This book examines the location and representation of the colonial clerk or the kerani within the cultural and social space of nineteenth century colonial India. It provides a comparative history of the clerk in Calcutta vis-à-vis the clerk in contemporary London in order to understand the manifestations of modernity in these two disparate but intimately related spaces. The volume traces the socio-historical life of the clerk in the newly emerged city-space of Calcutta and reveals how the Bengali kerani became a complex and distinct figure of bureaucratic and colonial modernity. It analyses the techniques of surveillance and ethical training given to the native clerks and offers insights into the role of education in the production and dissemination of knowledge and hegemony in the colonial setting. The author, through a reading of clerk manuals, handbooks and literary representations, highlights the class and cultural identity of the English educated colonial clerk in the new city-space. He also focuses on the ambivalence and unreliability of the clerk or colonial babu who became complicit and gave legitimacy to the empire while personifying a complex modernity within the networks of the colonial administration. This book will be of great interest to students and researchers of colonial and imperial history, literature, cultural studies, city studies, British studies, area studies, commonwealth studies and South Asian studies, particularly those interested in colonial Bengal.

Locates Akshay Kumar Datta as one of the foundational figures of intellectual refashioning in nineteenth-century Bengal.

This volume presents a comprehensive study of the urbanization of Bengal from ancient to postcolonial times. It analyses the notion of urban space, examines the institutions which constitute the ‘urban’, and explores the crises brought about by the Partition. The book highlights the key features of urbanization in colonial Bengal––the print culture, institutions of Western education and Western medicine, and the census as a ‘modern form of knowledge’. It also looks at the refugee movement and discusses the contribution of Partition refugees in urbanizing Bengal. Rich in archival sources, this book will be indispensable for scholars and researchers of urban history, urban studies, Indian history, colonial history, postcolonial studies, partition studies, and South Asian history, particularly those interested in Bengal.

The political context in which historians of India find themselves today, says Sumit Sarkar, is dominated by the advance of the Hindu Right and globalized forms of capitalism, while the historian's intellectual context is dominated by the marginalization of all varieties of Marxism and an academic shift to cultural studies and postmodern critique. In Beyond Nationalist Frames, one of India's foremost contemporary historians offers his view of how the craft of history should be practiced in this complex conjuncture. In studies of colonial time-keeping, Rabindranath Tagore's fiction, and pre-Independence Bengal, Sarkar explores new approaches to the writing of history. Essays on contemporary politics consider the implications of the "Hindu Bomb," the rewriting of national history textbooks by Hindu fundamentalists, and the issue of conversion to Christianity. Scholars in all the fields touched by recent developments in South Asian historiography—anthropology, feminist theory, comparative literature, cultural studies—will find this a stimulating and provocative collection of essays, as will anyone interested in Indian politics.

For the past forty years or more, the most influential, respected, and popular scholar of modern Indian history has been Sumit Sarkar. When his first monograph, The Swadeshi Movement in Bengal 1903–1908, appeared in 1973 it soon became obvious that the book represented a paradigm shift within its genre. As Dipesh Chakrabarty put it when the work was republished in 2010: "Very few monographs, if any, have ever rivalled the meticulous research and the thick description that characterized this book, or the lucidity of its exposition and the persuasive power of its overall argument." Ten years later, Sarkar published Modern India 1885–1947, a textbook for advanced students and teachers. Its synthesis and critique of everything significant that had been written about the period was seen as monumental, lucid, and the fashioning of a new way of looking at colonialism and nationalism. Sarkar, however, changed the face not only of modern Indian history monographs and textbooks, he also radically altered the capacity of the historical essay. As Beethoven stretched the sonata form beyond earlier conceivable limits, Sarkar can be said to have expanded the academic essay. In his hands, the shorter form becomes in miniature both monograph and textbook. The present collection, which reproduces many of Sarkar's finest writings, shows an intellectually scintillating, skeptical-Marxist mind at its sharpest.

Buy Latest ( English Literature ) Poetry and Drama-I Book in English Language for B.A 1st Semester University of Rajasthan, Jaipur NEP-2020 By Thakur publication.

The Making of Indian English Literature brings together seventeen well-researched essays of Subhendu Mund with a long introduction by the author historicising the development of the Indian writing in English while exploring its identity among the many appellations tagged to it. The volume demonstrates, contrary to popular perceptions, that before the official introduction of English education in India, Indians had already tried their hands in nearly all forms of literature: poetry, fiction, drama, essay, bio­graphy, autobiography, book review, literary criticism and travel writing. Besides translation activities, Indians had also started editing and publish­ing periodicals in English before 1835. Through archival research the author brings to discussion a number of unknown and less discussed texts which contributed to the development of the genre. The work includes exclusive essays on such early poets and writers as Kylas Chunder Dutt, Shoshee Chunder Dutt, Toru Dutt, Mirza Moorad Alee Beg, Krupabai Satthianadhan, Swami Vivekananda, H. Dutt, and Sita Chatterjee; and historiographical studies on the various aspects of the genre. The author also examines the strategies used by the early writers to indianise the western language and the form of the novel. The present volume also demonstrates how from the very beginning Indian writing in English had a subtle nationalist agenda and created a space for protest literature. The Making of Indian English Literature will prove an invaluable addition to the studies in Indian writing in English as a source of reference and motivation for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

"Catalog of travelling photographic exhibition of royal Indonesian letters and manuscripts from British collections".