The Caravan is India’s most respected and admired magazine on politics, art and culture. With a strong literary flair, the magazine presents the best of reportage and commentary on politics, policy, economy, art and culture from within South Asia. It has become an essential read for anyone interested in understanding the political and social environment of the country.

Caravan: The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world.  "India's best English language magazine", The Guardian, London  "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.

The Caravan is India’s most respected and admired magazine on politics, art and culture. With a strong literary flair, the magazine presents the best of reportage and commentary on politics, policy, economy, art and culture from within South Asia. It has become an essential read for anyone interested in understanding the political and social environment of the country.

The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world.  "India's best English language magazine", The Guardian, London  "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.

This early work by Fergus Hume was originally published in 1926 and we are now republishing it with a brand new introductory biography. 'The Caravan Mystery' is a great crime novel by this classic fiction writer. Fergusson Wright Hume was born on 8th July 1859 in England, the second son of Dr. James Hume. The family migrated to New Zealand where Fergus was enrolled at Otago Boys' High School, and later continued his legal and literary studies at the University of Otago. Hume returned to England in 1888 where he resided in London for a few years until moving to the Essex countryside. There he published over 100 novels, mainly in the mystery fiction genre, though none had the success of his début work.

Traces Abdallah Azzam's path from a West Bank village to the battlefields of Afghanistan and explains why jihadism went global.

The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world.  "India's best English language magazine", The Guardian, London  "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.

Since the discovery of the HIV/AIDS epidemic, there have been so many uncertainties about the cause of this disease and about the ways one gets infected. During the 1980s, so much false information persisted, along with the labeling of groups and discrimination. Thirty years later, this epidemic has gone global; just about every nation on the globe has a caseload involving HIV/AIDS. South Africa was the nation I focus on in this book; however, it is not the only country dealing with this crisis. This disease started as an isolated case; now it is a worldwide phenomenon. Love and education can help us to decrease the spread of this disease. This book highlights the panic people in South Africa went through. Their calls for help received no answers. I was encouraged to get involved when I read about Dr. Hlengwa Smangaliso in the community of Hlabisa, South Africa, who stood up and did all he could to help the people in his community. He, along with others, fought for the government to recognize the cause of the disease, allowing antiretroviral medications to be approved for those who were HIV-positive and educating the population about HIV/AIDS. I encourage you to join The Caravan of Love; whatever you can do to fight against the spread of this disease, join in.

It's the winter of 2003. Annie and Tom have itchy feet. Living and dying in the same small area of Newcastle, England, and never seeing any other part of the world doesn't appeal to them one bit. But where, on this great big planet, would they be happy? New Zealand or Australia: too far away. Scotland or Yorkshire: not far enough. Spain or France: Too dumb to learn a language! So when Tom is offered a position as a tattoo artist, working in a brand new studio in Cork city, Ireland, the decision is made and their adventure unfolds. Travelling by ferry in their trusty camper van Tom is first to arrive. While he is getting settled into his new job and looking for somewhere to live, Annie is up the walls dealing with everything back in Newcastle. One sunny morning in July Annie waves goodbye to family, friends and the place she’s called home since the day she was born, and sets off for her new life in Ireland with Tom and their three sons: seventeen-year-old Jack, sixteen-year-old Jamie and Robin who is seven. Each member of the family shares a different level of excitement and enthusiasm as they settle into the mouse and ant infested bungalow they rent from a local farmer for a year. Eventually their goal is in sight when they spot their dream house: an almost derelict farmhouse in the beautiful countryside of West Cork. With no building experience, some very laid back local tradesmen and a budget about half of what they need to complete the work, they begin the renovation. The building schedule goes nowhere according to plan and family life is strained to say the least. Have Annie and Tom made the biggest mistake of their lives, uprooting their whole family only to end up living in a dilapidated caravan in the middle of building site? Or, will their dream of a self-sufficient existence in their beautiful country farmhouse materialise. Read Annie’s journal and experience the laughter, the tears and the many nervous breakdowns that ensue as the family’s re-location story unfolds.

In introducing to American readers these charming and unique Tales, a few details may properly be given of their author's life and literary work. The record, though brief, is one of unusual interest. Wilhelm Hauff was born at Stuttgart, Germany, in 1802, and received his education at Tuebingen. He graduated from the University, in 1824, with the degree of Doctor of Philosophy; and for the following two years filled the position of tutor in a nobleman's family. It was during the leisure hours afforded by this occupation that he composed the greater part of the works upon which his fame rests. In 1826 he published his "Maerchenalmanach auf das Jahr 1826, fuer Soehne und Toechter gebildeter Staende," a translation of which is herewith tendered the American public, under the changed and abbreviated title of: "Tales of the Caravan, Inn, and Palace." In the same year, and closely following the "Fairy Tales," came "Mittheilungen aus den Memoiren des Satan," "Der Mann im Monde," a second volume of "Satan's Memoirs," and a collection of short tales. These volumes appeared in such rapid succession as to obscure for a time the brilliancy of the "Fairy Tales;" but later editions of them acquired a widespread circulation, while their popularity is so constantly on the increase as to suggest the thought that in time they may prove a formidable rival of the "Arabian Nights," in the regards of the young, the world over. The publication of "The Man in the Moon" gave Hauff a national reputation; but when his "Lichtenstein, eine romantische Sage" appeared, shortly afterward, the Wuertembergers hailed him as the coming Walter Scott of Germany. Whether he would have merited this fond and proud prediction of his countrymen, can not now be told.