medieval Europe. The eruption of the Hundred Years War, the arrival of the Black Death, England’s first religious heresy, and major innovations in the role of parliament all took place during Edward’s lifetime. As king-in-waiting and one of the most significant noblemen in the realm, the prince was a major influence over local and international politics, and his example helped reshape concepts of lordship throughout the Plantagenet estates. This thoroughly revised edition includes new sources and builds on the wealth of scholarship which has been published in recent years about the fourteenth century. It includes considerations of the prince’s military career in France and Iberia, his household and the ‘colonial’ characteristics of his administrations in Wales and Aquitaine. The prince’s career also reveals the influence of the chivalric ethic and the importance of Gascony to the English crown, while his relationship with Joan, ‘the Fair Maid’ of Kent is suggestive of the changing character of female agency in the later middle ages. Drawing on central themes such as plague, chivalry, lordship, parliament, gender, and religion, Edward the Black Prince is essential reading for all students and scholars concerned with society, culture, and power in medieval Europe.

The Globe Guide to Shakespeare is the ultimate guide to the life and work of the world's greatest playwright: William Shakespeare. With full coverage of the 39 Shakespearian plays, including a synopsis, full character list, stage history and a critical essay for each, this comprehensive guide is both a quick reference and in-depth background guide for theatre goers, students, film buffs and lovers of literature alike. The Globe Guide to Shakespeare also explores Shakespeare's sonnets and the narrative poems, combined with fascinating accounts of Shakespeare's life and theatre, exploring in colourful detail each play's original performances. This comprehensive guide includes up-to-date reviews of the best films and audio recordings of each play, from Laurence Olivier to Baz Luhrmann, Kozintsev to Kurosawa. The Globe Guide to Shakespeare is a celebration of all things Shakespearian. Published to coincide with the 400th anniversary of Shakespeare's death.

This monumental six-volume resource offers engaging entries of major diplomatic, military, and political events driving world conflicts from ancient times to the present. Now from ABC-CLIO, long regarded as a premier publisher of military history, comes a monumental resource that encapsulates the entire scope of conflict among human societies. Spanning nearly five millennia, from the earliest documented fighting to the present, A Global Chronology of Conflict: From the Ancient World to the Modern Middle East, provides a comprehensive survey of major military events. With coverage that reaches beyond the battles, this work examines the political and diplomatic forces driving world conflicts, revolutions, forced changes of governments, international treaties, and acts of aggression and terrorism. Written by acclaimed military historian Spencer C. Tucker, these six chronologically organized volumes offer an accessible, richly detailed timeline of military conflict across human history. The concise entries cover all important events on the battlefield and in the corridors of power, with special features highlighting hundreds of key leaders and weapon systems. From specific data on casualties to coverage of evolving weapons technology to insightful analyses of the social impact of war, A Global Chronology of Conflict is an essential resource for students, researchers, history buffs, and general readers alike.

Ebbs and Flows of Medieval Empires, AD 900-1400 provides a flow of history throughout the medieval world from 900 to 1400 AD, describing the ebbs and flows of empires as the western world recovered from the dark ages. As a point of reference, author Will Slatyer presents the empires in Asia in the same timeframes as European empires, illustrating patterns of similarity among these empires. War remained important to leaders of the emerging nation and states as a primary method of gaining territory and expanding their influence. Meanwhile, the Church of Rome endeavoured to gain control of Europe secularly and spiritually, often using the spread of Islam as an excuse for its widening span of control. Islam was advanced spectacularly by the Arabs, but lost much impetus when leaders of other ethnicities took control; even so, it continued to spread throughout the world. Coinage again came into use during this period after the lapse of the usage of precious metals as compensation during the dark ages. Trade grew particularly when spices from the Orient were introduced in Europe, because they were so attractive in an age without refrigeration. As city-states became more civilised, textiles for clothing came into strong demand. International trade encouraged banking based upon models introduced by the Knights Templar. Ebbs and Flows of Medieval Empires, AD 900-1400 shows that human fear and greed demonstrated in ancient times, continued with medieval leaders, including popes, leading the way to the more capitalist enterprise of the Renaissance after 1400 AD.

A close study of clothes worn by aristocratic families and their households at the time of the Black Prince - and of Chaucer - showing Europe-wide influences. 1340 to 1363 were years remarkable for dramatic developments in fashion and for extravagant spending on costume, foreshadowing the later luxury of Richard II's court. Stella Mary Newton broke new ground with this detailed study, which discusses fourteenth-century costume in detail. She draws on surviving accounts from the Royal courts, the evidence of chronicles and poetry (often from unpublished manuscripts), and representations in painting, sculpture andmanuscript illumination. Her exploration of aspects of chivalry, particularly the choice of mottoes and devices worn at tournaments, and of the exchange of gifts of clothing between reigning monarchs, offers new insights into thesocial history of the times, and she has much to say that is relevant to the study of illuminated manuscripts of the fourteenth century. STELLA MARY NEWTON's lifelong interest in costume has been the mainspring of her work, from early days as a stage and costume designer (including designing the costumes for the first production of T.S. Eliot's Murder in the Cathedral) to her later work at the National Gallery advising on the implications ofcostume for the purpose of dating, and at the Courtauld Institute where she set up the department for the study of the history of dress.