The story of a large yet little-known Protestant denomination

After the dissolution of the PKK (Kurdistan Workers’ Party) in 2002, internal discussions ran high, and fear and uncertainty about the future of the Kurdish freedom movement threatened to unravel the gains of decades of organizing and armed struggle. From his prison cell, Abdullah Öcalan intervened by penning his most influential work to date: Beyond State, Power, and Violence. With a stunning vision of a freedom movement centered on women’s liberation, democracy, and ecology, Öcalan helped reinvigorate the Kurdish freedom movement by providing a revolutionary path forward with what is undoubtedly the furthest-reaching definition of democracy the world has ever seen. Here, for the first time, is the highly anticipated English translation of this monumental work. Beyond State, Power, and Violence is a breathtaking reconnaissance into life without the state, an essential portrait of the PKK and the Kurdish freedom movement, and an open blueprint for leftist organizing in the twenty-first century, written by one of the most vitally important political luminaries of today. By carefully analyzing the past and present of the Middle East, Öcalan evaluates concrete prospects for the Kurdish people and arrives with his central proposal: recreate the Kurdish freedom movement along the lines of a new paradigm based on the principles of democratic confederalism and democratic autonomy. In the vast scope of this book, Öcalan examines the emergence of hierarchies and eventually classes in human societies and sketches his alternative, the democratic-ecological society. This vision, with a theoretical foundation of a nonviolent means of taking power, has ushered in a new era for the Kurdish freedom movement while also offering a fresh and indispensable perspective on the global debate about a new socialism. Öcalan’s calls for nonhierarchical forms of democratic social organization deserve the careful attention of anyone interested in constructive social thought or rebuilding society along feminist and ecological lines.

In the opening decades of the twentieth century, Germany was at the cutting edge of arts and humanities scholarship across Europe. However, when many of its key thinkers - leaders in their fields in classics, philosophy, archaeology, art history, and oriental studies - were forced to flee to England following the rise of the Nazi regime, Germany's loss became Oxford's gain. From the mid-1930s onwards, Oxford could accurately be described as an 'ark of knowledge' of western civilization: a place where ideas about art, culture, and history could be rescued, developed, and disseminated freely. The city's history as a place of refuge for scientists who were victims of Nazi oppression is by now familiar, but the story of its role as a sanctuary for cultural heritage, though no less important, has received much less attention. In this volume, the impact of Oxford as a shelter, a meeting point, and a centre of thought in the arts and humanities specifically is addressed, by looking both at those who sought refuge there and stayed, and those whose lives intersected with Oxford at crucial moments before and during the war. Although not every great refugee can be discussed in detail in this volume, this study offers an introduction to the unique conjunction of place, people, and time that shaped Western intellectual history, exploring how the meeting of minds enabled by libraries, publishing houses, and the University allowed Oxford's refugee scholars to have a profound and lasting impact on the development of British culture. Drawing on oral histories, previously unpublished letters, and archives, it illuminates and interweaves both personal and global histories to demonstrate how, for a short period during the war, Oxford brought together some of the greatest minds of the age to become the custodians of a great European civilization.

Mitchell Roberts' father was a drunk. His fathers' father was a drunk. His mothers' father was a drunk. In the family tradition Mitch was a drunk. Mitchell, however, did something none of the others did. He found recovery. Much to his disappointment he's still knee deep in dysfunction. His ex-wife wants to remarry, and he's not sure he's not really in love with his ex-girl friend. The hole he's dug with twenty-eight years of drinking is not easily escaped. What starts out as a very co-dependent relationship becomes real love, as he learns to form a true partnership with another human being. Mitchell has a lot of challenges to face in recovery, and so far he's making headway, but when life takes something from him that he's not prepared to lose, reality hits him like a freight train. Why go on? Does the answer lie in the gun laying on the little chapel floor? The one brought in by a drunk priest. What is the point to life anyway?

“The action is nonstop, the characters very real—and very different from each other—and, to coin a phrase, it makes you think.”—S. M. Stirling, author of Island in the Sea of Time In the year 2021, a multinational fleet—experimenting with untested weapons technology—pitched through time, crash-landing in 1942. The world is thrown into chaos as Roosevelt, Hitler, Churchill, Tojo, and Stalin scramble to adapt to new, high-tech killing tools, and twenty-first-century ways of war. For “uptimers” like Britain’s Prince Harry and the men and women who serve aboard the supercarrier USS Hillary Clinton, war is a constant struggle with their own downtime allies, who are mired in ignorance and bigotry. As the Allies counter the Nazi assault and set off for the coast of France, Japan begins to buckle, soon every battle will be played out in a lethal dance of might and intelligence, unholy alliances and desperate gambles, and each clash will be fought with the ultimate weapon; knowledge from the future. Thanks to the historical records, all sides know that two superpowers will emerge while the losers will be pounded into submission. But time has shifted on its axis, so none know who will survive or how peace will take hold in a world turned upside down. These are the questions that John Birmingham brilliantly answers in his critically acclaimed adventure of war and imagination.

This book for the first time brings together Gillian Beer's essays on Virginia Woolf. Widely recognised as a leading authority on Woolf and a sophisticated critic of modernism and fiction, Beer's essays make fascinating reading. Beer demonstrates, through close investigative textual readings, how Woolf's conceptualisations of history and narrative are intimately bound up with her ways of thinking about women, writing and social and sexual relations.