In The Brink of Freedom David Kazanjian revises nineteenth-century conceptions of freedom by examining the ways black settler colonists in Liberia and Mayan rebels in Yucatán imagined how to live freely. Focusing on colonial and early national Liberia and the Caste War of Yucatán, Kazanjian interprets letters from black settlers in apposition to letters and literature from Mayan rebels and their Creole antagonists. He reads these overlooked, multilingual archives not for their descriptive content, but for how they unsettle and recast liberal forms of freedom within global systems of racial capitalism. By juxtaposing two unheralded and seemingly unrelated Atlantic histories, Kazanjian finds remarkably fresh, nuanced, and worldly conceptions of freedom thriving amidst the archived everyday. The Brink of Freedom’s speculative, quotidian globalities ultimately ask us to improvise radical ways of living in the world.

All civilizations face threats of decline and fall. Some civilizations overcome these threats or at least postpone them for a time. They do so because they have the ability to renew and refresh themselves. When they lack that ability, they inevitably fail. The United States must now renew itself.

An engaging reassessment of the celebrated essayist and his relevance to contemporary readers More than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces readers to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness. This Emerson is a rebel. He is also a lover, a friend, a husband, and a father. Having declared his great topic to be “the infinitude of the private man,” he is nonetheless an intensely social being who develops Transcendentalism in the company of Henry David Thoreau, Margaret Fuller, Bronson Alcott, and Theodore Parker. And although he resists political activism early on—hoping instead for a revolution in consciousness—the burning issue of slavery ultimately transforms him from cloistered metaphysician to fiery abolitionist. Drawing on telling episodes from Emerson’s life alongside landmark essays like “Self-Reliance,” “Experience,” and “Circles,” Glad to the Brink of Fear reveals how Emerson shares our preoccupations with fate and freedom, race and inequality, love and grief. It shows, too, how his desire to see the world afresh, rather than accepting the consensus view, is a lesson that never grows old.

Liberal arts colleges represent a tiny portion of the higher education market—no more than 2 percent of enrollees. Yet they produce a stunningly large percentage of America’s leaders in virtually every field of endeavor. The educational experience they offer—small classes led by professors devoted to teaching and mentoring, in a community dedicated to learning—has been a uniquely American higher education ideal. Liberal Arts at the Brink is a wake-up call for everyone who values liberal arts education. A former college president trained in law and economics, Ferrall shows how a spiraling demand for career-related education has pressured liberal arts colleges to become vocational, distorting their mission and core values. The relentless competition among them to attract the “best” students has driven down tuition revenues while driving up operating expenses to levels the colleges cannot cover. The weakest are being forced to sell out to vocational for-profit universities or close their doors. The handful of wealthy elite colleges risk becoming mere dispensers of employment and professional school credentials. The rest face the prospect of moving away from liberal arts and toward vocational education in order to survive. Writing in a personable, witty style, Ferrall tackles the host of threats and challenges liberal arts colleges now confront. Despite these daunting realities, he makes a spirited case for the unique benefits of the education they offer—to students and the nation. He urges liberal arts colleges to stop going it alone and instead band together to promote their mission and ensure their future.

Addressing issues of continuing if not heightened relevance to contemporary debate, America at the Brink of Empire explores the foreign policy leadership of Dean Rusk and Henry Kissinger regarding the extent of the United States' mission to insure a stable world order. Lawrence W. Serewicz argues that in the Vietnam conflict the United States experienced an identity crisis-a near Machiavellian moment, to use the concept of J. G. A. Pocock-whereby America came close to assuming an imperial role, stretching the country to the limits of its identity as a republic. Serewicz offers a revealing look at the parts played by Rusk and Kissinger-and President Lyndon Johnson-in bringing the nation to the brink of empire in the years 1963-75.As a true believer in liberal internationalism, Rusk set the stage by defining the war in Vietnam as a threat to the world order based on the United Nations security system created after World War II. Johnson kept an open-ended commitment in Vietnam without a clear goal in sight even as he pursued the ambitious domestic reforms of the Great Society. In refusing to choose between either an imperial mission or a true republican position for the nation, he brought it perilously close to becoming an empire, ultimately failing to achieve his goals either at home or abroad. Kissinger corrected for Johnson's overreach, implementing a pragmatic realism based upon the principle that the United States is an ordinary country-a republic, not an empire-within the international community and therefore must balance its commitments with its resources.In concluding, Serewicz reflects on the continuing relevance of the Machiavellian moment for the United States by observing the differences and similarities between the presidencies of Johnson and George W. Bush. America at the Brink of Empire illuminates the far-reaching consequences of Rusk's and Kissinger's widely divergent foreign policy philosophies and outlines the tension that a statesman must reconcile between a republican government and the maintenance of a stable world order.

This collection of essays by one of the foremost figures in contemporary theory takes as its theme the edge or limit between language, time, history, and politics. These are essays that are all on the brink, the very extreme at which one can no longer define where one is located, neither on the cliff, say, nor over the edge. To be on the brink is to take up that extreme limit, the point of contamination or indetermination where language, time, history, and politics all converge upon one another. On the Brink begins with a consideration of Kant’s treatment of time as representation and of Hegel’s treatment of the writing of history and the end of art, all while taking up other key figures in the history of philosophy. The book then moves to an exploration of language in a variety of manifestations, from translation to complaint and greeting. It concludes by analyzing political and social questions that continue to haunt us today—the conception of work, not least in National Socialism, and our relationship to democracy. Taken together, Werner Hamacher’s essays offer trenchant historical, political, and rhetorical interventions into the history of philosophy, literature, and our contemporary political situation.

Colleges on the Brink is about the financial crises many colleges are facing in the post-pandemic era and how they can be resolved. The tools described require changing how colleges spend money while still maintaining core academic values. Ambrose and Nietzel discuss the conditions involving financial exigency and other major budget overhauls, and they outline how to maximize the likelihood institutions can regain financial health. The challenge these colleges face is to come back from the brink and become leaner, financially stable institutions, ready to provide the education students need.

Can bitter enemies ever be friends? Harry Brigandshaw is presumed dead, missing in the wilds of Africa. And Colonial Shipping is stolen. Tina is miserable on Elephant Walk whilst the new generation of Brigandshaws and St Clairs are on the threshold of new beginnings. Young, carefree, full of excitement and eager for success. The Great War is behind them, the world has licked their wounds and a new future beckons. But menacing undercurrents are permeating. There’s talk. The Fourth Estate spinning their stories. Scaremongering. Rumours. Hitler inciting hatred. His power, seductive. Yet the Allies are grinding Germany into the dust but for how long? The Gestapo and the Brownshirts are lurking, raising national pride, waiting to strike. And back in England, the youngsters are living the high life, trying to ignore the gossip. But how can they when all the signs are there for the inevitable? It’s the calm before the storm! The world is on the brink of tears.

From popular culture to politics to classic novels, quintessentially American texts take their inspiration from the idea of infinity. In the extraordinary literary century inaugurated by Ralph Waldo Emerson, the lyric too seemed to encounter possibilities as limitless as the U.S. imagination. This raises the question: What happens when boundlessness is more than just a figure of speech? Exploring new horizons is one thing, but actually looking at the horizon itself is something altogether different. In this carefully crafted analysis, James von der Heydt shines a new light on the lyric craft of Emily Dickinson, Robert Frost, Elizabeth Bishop, and James Merrill and considers how their seascape-vision redefines poetry's purpose. Emerson famously freed U.S. literature from its past and opened it up to vastness; in the following century, a succession of brilliant, rigorous poets took the philosophical challenges of such freedom all too seriously. Facing the unmarked horizon, Emersonian poets capture—and are captured by—a stark, astringent version of human beauty. Their uncompromising visions of limitlessness reclaim infinity's proper legacy—and give American poetry its edge. Von der Heydt's book recovers the mystery of their world.

What does it mean to be human? And, more precisely, what does it mean to be human now, with both humanism and the humanities in crisis? In answer to these questions, Laughing on the Brink of Humanity seeks not some essence of the human but rather an epiphenomenal manifestation—a sign of the human. The book finds such a sign in the joyless, painful, and often deadly laughter that resonates when we cross the barrier between what is human and what is not: animality, machinery, divinity. Jan Miernowski brings together a wide swath of discourses and figures, from Plato and the Bible through early modern humanism, to Friedrich Nietzsche, Georges Bataille, Hannah Arendt, Claude Lanzmann, Spike Jonze, Tom Stoppard, and Michel Houellebecq. Looking for laughter on the brink of humanity—in literature and philosophy, natural science and film, theology and computer science—the book offers an exercise in epihumanism appropriate to our posthuman age.