With their centuries-long development, the English landscape garden, the formal French garden, as well Japanese and Chinese gardens constitute an unparalleled repository of design solutions familiar throughout the world. They are frequently drawn upon as reference works, but often in a piecemeal and haphazard fashion and from botanical or art-historical vantage points. That is where the books of this new series come in. They present the various garden types from the perspective of contemporary landscape and garden design. Starting from the formidable beauty of the world’s most distinguished gardens, they point the way toward the essential compositional principles, the plants most commonly utilized and their most characteristic uses, and the possibilities for employing them in contemporary projects, thus providing readers with a rich source of inspiration for their own designs and creations. The panorama of "The Chinese Garden" stretches from the surviving historical gardens all the way to such modern examples as the garden at the Bank of China in Hong Kong (designed by I. M. Pei), Ai Weiwei’s Yiwu Riverbank Park, the Garden of Flowering Fragrance in the Los Angeles, California, region and the Garden of Awakening Orchids in Portland, Oregon.

When The Chinese Garden was published in 1978, it was the first attempt in any language to explore the meanings that lie behind Chinese gardens. Now thoroughly revised and with new illustrations, it remains a classic of the subject. In a scholarly and accessible way, it traces the Chinese garden back through the earliest records, and explains its influence on, and how it was influenced by, philosophy, painting, architecture and literature. An exploration of Chinese culture, and how this culture manifested itself in the art of garden-making and design, The Chinese Garden provides unique insights into a great civilization and an intimate glimpse of the lives of the artists, scholars, poets and emperors who made it. Book jacket.

An annotated collection of essential texts written by European observers from the thirteenth to the nineteenth centuries, Ideas of Chinese Gardens chronicles the evolution of Western perceptions of gardens of China, from curiosity to admiration and ultimately to rejection, echoing the changes in European attitudes toward China.

The Splendid Chinese Garden is an illustrated guide to the classic gardens of China. It explains the history of the garden, the traditions and beliefs they represent, their aesthetic and the techniques used to create them. Also included are chapters that survey the great gardens of China, the gardens tourists love to visit and gardeners dream of seeing and exploring. Chinese Gardens in the South of the Yangtze River: Ge Garden (Yangzhou) He Yuan, also known as Jixiao Shan Zhuang (Yangzhou) Zhan Garden (Nanjing) Jichang Garden (Wuxi) Humble Administrator's Garden (Suzhou) Lingering Garden (Suzhou) Master of the Nets Garden (Suzhou) Lion Grove Garden (Suzhou) Chinese Gardens in the North of the Yangtze River: Yihe Garden or the Summer Palace (Beijing) Beihai Park (Beijing) Jingyi Garden in Xiangshan Mountain (Beijing) Imperial Garden, Palace Museum (Beijing) The Back Garden of the Prince Gong Mansion (Beijing)

The garden—a place for refined pleasure and spiritual relaxation—has its roots in ancient China. Western travelers from Marco Polo onward marveled at the intricacy, the elaborate buildings, the subtle design, and the assured use of plants, water, and natural materials in Chinese landscapes. The Great Gardens of China shows, through stunning original photography and cogent text, both the visual splendors of China’s finest gardens and explains their ideas and techniques in accessible terms. Now every gardener, architect, or designer can understand China’s garden heritage and be inspired to use it to dramatic effect. Beginning with an introduction to Chinese beliefs and the historical development of garden design, this book discusses the basic aesthetics and landscaping elements—architecture, rock stacking, waterscapes, plants, borders, and scenic routes—used in Chinese garden design. The author, an expert in the history and theory of Chinese and international gardens, also describes specific gardens, from famed world cultural heritage sites like the Summer Palace in Beijing and the gardens of Suzhou—Lion Grove, Humble Administrator’s, Lingering, and Master-of-Nets Gardens—to the lesser known. The Great Gardens of China serves as a compendium—in text and illustration—of all facets of the Chinese garden. This book allows a total immersion in the enticing art of Chinese classical gardens . . . The book has helped me greatly to understand how Chinese gardens work and how to borrow from them for our own gardens in the West. I believe that Chinese gardens will strongly influence global garden design once their unique versatility is properly understood. —Janet Wheatcroft Craigieburn Garden & Nursery, Scotland

A “very intelligent, sensitive, and compelling” novel of adolescent rebellion and sexual awakening at a girls’ boarding school (Anthony Burgess). Set in a repressive British girls’ boarding school in the late 1920s—where not only sexuality but femininity is squashed—Rosemary Manning’s “wonderful” 1962 novel is the coming-of-age story of sixteen-year-old Rachel, a sensitive, bright, and innocent student (The Guardian). Rachel finds refuge from the Spartan conditions, strict regime, fierce discipline, and formidable headmistress at Bampfield in a secret garden. She also finds friendship there, with a rebellious girl named Margaret. As Margaret has her mind expanded by a scandalous tome entitled The Well of Loneliness, she engages in a bold, forbidden act—the ultimate transgression at Bampfield—and Rachel is drawn into the turmoil. Confronted with the persecution of her friend and troubled by a growing awareness of her own sensuality, Rachel faces an impossible choice that drives her to desperate measures. Selected as one of the Top 10 Lesbian Books by the Guardian, “Rosemary Manning’s unjustly forgotten novel is a deft depiction of innocence and the forces of hypocrisy, paranoia, and self-hatred that betray innocence” (Lillian Faderman, author of Odd Girls and Twilight Lovers).