Long considered a highly distinctive English writer, Thomas Fuller (1608-1661) has not been treated as the significant historian he was. Fuller's The Church-History of Britain (1655) was the first comprehensive history of Christianity from antiquity to the upheavals of the Protestant and Catholic Reformations and the tumultuous events of the English civil wars. His numerous publications outside the genre of history—sermons, meditations, pamphlets on current thought and events—reflected and helped to shape public opinion during the revolutionary era in which he lived. Thomas Fuller: Discovering England's Religious Past highlights the fact that Fuller was a major contributor to the flowering of historical writing in early modern England. W. B. Patterson provides both a biography of Thomas Fuller's life and career in the midst of the most wrenching changes his country had ever experienced and a critical account of the origins, growth, and achievements of a new kind of history in England, a process to which he made a significant and original contribution. The volume begins with a substantial introduction dealing with memory, uses of the past, and the new history of England in the late sixteenth and early seventeenth centuries. Fuller was moved by the changes in Church and state that came during the civil wars that led to the trial and execution of King Charles I and to the Interregnum that followed. He sought to revive the memory of the English past, recalling the successes and failures of both distant and recent events. The book illuminates Fuller's focus on history as a means of understanding the present as well as the past, and on religion and its important place in English culture and society.

Reprint of the original, first published in 1841.

The Anatomy of Melancholy, first published in 1621, is one of the greatest works of early modern English prose writing, yet it has received little substantial literary criticism in recent years. This study situates Robert Burton's complex work within three related contexts: religious, medical and literary/rhetorical. Analysing Burton's claim that his text should have curative effects on his melancholic readership, it examines the authorial construction of the reading process in the context of other early modern writing, both canonical and non-canonical, providing a new approach towards the emerging field of the history of reading. Lund responds to Burton's assertion that melancholy is an affliction of body and soul which requires both a spiritual and a corporal cure, exploring the theological complexion of Burton's writing in relation to English religious discourse of the early seventeenth century, and the status of his work as a medical text.