This book examines what motivated the ordinary British man to go to France in 1914, especially in the early years when Britain relied on the voluntary system to fill the ranks.

A Companion to the First World War brings together an international team of distinguished historians who provide a series of original and thought-provoking essays on one of the most devastating events in modern history. Comprises 38 essays by leading scholars who analyze the current state of historical scholarship on the First World War Provides extensive coverage spanning the pre-war period, the military conflict, social, economic, political, and cultural developments, and the war's legacy Offers original perspectives on themes as diverse as strategy and tactics, war crimes, science and technology, and the arts Selected as a 2011 Outstanding Academic Title by CHOICE

Between 1917 and 1919 women enlisted in the Women's Land Army, a national organisation with the task of increasing domestic food production. Behind the scenes organisers laboured to not only recruit an army of women workers, but to also dispel public fears that Britain's Land Girls would be defeminized and devalued by their wartime experiences.

The First World War is often described as a regional war with few repercussions beyond Europe. However, by the dawn of the 20th century, global political and economic entanglements of empires and nation states had reached unprecedented dimensions. Consequently, the war affected the lives of millions of combatants and civilians alike: politically, socially and culturally. This book shifts the Eurocentric focus of Europeans fighting and dying on European battlefields to a broader, global perspective. With local accounts and perceptions ranging from Argentina to Afghanistan, from Iran to Senegal, the volume sheds light on the multitude of contributions to and consequences of the First World War all around the world.

Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers’ songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

This book is the first comprehensive investigation of the National War Aims Committee, providing detailed discussion of the establishment, activities and reception of the British domestic propaganda organisation, together with a careful and extensive analysis of the patriotic content of its propaganda.

This book challenges scholarship which presents charity and voluntary activity during World War I as marking a downturn from the high point of the late Victorian period. Charitable donations rose to an all-time peak, and the scope and nature of charitable work shifted decisively. Far more working class activists, especially women, became involved, although there were significant differences between the suburban south and industrial north of England and Scotland. The book also corrects the idea that charitably-minded civilians’ efforts alienated the men at the front, in contrast to the degree of negativity that surrounds much previous work on voluntary action in this period. Far from there being an unbridgeable gap in understanding or empathy between soldiers and civilians, the links were strong, and charitable contributions were enormously important in maintaining troop morale. This bond significantly contributed to the development and maintenance of social capital in Britain, which, in turn, strongly supported the war effort. This work draws on previously unused primary sources, notably those regarding the developing role of the UK’s Director General of Voluntary Organizations and the regulatory legislation of the period.

Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. He considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of their working-class audiences. He assesses the different genres of musical entertainment which were common in the war years and presents a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

While a plethora of studies have discussed why so many men decided to volunteer for the army during the Great War, the experiences of those who were called up under conscription have received relatively little scrutiny. Even when the implementation of the respective Military Service Acts has been investigated, scholars have usually focused on only the distinct minority of those eligible who expressed conscientious objections. It is rare to see equal significance placed on the fact that substantial numbers of men appealed, or were appealed for, on the grounds that their domestic, business, or occupational circumstances meant they should not be expected to serve. David Littlewood analyses the processes undergone by these men, and the workings of the bodies charged with assessing their cases, through a sustained transnational comparison of the British and New Zealand contexts.

The First World War had a profound impact on British society and on British relations with continental Europe, the Dominions, the United States and the emerging Soviet Union. The pre-war world was transformed, and the world that we recognize today began to take shape. That is why, 100 years after the outbreak, the time is right for this collection of thought-provoking chapters that reassesses why Britain went to war and the preparations made by the armed forces, the government and the nation at large for the unprecedented conflict that ensued.A group of distinguished historians looks back, with the clarity of a modern perspective, at the issues that were critical to Britain's war effort as the nation embarked on the most intense and damaging struggle in its history. In a series of penetrating chapters they explore the reasons for Britain going to war, the official preparations, the public reaction, the readiness of the armed forces, internment, the impact of the opening campaign, the experience of the soldiers, recruitment, training, weaponry, the political implications, and the care of the wounded.