The Cathedral Churches of England and Wales is a comprehensive guide to the architectural and artistic treasures of Britain's great cathedrals. The author's deep knowledge and passion for his subject shine through in this beautifully illustrated book. It is an essential resource for anyone interested in British history, art, and architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Cathedral Churches Of England And Wales: Descriptive, Historical, Pictorial Thomas George Bonney Cassell, 1884 Architecture; Religious Buildings; Architecture / Religious Buildings; Cathedrals; Church architecture

Excerpt from The Cathedral Churches of England and Wales, Vol. 8: Descriptive, Historical, Pictorial The chief architectural distinctions will be presently noticed. There is, how ever, another which should not be entirely forgotten - the distinction of site. The French cathedrals, as a rule, stand in the heart of the towns; they are hemmed in with houses, which in many cases actually rested against, and were encrusted upon their walls, an encroachment which seems to have been per mitted from a very early period. Thus, as it has been often remarked, not withstanding all that has been done of late years to clear away these encumbrances, it is extremely difficult to Obtain any good general view of the exterior, and it is only when at a distance from the town we see the huge mass of sculptured stone rising high above the subordinated roofs that we can fully appreciate its grand preportions and its vast dimensions. English cathedrals, on the contrary, are generally surrounded by ample Open Spaces; this may be in part due to the fact that they were almost invariably connected with some great monastery, that they were not only the mother churches of a diocese, but also what we might call college chapels, as is still the case with the Cathedral of Christ Church at Oxford. This connection appears much more rare in France except it be for an episcopa palace, one treads, on quitting the door of a French cathedral, upon the pavements of the streets, and passes abruptly from the peace within to the turmoil of the city. In this there may be a gain as well as a loss; perhaps we may have in it some ground for the mutual insulation, once very marked, of the cathedral and the townsfolk. But whether or not because they so commonly were incorporated into the spacious precincts of an important monastic foundation, the fact remains that the English cathedrals stand in spaces far more open than is usual in France, and frequently occupy sites remarkably beautiful. The differences also in plan are considerable; these are less conspicuous in the older cathedrals, though even there a distinction may often be noticed. In those of Norman date in England the dominant ground - plan is almost always a Latin cross with well-developed arms. There is no trace whatever of the basilica type, though possibly this may once have been visible in the churches of earlier date in this country, as it is certainly more permanently impressed on those of France. But when we come to the cathedrals built in the Pointed styles, the difference is even more persistently marked. Contrast, for example, the ground plans of the Cathedrals of Paris, Amiens, Rheims, or Chartres with English buildings. All of these, even the last, cover spaces of ground large in proportion to their length; their area being in the case of Notre Dame (the smallest), feet, and of Amiens (the largest), feet. Salisbury, which is rather longer than Notre Dame, covers less ground by full feet; and York, which is quite fifty feet longer than Amiens, and is one of the most spacious of our cathedrals, occupies an area but slightly greater. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.