Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

"The future of magazines? Murky. Their past? Glorious. How we got from there to here is told in this compelling history. It's thrilling, funny, disturbing, sad, and ultimately inspiring. And in these pages are broad and helpful hints on how we can return to glorious."---Richard B. Stolley, Founding Editor, People, and Senior Editorial Adviser, Time Inc. --Book Jacket.

The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

INTRODUCTION. By the Editor THE EXCURSION. By Edwina Stanton Babcock (From The Pictorial Review) ONNIE. By Thomas Beer (From The Century Magazine) A CUP OF TEA. By Maxwell Struthers Burt(From Scribner's Magazine) LONELY PLACES. By Francis Buzzell (From The Pictorial Review) BOYS WILL BE BOYS. By Irvin S. Cobb (From The Saturday Evening Post) LAUGHTER. By Charles Caldwell Dobie (From Harper's Magazine) THE EMPEROR OF ELAM. By H. G. Dwight (From The Century Magazine) THE GAY OLD DOG. By Edna Ferber (From The Metropolitan Magazine) THE KNIGHT'S MOVE. By Katharine Fullerton Gerould (From The Atlantic Monthly) A JURY OF HER PEERS. By Susan Glaspell(From Every Week) THE BUNKER MOUSE. By Frederick Stuart Greene (From The Century Magazine) RAINBOW PETE. By Richard Matthews Hallet (From The Pictorial Review) GET READY THE WREATHS. By Fannie Hurst (From The Cosmopolitan Magazine) THE STRANGE-LOOKING MAN. By Fanny Kemble Johnson (From The Pagan) THE CALLER IN THE NIGHT. By Burton Kline (From The Stratford Journal) THE INTERVAL. By Vincent O'Sullivan (From The Boston Evening Transcript) A CERTAIN RICH MAN—." By Lawrence Perry (From Scribner's Magazine) THE PATH OF GLORY. By Mary Brecht Pulver (From The Saturday Evening Post) CHING, CHING, CHINAMAN. By Wilbur Daniel Steele (From The Pictorial Review) NONE SO BLIND. By Mary Synon (From Harper's Magazine) THE YEARBOOK OF THE AMERICAN SHORT STORY FOR 1917The Biographical Roll of Honor of American Short Stories for 1917 The Roll of Honor of Foreign Short Stories in American Magazines for 1917 The Best Books of Short Stories of 1917: A Critical Summary Volumes of Short Stories Published During 1917: An Index The Best Sixty-three American Short Stories of 1917: A Critical Summary Magazine Averages for 1917

During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, this book argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity.