In a career that spanned eight decades, Christopher Lee (1922–2015) appeared in more than 200 roles for film and television. Though he is best known for his portrayal of Dracula in films of the 1950s, ’60s, and ’70s—as well as his appearances in the Lord of the Rings trilogy—Lee also appeared in many other films, including The Three Musketeers, The Man with the Golden Gun, and Star Wars. The Christopher Lee Film Encyclopedia encompasses all of the films in the distinguished actor’s prolific career, from his early roles in the 1940s to his work in some of the most successful film franchises of all time. This reference highlights Lee’s iconic roles in horror cinema as well as his non-horror films over the years, including The Lord of the Rings and The Hobbit trilogies. The entries in this book feature: Cast and crew information Synopsis Critical evaluation Newspaper and magazine reviews DVD availability Many of the entries also feature Sir Christopher’s recollections about the production, as well as the actor’s insights about his directors and fellow costars. Appendices in this volume include discussions of Lee’s significant work on radio and television, as well as film shorts, screen tests, films in which he is mentioned, films from which he was cut, and unrealized projects. A film-by-film review of the actor’s cinematic output. The Christopher Lee Film Encyclopedia will appeal to this legend’s many devoted fans.

The first editon was called "the most valuable film reference in several years" by Library Journal. The new edition published in hardcover in 2001 includes more than 670 entries. The current work is a paperback reprint of that edition. Each entry contains a mini-essay that defines the topic, followed by a chronological list of representative films. From the Abominable Snowman to Zorro, this encyclopedia provides film scholars and fans with an easy-to-use reference for researching film themes or tracking down obscure movies on subjects such as suspended animation, viral epidemics, robots, submarines, reincarnation, ventriloquists and the Olympics ("Excellent" said Cult Movies). The volume also contains an extensive list of film characters and series, including B-movie detectives, Western heroes, made-for-television film series, and foreign film heroes and villains.

Monsters and shape-shifters have always held a special fascination in mythologies, legends, and folklore the world over. From ancient customs to famous cases of beasts and vampires and their reflections in popular culture, 600 entries provide definitions, explanations, and lists of suggested further reading.

Dracula and Frankenstein. Christopher Lee and Peter Cushing. These are just a few of the icons of Hammer Films. To horror fans, the name “Hammer” conjures visions of hissing vampires and buxom beauties in low-cut negligees. But Britain’s Hammer Film Productions, Ltd., was much more than just a fright factory. For more than thirty years, the company turned out neatly crafted entries in a variety of genres, ranging from comedies to pirate yarns, murder mysteries to war pictures. At the heart of Hammer’s remarkable success was its access to American financing and American theaters. But more than that, the individuals behind the scenes knew how to make good films on tight budgets. These pictures have withstood the test of time and continue to be enjoyed all over the world. The Encyclopedia of Hammer Films details the surprising story of Britain’s most successfulindependent film company and includes Entries on all of Hammer’s feature films, featurettes, and television episodes, including staff, production details, US and UK release data, cast, synopses, reviews, behind-the-scenes quotes, and US financial participation Capsule biographies of directors, producers, technicians, and actors––including the lovely ladies of Hammer glamour Special entries on Hammer-related topics, including “tax shelter” companies, Hammerscope, the British Board of Film Censors, and the recent Hammer reboot An annotated appendix of more than 150 unrealized Hammer projects A chronological, annotated listing of every production and coproduction from the company’s inception in 1934 An invaluable resource, this volume includes snapshots of the men and women who made the studio a success—including Peter Cushing, Terence Fisher, Christopher Lee, Ingrid Pitt, and Jimmy Sangster—as well as such iconic films as The Curse of Frankenstein, The Devil Rides Out, Dracula Has Risen from the Grave, and Vampire Circus. With more than six hundred entries, The Encyclopedia of Hammer Films is a must-have for every fan of this unique studio.

The Encyclopedia covers the genre from 1920 to 1994. The genre, however, can be very confusing: films often have several titles, and many of the stars have more than one pseudonym. In an effort to clarify some of the confusion, the authors have included all the information available to them on almost 3,300 films. Each entry includes a listing of the production company, the cast and crew, distributors, running times, reviews with star ratings whenever possible, and alternate film titles. A list of film series and one of the stars' pseudonyms, in addition to a 7,900 name index, are also included. Illustrated.

"Nobody does 007 encyclopedias better than Bond historian Steven Jay Rubin. Buy this one. M's orders." —George Lazenby, James Bond in On Her Majesty's Secret Service Packed with behind-the-scenes information, fascinating facts, trivia, bloopers, classic quotes, character bios, cast and filmmaker bios, and hundreds of rare and unusual photographs of those in front of and behind the camera Ian Fleming's James Bond character has entertained motion picture audiences for nearly sixty years, and the filmmakers have come a long way since they spent $1 million producing the very first James Bond movie, Dr. No, in 1962. The 2015 Bond title, Spectre, cost $250 million and grossed $881 million worldwide—and 2021's No Time to Die is certain to become another global blockbuster. The James Bond Movie Encyclopedia is the completely up-to-date edition of author Steven Jay Rubin's seminal work on the James Bond film series. It covers the entire series through No Time to Die and showcases the type of exhaustive research that has been a hallmark of Rubin's work in film history. From the bios of Bond girls in front of the camera to rare and unusual photographs of those behind it, no detail of the Bond legacy is left uncovered.

For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars – Chaplin, Pickford, Fairbanks – to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions – good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1 000 photos!

This concise encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. This book is an invaluable resource for all students and scholars and an essential addition to library reference shelves.

This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. (13 different topics grouped in one book) The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. (Over 100 poster and film scenes) In addition, each film is linked to Youtube and in most cases the films are viewed in full Movie. Contents of the book: The Hammer Films on Dracula. Hammer Film Productions Hammer before horror: Early history (1935–1937), Revival (1938–1955), The birth of Hammer Horror (1955–1959), Dracula. Dracula (1958 film). After Dracula 1958 Film: The Brides of Dracula (1960), Dracula: Prince of Darkness (1966), Dracula Has Risen from the Grave (1968), Taste the Blood of Dracula (1970), Scars of Dracula (1970), Dracula A.D. 1972 (1972), The Satanic Rites of Dracula (1973), The Legend of the 7 Golden Vampires (1974). Hammer Horror contributors: Directors and writers, Other personnel, Actors, Key horror films: The Curse of Frankenstein, The Mummy, Sequels, Frankenstein, Dracula, The Mummy, Other films, Horror films, Vampire films, Psychological thrillers, Non-horror films, References on Hammer Productions, Bibliography. Hammer filmography: 1930s, 1940s, 1950s, 1960s, 1970s, Revival (2008-). Selected shorter works.

Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.