When O.D. Skelton became Prime Minister Mackenzie King's foreign policy advisor in 1923, he was already a celebrated critic of the status quo in international and domestic affairs, a loyal Liberal Party man, and a fervent nationalist who believed Canada needed to steer a path independent of Britain. Two years later, he became the permanent head of Canada's Department of External Affairs. Between then and his tragic death in 1941, Skelton created Canada's professional diplomatic service, staffing it with sharp young men such as Lester B. Pearson. Skelton's importance in Ottawa was unparalleled, and his role in shaping Canada's world was formative and crucial. Using research from archives across Canada and around the world, Norman Hillmer presents Skelton not only as a towering intellectual force but as deeply human - deceptively quiet, complex, and driven by an outsize ambition for himself and for his country. O.D. Skelton is the definitive biography of the most influential public servant in Canada's history, written by one of the most prolific Canadian historians of international affairs and the editor of Skelton's voluminous papers.

In 1939 Frank Luther Mott received a Pulitzer Prize for Volumes II and III of his History of American Magazines. In 1958 he was awarded the Bancroft Prize for Volume IV. He was at work on Volume V of the projected six-volume history when he died in October 1964. He had, at that time, written the sketches of the twenty-one magazines that appear in this volume. These magazines flourished during the period 1905-1930, but their "biographies" are continued throughout their entire lifespan--in the case of the ten still published, to recent years. Mott's daughter, Mildred Mott Wedel, has prepared this volume for publication and provided notes on changes since her father's death. No one has attempted to write the general historical chapters the author provided in the earlier volumes but which were not yet written for this last volume. A delightful autobiographical essay by the author has been included, and there is a detailed cumulative index to the entire set of this monumental work. The period 1905-1930 witnessed the most flamboyant and fruitful literary activity that had yet occurred in America. In his sketches, Mott traces the editorial partnership of H. L. Mencken and George Jean Nathan, first on The Smart Set and then in the pages of The American Mercury. He treats The New Republic, the liberal magazine founded in 1914 by Herbert Croly and Willard Straight; the conservative Freeman; and Better Homes and Gardens, the first magazine to achieve a circulation of one million "without the aid of fiction or fashions." Other giants of magazine history are here: we see "serious, shaggy...solid, pragmatic, self-contained" Henry Luce propel a national magazine called Time toward its remarkable prosperity. In addition to those already mentioned, the reader will find accounts of The Midland, The South Atlantic Quarterly, The Little Review, Poetry, The Fugitive, Everybody's, Appleton's Booklovers Magazine, Current History, Editor & Publisher, The Golden Book Magazine, Good Housekeeping, Hampton's Broadway Magazine, House Beautiful, Success, and The Yale Review.

In June 1908, a red-haired orphan appeared on to the streets of Boston and a modern legend was born. That little girl was Anne Shirley, better known as Anne of Green Gables, and her first appearance was in a book that has sold more than 50 million copies worldwide and been translated into more than 35 languages (including Braille). The author who created her was Lucy Maud Montgomery, a writer who revealed very little of herself and her method of crafting a story. On the centenary of its publication, Irene Gammel tells the braided story of both Anne and Maud and, in so doing, shows how a literary classic was born. Montgomery's own life began in the rural Cavendish family farmhouse on Prince Edward Island, the place that became the inspiration for Green Gables. Mailmen brought the world to the farmhouse's kitchen door in the form of American mass market periodicals sparking the young Maud's imagination. From the vantage point of her small world, Montgomery pored over these magazines, gleaning bits of information about how to dress, how to behave and how a proper young lady should grow. She began to write, learning how to craft marketable stories from the magazines' popular fiction; at the same time the fashion photos inspired her visual imagination. One photo that especially intrigued her was that of a young woman named Evelyn Nesbit, the model for painters and photographers and lover of Stanford White. That photo was the spark for what became Anne Shirley. Blending biography with cultural history, Looking forAnne of Green Gables is a gold mine for fans of the novels and answers a trunk load of questions: Where did Anne get the "e" at the end of her name? How did Montgomery decide to give her red hair? How did Montgomery's courtship and marriage to Reverend Ewan Macdonald affect the story? Irene Gammel's dual biography of Anne Shirley and the woman who created her will delight the millions who have loved the red haired orphan ever since she took her first step inside the gate of Green Gables farm in Avonlea.

Chronicles the life and literary success of the author of the enduring classic, "Little Women."

In the late nineteenth century, the urban department store arose as a built artifact and as a social institution in the United States. While the physical building type is the foundation of this comprehensive architectural study, Louisa Iarocci reaches beyond the analysis of the bricks and mortar to reconsider how the ?spaces of selling? were culturally-produced spaces, as well as the product of interrelated economic, social, technological and aesthetic forces. The agenda of the book is three-fold; to address the lack of a comprehensive architectural study of the nineteenth century department store in the United States; to expand the analysis of the commercial city as a built and represented entity; and to continue recent scholarly efforts that seek to understand commercial space as a historically specific and a conceptually perceived construct. The Urban Department Store in America, 1850-1930 acts as a corrective to a current imbalance in the historiography of this retailing institution that tends to privilege its role as an autonomous ?modern? building type. Instead, Iarocci documents the development of the department store as an urban institution that grew out of the built space of the city and the lived spaces of its occupants.