The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.

Scribners tells the inside story of five generations—over 150 years—at the legendary publishing house of Charles Scribner's Sons, beginning with its founding in an unused chapel in downtown New York, continuing through its golden era on Fifth Avenue above the famous landmark bookstore and down to the present day. The author, the fifth of the Charleses to work at that house of celebrated authors, provides here an inside view—"between the covers" of illustrious and notorious books—of the family members, editors, and authors of this colorful literary history. Among the writers who illuminate this story, we find in the early years Robert Louis Stevenson, Rudyard Kipling, Henry James, Edith Wharton, Teddy Roosevelt, Winston Churchill, John Galsworthy, and the artists Charles Dana Gibson, N. C. Wyeth, and Maxfield Parrish, who illustrated Scribner's Magazine as well as Scribner books. Then with the arrival of "editor of genius" Max Perkins, the story takes off into the heights of twentieth-century fiction with Scott Fitzgerald, Thomas Wolfe, Marjorie Kinnan Rawlings, Marcia Davenport, Alan Paton, James Jones and—above all—Ernest Hemingway, that most loyal and enduring author whose works were published by four generations of Scribners. Famous children's classics The Wind in the Willows, Peter Pan, and The Yearling also take their place of honor in the firm's contribution to new generations of readers. This engaging personal account of family history—both in and out of the office—includes the most colorful controversies: from Mussolini and Trotsky to Lindbergh and C. P. Snow, as well as behind-the-scenes adventures of the author's father as he navigated the seas with industry storms and publishing corsairs before finding a safe harbor at Macmillan and finally, after the demise of tycoon Robert Maxwell, Simon & Schuster. The author, an art historian, found himself for thirty years in the company of writers by "an accident of birth." But it proved an adventure beyond his reckoning, here told with the candor and informality of a family gathering, as well as with humor and affection for his father, P. D. James, Louis Auchincloss, Andrew Greeley, and other authors with whom he worked personally. As Scott Fitzgerald wrote, "If it wasn't life, it was magnificent."

Encompassing a broad definition of the topic, this Companion provides a survey of the literary magazine from its earliest days to the contemporary moment. It offers a comprehensive theorization of the literary magazine in the wake of developments in periodical studies in the last decade, bringing together a wide variety of approaches and concerns. With its distinctive chronological and geographical scope, this volume sheds new light on the possibilities and difficulties of the concept of the literary magazine, balancing a comprehensive overview of key themes and examples with greater attention to new approaches to magazine research. Divided into three main sections, this book offers: • Theory—it investigates definitions and limits of what a literary magazine is and what it does. • History and regionalism—a very broad historical and geographic sweep draws new connections and offers expanded definitions. • Case studies—these range from key modernist little magazines and the popular middlebrow to pulp fiction, comics, and digital ventures, widening the ambit of the literary magazine. The Routledge Companion to the British and North American Literary Magazine offers new and unforeseen cross-connections across the long history of literary periodicals, highlighting the ways in which it allows us to trace such ideas as the “literary” as well as notions of what magazines do in a culture.

This lavishly illustrated book brings together for the first time a significant body of imagery devoted to the traditional culture of the African-American slave.

Helen Hunt Jackson’s passionate crusade for Indian rights comes to life in this collection of more than 200 letters, most of which have never been published before. With Valerie Sherer Mathes’s helpful notes, the letters reveal the behind-the-scenes drama of Jackson’s involvement in Indian reform, which led her to write A Century of Dishonor and her protest novel, Ramona. Ralph Waldo Emerson described Jackson as the "greatest American woman poet." These stirring letters will intrigue anyone interested in Indian affairs, nineteenth-century women’s studies, or the social history of Victorian America, where Jackson made her mark despite the restrictions on women. Among her correspondents were Oliver Wendell Holmes, Henry Wadsworth Longfellow, Moncure D. Conway, Henry B. Whipple, Henry L. Dawes, Henry Teller, Carl Schurz, and of course, commissioners of Indian affairs and such prominent editors as Whitelaw Reid, Charles Dudley Warner, and Richard Watson Gilder. The letters are presented in sections on the Ponca and Mission Indian causes, allowing readers to focus on the time period and Indian group of choice.

Since the birth of the nation, we have turned to stories about the American South to narrate the rapid ascendency of the United States on the world stage. The idea of a cohesive South, different from yet integral to the United States, arose with the very formation of the nation itself. Its semitropical climate, plantation production, and heterogeneous population once defined the New World from the perspective of Europe. By founding U.S. literature through opposition to the South, writers boldly asserted their nation to stand apart from the imperial world order. Our South tracks the nation/South juxtaposition in U.S. literature from the founding to the turn of the twentieth century, through genres including travel writing, gothic and romance novels, geography textbooks, transcendentalist prose, and abolitionist address. Even as the southern states became peripheral to U.S. politics and economy, Jennifer Rae Greeson demonstrates that in literature the South remained central to the expanding and evolving idea of the nation. Claiming the South as our deviant and recalcitrant “other,” Americans have projected an anti-imperial imperative of domesticating and civilizing, administering and integrating underdeveloped regions both within our borders and beyond. Our South has been a primal site for thinking about geography and power in the United States.

During the pivotal period of America's international emergence, between the Civil War and WWI, the aligned literary movements of Realism and Naturalism not only shaped the national literature of the age, but also left an indelible and far-reaching influence on twentieth-century American and world literature. Seeking to strip narrative from pious sentimentalities, and, according to William Dean Howells, to "paint life as it is, and human feelings in their true proportion and relation," Realism is best represented by this volume's masterly pieces by Twain, Henry James, Stephen Crane, Kate Chopin, and Willa Cather among others. The joining of Realist methods with the theories of Marx, Darwin, and Spencer to reveal the larger forces (biological, evolutionary, historical) which move humankind, are exemplified here in the fiction of such writers as Jack London, Frank Norris, and Theodore Dreiser.