The Cambridge Companion to John F. Kennedy explores the creation, and afterlife, of an American icon.

This book analyzes the social construction of John Fitzgerald Kennedy's memory in the arts, literature, and in the many monuments erected in his honor.

Using John F. Kennedy as a central figure and reference point, this volume explores how postcolonial citizens viewed the US president when peak decolonization met the Cold War. Exploring how their appropriations blended with their own domestic and regional realities, the chapters span sources, cases and languages from Latin America, Africa, Asia and Europe to explore the history of US and third world relations in a way that pushes beyond US-centric themes. Examining a range of actors, Globalizing the U.S. Presidency studies various political, sociocultural and economic domestic and regional contexts during the Cold War era, and explores themes such as appropriation, antagonism and contestation within decolonisation. Attempting to both de-americanize and globalize John F. Kennedy and the US Presidency, the chapters examine how the perceptions of the president were fed by everyday experiences of national and international postcolonial lives. The many examples of worldwide interest in the US president at this time illustrate that this time was a historical turning point for the role of the US on the global stage. The hopes and fears of peaking decolonization, the resulting pressure on Washington, Moscow and other powers, and a new mediascape together ushered in a more comprehensive globalization of international politics, and a new meaning to 'the United States in the world'.

Presenting the 1937 diaries of John F. Kennedy’s tour of Europe, this volume offers insights into his early experiences on a continent under the shadow of Nazism. In 1937, while still a student, John F. Kennedy undertook a grand tour of Europe with his close friend and traveling companion, Lem Billings. On this journey he began to keep a diary, which is reproduced here in full and provides an unadulterated account of his thoughts and feelings. Superficially, it presents a picture of two young men enjoying their summer, sightseeing, going to the movies, bars and night clubs; but behind this we find, in Kennedy’s political observations and encounters, the looming shadow of Nazism. In retrospect there are blind spots and misjudgments, but also insights of great topicality, for example on populism, and propaganda and its potent effects. On this trip and during his later travels in Germany, Kennedy engaged with the crucial questions of his later presidency: How does a dictatorship work? How is an alternative concept of society to be countered? And how can an impending war be averted? Kennedy’s European and Russian policies and also his famous Berlin speech of 1963 (“Ich bin ein Berliner”) are to be understood against this background. In addition to numerous archive photographs, this volume contains Kennedy’s complete diary of his 1937 trip to Europe and, as a counterpart, the “Scrapbook” of Lem Billings who documented it from his perspective.

In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender, and desire over his thirty-year American career.

If personal and national identity is often constructed in terms of place, how do our identities and values change as places themselves are transformed? What happens to the spaces in which we live as societal values and identities change? These questions can be asked of almost any discipline, whether one is taking a photograph or mapping a literary topography, tracing linguistic change in a geographic region or languageâ (TM)s importance to our conception of a political territory, building a house or place of worship on a physical plot of land, or constructing them from words on a page or computer software. Few places are ever uniquely our own. We share them, knowing that the geographic points stabilizing our own identities serve, on their reverse side, to support an entirely different set of meanings. We project our cultural (or disciplinary) markers onto landscapes which are already hardly blank, but full of othersâ (TM) meanings. This collection brings together scholars from a range of disciplines including literary and cultural studies, history, political science, architecture, anthropology, photography and art history, communications, sociology, lexicography, linguistics, tourism management and theoretical psychoanalysis, each shedding light on how place is both a transforming subject and a transformed object.