T. S. Eliot is not only one of the most important poets of the twentieth century; as literary critic and commentator on culture and society, his writing continues to be profoundly influential. Every student of English must engage with his writing to understand the course of modern literature. This book provides the perfect introduction to key aspects of Eliot's life and work, as well as to the wider contexts of modernism in which he wrote. John Xiros Cooper explains how Eliot was influenced by the intellectual climate of both twentieth-century Britain and America, and how he became a key cultural figure on both sides of the Atlantic. The continuing controversies surrounding his writing and his thought are also addressed. With a useful guide to further reading, this is the most informative and accessible introduction to T. S. Eliot.

An essential introduction and handbook for students and other readers of T. S. Eliot.

Drawing on the latest scholarship and criticism, this volume provides an authoritative, accessible introduction to T. S. Eliot's complete oeuvre. It extends the focus of the original 1994 Companion, addressing issues such as gender and sexuality and challenging received accounts of his at times controversial critical reception.

In this Companion, an international team of leading T. S. Eliot scholars contribute studies of different facets of the writer's work to build up a carefully co-ordinated and fully rounded introduction. Five chapters give a complete account of Eliot's poems and plays from several distinct points of view. The major aspects and issues of his life and thought are assessed: his American origins and his becoming English; his position as a philosopher; his literary, social, and political criticism; and the evolution of his religious sense. Later chapters place his work in a number of historical perspectives; and the final chapter provides an expert review of the whole field of Eliot studies and is supplemented by a listing of the most significant publications. There is a useful chronological outline. Taken as a whole, the Companion comprises an essential handbook for students and other readers of Eliot.

This Companion offers fresh critical perspectives on T. S. Eliot's The Waste Land that will be invaluable to scholars, students, and general readers.

Publisher description

The essay for which The Sacred Wood is primarily remembered is one of the most famous pieces of criticism in English: “Tradition and the Individual Talent” helped to re-orientate arguments about the study of literature and its production by redefining the nature of tradition and the artist's relation to it.At a time when the word “traditional” had become a way of damning with faint praise by reference to the past, Eliot reinterpreted the term to mean something entirely different. It is not, he argues, something just “handed down,” but, instead, a prize to be obtained “by great labour,” not least in the making of a huge effort of understanding how the past fits together. Seen thus, Eliot suggests, a literary and artistic tradition “has a simultaneous existence and composes a simultaneous order” – and it is not just past, but present as well. For Eliot, “art never improves,” but only changes, and each part of the tradition is constantly being reinterpreted in light of what is added to the whole. The role of the poet, in Eliot's view, is to subjugate their own personality, and become “a receptacle,” in which “numberless feelings, phrases, images... can unite to form a new compound.” Redefining the issue of poets' relations to the past in this new way is a fine example of creative thinking, and Eliot’s ability to connect existing concepts in new ways was what gave weight to the argument that he advanced: that poets cannot succeed without understanding that they are taking their place on a continuum that stretches back to all their predecessors, and incorporate the ideas, strengths and failings of the entire body of work that those poets represented.

Russian literature arrived late on the European scene. Within several generations, its great novelists had shocked - and then conquered - the world. In this introduction to the rich and vibrant Russian tradition, Caryl Emerson weaves a narrative of recurring themes and fascinations across several centuries. Beginning with traditional Russian narratives (saints' lives, folk tales, epic and rogue narratives), the book moves through literary history chronologically and thematically, juxtaposing literary texts from each major period. Detailed attention is given to canonical writers including Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Bulgakov and Solzhenitsyn, as well as to some current bestsellers from the post-Communist period. Fully accessible to students and readers with no knowledge of Russian, the volume includes a glossary and pronunciation guide of key Russian terms as well as a list of useful secondary works. The book will be of great interest to students of Russian as well as of comparative literature.

This Companion brings together essays on some fifty-four American poets, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, "confessional" poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry.

This second edition, including some new chapters, provides an essential introduction to all aspects of George Eliot's life and writing. Accessible essays by some of the most distinguished scholars of Victorian literature provide lucid and often original insights into the work of one of the most important novelists of the nineteenth century.