The nineteenth century was one of the most fascinating and volatile periods in Christian history. It was during this time that Christianity evolved into a truly global religion, which led to an ever greater variety of ways for Christians to express and profess their faith. Frances Knight addresses the crucial question of how Christianity contributed to individual identity in a context of widespread urbanisation and modernisation. She explores important topics such as the Evangelical revival led by the likes of the founder of the Christian Mission - later the Salvation Army - William Booth; the Oxford Movement under Newman, Keble and Pusey; Mormonism and Protestant revivalism in the USA; socialism and the impacts of Karl Marx and anarchism; continuing theological divisions between Protestants and Catholics; and the development of pilgrimage and devotion at places like Lourdes and Knock. Her book also examines the most significant intellectual trends, such as the rise of critical approaches to the Bible, and the different directions that these took in Britain and America. The author's unique emphasis on the 'ordinary' experience of Christians worldwide makes her volume indispensable for students and general readers who will be fascinated by this sensitive twenty-first century perspective on the nineteenth century.

This book explores the parameters of the African Methodist Episcopal Church's dual existence as evangelical Christians and as children of Ham, and how the denomination relied on both the rhetoric of evangelicalism and heathenism.

The outcome of the French Revolution was that it revealed the new situation in which the Church was to fulfil her mission. The process of adaptation and the response to this situation occupies a century and a half. It is part of the history of this process that is here described. While the political solution reached in France is adopted by Rome, in Germany the succession of events is different. Catholicism revived there spiritually and intellectually; and it is for this reason that the present volume pays particular attention to that country thus throwing light on a part of history that is usually neglected. It is a period dominated by the rival schools of Tübingen and Mainz and by great names -- Schlegel, Müller, Brentano, Görres, Möhler, Kettler -- as finally the Church emerges as a spiritual and dynamic organism rather than as a static corporation endowed with powers and privileges. [Back cover].

Rowan Strong examines the history of Scottish Episcopalianism in the nineteenth century as a response to the new urbanizing and industrializing society of the time. In particular, he looks at the various Episcopalian sub-cultures which had to come to terms with these social and economic changes. These sub-cultures include Highland Gaels; North-East crofters, farmers and fisherfolk; urban Episcopalians; aristocratic Episcopalians; and Evangelicals and Anglo-Catholics. He provides also an outline of the history of Episcopalianism in Scotland from the sixteenth century to 1900, Rowan Strong addresses the issue of Episcopalianism and Scottish identity, which is topical today.

Knowledge of the ideas of the theologian Emanuel V. Gerhart is essential for understanding nineteenth-century American theology. Gerhart was one of the first to introduce a complete systematic Christocentric theological system to Americans. His Institutes of the Christian Religion developed the ideas of European theologians and promoted the effort to systematize Mercersburg theology. Gerhart embraced German idealism rather than Scottish philosophy in his scholarship. As a mediating theologian, he attempted to reconcile historical Christianity with modern culture. His lectures, essays, and texts addressed the religious challenges and intellectual issues of his day from a Christocentric perspective. Together they were a major contribution to the Mercersburg Movement in particular and American theology in general from the antebellum period to the progressive era. His publications were devoted to a range of disciplines that included education, philosophy, and theology. This volume portrays Gerhart’s core theological ideas as found in his main texts and offers introductory commentaries and gives the historical background for his intellectual contributions.

This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.