The Book of Judges has typically been treated either as a historical account of the conquest of Israel and the rise of the monarch, or as an ancient Israelite work of literary fiction. In this new approach, Brettler contends that Judges is essentially a political tract, which argues for the legitimacy of Davidic kingship. He skilfully and accessibly shows the tension between the stories in their original forms, and how they were altered and reused to create a book with a very different meaning. Important reading for all those studying this part of the Bible.

Eminently readable, exegetically thorough, and written in an emotionally warm style that flows from his keen sensitivity to the text, Barry Webb’s commentary on Judges is just what is needed to properly engage a dynamic, narrative work like the book of Judges. It discusses not only unique features of the stories themselves but also such issues as the violent nature of Judges, how women are portrayed in it, and how it relates to the Christian gospel of the New Testament. Webb concentrates throughout on what the biblical text itself throws into prominence, giving space to background issues only when they cast significant light on the foreground. For those who want more, the footnotes and bibliography provide helpful guidance. The end result is a welcome resource for interpreting one of the most challenging books in the Old Testament.

Reprint of the original, first published in 1881.

Using a combination of literary theory and the tools of biblical criticism, this original and thought-provoking study investigates the book of Judges as an example of the art of editing in the Hebrew Bible. Judges is shown to have been composed in its parts, and as a whole, according to particular integrative principles. The study not only sheds new light on the redaction of Judges, but opens a new window on biblical historiography as a whole. Responding to calls in the scholarly literature for its translation from Hebrew, this publication makes Amit's fine study available to a wider audience.

This volume represents an inductive, literary/rhetorical analysis of the book of Judges to determine whether recent synchronic approaches that read the book as an integrated whole are indeed justified. As possible rhetorical links connecting Judges' prologue (1:1-2:5), epilogue (17:1-21:25), and central section (2:6-16:31) are examined in detail and the implications of such links carefully considered, the author concludes that, contrary to the consensus view that sees the central section of Judges as a part of Deuteronomistic History and the prologue and epilogue as later additions, the book in its current form may have been a unified composition of a single creative author. If so, not only does this have significant implications for the validity of the Deuteronomistic History Hypothesis, a new possibility also emerges which sees the interpretive key to the book as residing in the prologue and epilogue rather than the central section.

This volume describes how the rhetorical devices used in Judges inspire its readers to support a divinely appointed Judahite king who endorses the deuteronomic agenda to rid the land of foreigners, to maintain inter-tribal loyalty to YHWH's cult, and to uphold social justice. Matters of rhetorical concern interpreted here include the superimposed cycle-motif and tribal-political schemata, concerns reflected in the plot-layers of each hero story, the force of narrative analogy for characterization, the strategy of entrapment which foreshadows portrayals of Saul and David in 1 Samuel, and the relation between Judges' implied situation of composition and its compiler's intention. In addition to offering new insights into the rhetorical strategy of the Judges compiler, this book illustrates a new method for understanding how plot-layered stories work.

The subject of this book is the prophetic history of the political-military leaders, called judges, that succeeded Joshua and led the tribes of Israel during the tumultuous anarchic period between the death of Joshua and the transformation of the Israelite confederation of tribes into a nation-state (as subsequently described in the biblical book of Samuel, presented in the Masoretic text of the biblical book of Judges.) The term prophetic history is employed to describe the subject because prophecy in biblical thought is not fatalistic and does not predict future events. What it does do is assert that the moral course that a society chooses to follow in the present can determine its probable but not inevitable future. The purpose of the biblical book is to inform the reader of the historical consequences of the failure to observe the terms of the divine covenant entered into between God and the children of Israel at Mount Sinai following the exodus from Egypt. Although the biblical narrative is based on events that were believed to have taken place, the primary focus of prophetic history is on the moral implications of the decisions taken by men rather than the factual accuracy of the details of the events described, which have been studied exhaustively by archaeologists and historians of the ancient world.

In the Book of Judges, why, if we view Samson as a heroic Übermensch, do we read his story one way, yet if we read him as a buffoonish and violent oaf, we read the story another way? How does our assessment of the characters of a story, our empathy with them or suspicion of them, shape the way we read it? This book addresses these questions by analyzing the complex characterization in the Book of Judges, paying attention to an often neglected but important area of study in the Hebrew Bible. Its international group of contributors explore the implications of characterization on storytelling, situating their contributions within the context of literary studies of the Hebrew Bible, and offering multiple perspectives on the many and various characters one encounters in the Book of Judges. Chapters examine a range of topics, including the relationship between humor, characterization and theology in Judges; the intersection of characterization and ethics through the story of the story of Jephthah's daughter; why the 'trickster hero' Ehud disturbs interpreters; and the ways in which Abimelech's characterization affects the key narrative themes of succession and kingship in his story.