With their centuries-long development, the English landscape garden, the formal French garden, as well Japanese and Chinese gardens constitute an unparalleled repository of design solutions familiar throughout the world. They are frequently drawn upon as reference works, but often in a piecemeal and haphazard fashion and from botanical or art-historical vantage points. That is where the books of this new series come in. They present the various garden types from the perspective of contemporary landscape and garden design. Starting from the formidable beauty of the world’s most distinguished gardens, they point the way toward the essential compositional principles, the plants most commonly utilized and their most characteristic uses, and the possibilities for employing them in contemporary projects, thus providing readers with a rich source of inspiration for their own designs and creations. The panorama of "The Chinese Garden" stretches from the surviving historical gardens all the way to such modern examples as the garden at the Bank of China in Hong Kong (designed by I. M. Pei), Ai Weiwei’s Yiwu Riverbank Park, the Garden of Flowering Fragrance in the Los Angeles, California, region and the Garden of Awakening Orchids in Portland, Oregon.

An annotated collection of essential texts written by European observers from the thirteenth to the nineteenth centuries, Ideas of Chinese Gardens chronicles the evolution of Western perceptions of gardens of China, from curiosity to admiration and ultimately to rejection, echoing the changes in European attitudes toward China.

Gardens are a type of landscape art created by the hands of human beings. Chinese gardens are not only one of China's traditional cultural treasures, but they are also a unique charm of human cultural heritage.Literati gardens occupy an essential position among Chinese gardens — one of the three major genres of gardens in the world. The reason why literati gardens occupy an important position in classical Chinese gardens, and even in the entire system of traditional Chinese culture and art, lies in their exquisite architecture, exotic flowers and whimsical stones available for the exploration and appreciation of the literati. More significantly, gardens have provided a venue of daily life, academic writings, artistic creation, social gatherings, and other cultural activities for ancient Chinese scholars. Consequently, a wealth of traditional Chinese cultural factors is embedded in the intricate art of landscape architecture. The constant integration and interaction of traditional Chinese culture and gardens have in turn nurtured a unique Chinese garden culture.Chinese gardens are a critical embodiment of Chinese culture, distinctly exemplifying the ancient Chinese patriarchal system, the cosmology, the personality ideal, and other cultural elements. The evolution of the cultural history of Chinese gardens is in harmony with the overall process of the Chinese cultural history.This book describes the major genres, the characteristics, and the formation of classical Chinese gardens — as well as the relationship between classical Chinese gardens and classical Chinese culture and arts — in a more succinct, plain language. The publisher believes that this book will certainly provide the reader with an authentic and comprehensive overview of the Chinese garden culture.Published by SCPG Publishing Corporation and distributed by World Scientific for all markets except China

The Vision of China is the first book on China as it came to be reflected in English literature. As such, it also offers the first comprehensive study of the image of China in Western literature. Featuring essays by prominent Chinese scholars such as Qian Zongshu, Fan Cunzhong, and Chen Shouyi, it complements such works as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literature des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).Together with William W. Appleton's A Cycle of Cathay: The Chinese Vogue in England during the 17th and 18th Centuries (1951) and Raymond Dawson's The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), the book studies the last phase of the Chinese mode in England. Some of the articles collected here actually inspired Appleton's study, at least in part.As a contemporary volume on the construct of China, The Vision of China can readily be considered the companion study to Edward Said's envisioned Orient in Orientalism (1979), to Tzvetan Todorov's Africa in Nous et les autres: la reflection francaise sur la diversite humaine (1989), and Gauri Viswanathan's Masks of Conquest: Literary Study and British Rule in India (1989).

First published in 2001. In 1936 Mr. Henry Inn, a connoisseur of Chinese Art, made his tenth extensive tour of his motherland to study the designs of houses and gardens. He travelled from Canton to Peiping and from Shanghai to Wuch'ang, visiting many homes of culture and refinement built according to the traditional patterns of the art of house and garden making elaborated through centuries. It was a rare privilege granted few travellers. With the kind permission of his hosts he photographed and sketched characteristic details. On his return to Honolulu he showed the pictures and drawings to friends interested in architecture, interior decoration and landscape gardening. They all recognized their value, both as a record of a unique and significant art, and as suggestive material for Western builders and garden makers and urged their publication in book form.

"Christopher Thacker tells the history of gardens from their origins in the 'natural' paradises of Greek myth to the present day. Studying individual gardens or garden topics which are representative of an age or region, he builds up a comprehensive survey of the gardens and garden theories of an era"--

The Roman architect and engineer Vitruvius declared firmitas, utilitas, and venustas-firmness, commodity, and delight- to be the three essential attributes of architecture. These qualities are brilliantly explored in this book, which uniquely comprises both a detailed survey of Western architecture, including Pre-Columbian America, and an introduction to architecture from the Middle East, India, Russia, China, and Japan. The text encourages readers to examine closely the pragmatic, innovative, and aesthetic attributes of buildings, and to imagine how these would have been praised or criticized by contemporary observers. Artistic, economic, environmental, political, social, and technological contexts are discussed so as to determine the extent to which buildings met the needs of clients, society at large, and future generations.

Deriving from a special issue on "China Watching" (Journal of China Tourism Research), this book presents the readers with a collection of seven independent research reports that adopt cross-cultural communication and cultural studies approaches to China tourism. Topics covered include the authenticity in cultural diffusion, the articulation of China through tourism, cross-cultural comparison of vacation consumption interpretation, the Chinese gaze of Europe, influence of globalization and localization on the development of tourism, behavioral implications of Chinese outbound tourism, and citing behaviors of Chinese tourism researchers from foreign language sources. The book will be of great interest to academic researchers, graduate students, policy makers, and destination managers who are interested in China tourism. The varied aspects covered, together with the engaging writing style, makes the text a pleasure to read. This book was published as a special issue of the Journal of China Tourism Research.