Wilkie Collins was one of the most popular writers of the nineteenth century. He is best known for The Woman in White, which inaugurated the sensation novel in the 1860s, and The Moonstone, one of the first detective novels; but he wrote over 20 novels, plays and short stories during a career that spanned four decades. This Companion offers a fascinating overview of Collins's writing. In a wide range of essays by leading scholars, it traces the development of his career, his position as a writer and his complex relation to contemporary cultural movements and debates. Collins's exploration of the tensions which lay beneath Victorian society is analysed through a variety of critical approaches. A chronology and guide to further reading are provided, making this book an indispensable guide for all those interested in Wilkie Collins and his work.

In 1859 the popular novelist Wilkie Collins wrote of a ghostly woman, dressed from head to toe in white garments, laying her cold, thin hand on the shoulder of a young man as he walked home late one evening. His novel The Woman in White became hugely successful and popularised a style of writing that came to be known as sensation fiction. This Companion highlights the energy, the impact and the inventiveness of the novels that were written in 'sensational' style, including the work of Mary Elizabeth Braddon, Mrs Henry Wood and Florence Marryat. It contains fifteen specially-commissioned essays and includes a chronology and a guide to further reading. Accessible yet rigorous, this Companion questions what influenced the shape and texture of the sensation novel, and what its repercussions were both in the nineteenth century and up to the present day.

Part I of this authoritative handbook offers systematic essays, which deal with major historical, social, philosophical, political, cultural and aesthetic contexts of the English novel between 1830 and 1900. The essays offer a wide scope of aspects such as the Industrial Revolution, religion and secularisation, science, technology, medicine, evolution or the increasing mediatisation of the lifeworld. Part II, then, leads through the work of more than 25 eminent Victorian novelists. Each of these chapters provides both historical and biographical contextualisation, overview, close reading and analysis. They also encourage further research as they look upon the work of the respective authors at issue from the perspectives of cultural and literary theory.

The definitive biography of Wilkie Collins: the Victorian novelist, playwright, author of The Moonstone and The Woman in White, who lived a life of sensation. Wilkie Collins, author of The Moonstone and The Woman in White, was the master of the Victorian sensation novel, but he also had a complex private life that could have come straight out of one of his bestselling novels. While his books focused on uncovering family secrets, Wilkie was determined to keep his own unconventional domestic arrangements – living with two women, neither of them his wife – hidden from the outside world. In this colourful investigative biography, set against the backdrop of Victorian London, Andrew Lycett brings to life one of England’s greatest writers and reveals a brilliant, contrary and sensual man, deeply committed to his work.

Wilkie Collins: A Literary Life draws on recently available business and personal correspondence to establish a fresh portrait of one of Victorian Britain's busiest authors. The book takes in Collins's notoriously complicated private life as well as his work as a professional author in the changing world of Victorian publishing.

A gripping short biography of the extraordinary Wilkie Collins, author of The Moonstone and The Woman in White, two early masterpieces of mystery and detection. Short and oddly built, with a head too big for his body, extremely nearsighted, unable to stay still, dressed in colorful clothes, Wilkie Collins looked distinctly strange. But he was nonetheless a charmer, befriended by the great, loved by children, irresistibly attractive to women—and avidly read by generations of readers. Peter Ackroyd follows his hero, "the sweetest-tempered of all the Victorian novelists," from Collins' childhood as the son of a well-known artist to his struggling beginnings as a writer, his years of fame, and his lifelong friendship with that other great London chronicler, Charles Dickens. In addition to his enduring masterpieces, The Moonstone—often called the first true detective novel—and the sensational The Woman in White, he produced an intriguing array of lesser known works. Told with Ackroyd's inimitable verve, this is a ravishingly entertaining life of a great storyteller, full of surprises, rich in humor and sympathetic understanding.

This book provides the first comprehensive overview of the complete works of Wilkie Collins’s. Examining his vast array of novels and short stories, this volume includes analysis of the social, historical, and political commentary Collins offered within his works, illuminating Collins as more than a successful crime and sensation author, or the fortunate recipient of Dicken’s grand patronage, but as a hard-thinking and lively-writing part of the rich mid-Victorian literary scene. Overall, Collins is seen as a master of narratives which deal with social and personal issues that were much debated in his fifty-year authorial period. Close attention is paid to the events, themes, and characterization in his fiction, revealing his analytic vigor and the literary power of that period and context. Delivering fresh insight into the variety and richness of Collins’ themes and arguments, this volume provides a key source of information and analysis on all Collins’ fiction.

Wilkie Collins was one of the most popular novelists during England's Victorian era. While Collins scholarship has often focused on social issues, this critical study explores his formal ingenuity, particularly the novel of testimony constructed from epistolary fiction, trial reports and prose monologue. His innovations in form were later mirrored by Vera Caspary, who adapted The Woman in White three times into contemporary fiction. This text explores how the formal dialogue between Collins and Caspary has linked sensation fiction with noir thrillers and film noir.

This collection of essays by international scholars celebrates the 200th anniversary of Wilkie Collins's birth by exploring his unconventional life alongside his works, critical responses to his writings and their afterlife, and the literary and cultural contexts which shaped his fiction. Topics discussed include gender, science and medicine, music, law, race and empire, media adaptations, neo-Victorianism, disability, and ethics. Along with an analysis of his novels, the essays included also recognize the importance of his short stories, journalism, and contributions to Victorian theatre, most notably illuminating the strong connections between sensation fiction and melodrama, as well as exploring his influence on film and TV. Engaging with yet also delving far beyond the famous novels, this volume promotes awareness of Collins' remarkable and diverse writerly achievements and paints a vivid portrait of an author whose fluctuating reputation among contemporary critics stands in stark contrast to his immense and still-enduring popularity.

In the autumn of 1873, Wilkie Collins followed the example of fellow literary celebrities Dickens and Thackeray, and began a six-month reading tour of America. This book places this tour within the American lyceum movement of the later nineteenth century.