Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.

This study analyzes the work of three prominent proletarian-revolutionary dramatists at the end of the Weimar Republic. The work of Bertolt Brecht, Friedrich Wolf, and Gustav von Wangenheim is looked at against the backdrop of debates among Marxist intellectuals and artists. Through a discussion of theatrical theory and close readings of individual plays, this work examines the authors' unique aesthetics and their enactment of a critical appropriation of the German literary heritage. It also investigates their attempts to transform the audience's relationship to the theatrical production from a passive-receptive to an active-critical one. This volume offers insights into larger questions of political and cultural continuity that characterized the Weimar and the postwar periods.

Until the dramatic fall of Communist regimes in the East placed the possibility of revolution on the agenda once again, sudden and decisive political change had appeared a largely anachronistic phenomenon in Europe. Looking back over the twentieth century, it is plausible to argue that the twentieth, rather than the nineteenth, has been the 'most revolutionary of centuries'. In this volume, leading specialists from a variety of disciplines examine the changing and conflicting meanings of revolution in modern and contemporary Europe. Contributions include both broad essays on the global and historical context of European revolution and specific case studies reinterpreting a variety of revolutionary experiences.

This book attempts to analyze the civilizational and historical context of the development of the modern revolutions — of the Great Revolutions and of their relations to modernity, to the civilization of modernity, its dynamics and tribulations.

This volume brings together academics, executives and practitioners to provide readers with an extensive and authoritative overview of the classical music industry. The central practices, theories and debates that empower and regulate the industry are explored through the lens of classical music-making, business, and associated spheres such as politics, education, media and copyright. The Classical Music Industry maps the industry’s key networks, principles and practices across such sectors as recording, live, management and marketing: essentially, how the cultural and economic practice of classical music is kept mobile and alive. The book examining pathways to professionalism, traditional and new forms of engagement, and the consequences of related issues—ethics, prestige, gender and class—for anyone aspiring to ‘make it’ in the industry today. This book examines a diverse and fast-changing sector that animates deep feelings. The Classical Music Industry acknowledges debates that have long encircled the sector but today have a fresh face, as the industry adjusts to the new economics of funding, policy-making and retail The first volume of its kind, The Classical Music Industry is a significant point of reference and piece of critical scholarship, written for the benefit of practitioners, music-lovers, students and scholars alike offering a balanced and rigorous account of the manifold ways in which the industry operates.

This Companion provides scholarly yet accessible newinterpretations of Greek history of the Classical period, from theaftermath of the Persian Wars in 478 B.C. to the death of Alexanderthe Great in 323 B.C. Topics covered range from the political and institutionalstructures of Greek society, to literature, art, economics,society, warfare, geography and the environment Discusses the problems of interpreting the various sources forthe period Guides the reader towards a broadly-based understanding of thehistory of the Classical Age

How could we stop at only one hundred things to do in a city like San Francisco? We cheated a little bit. There are one hundred items listed in the table of contents, but more than one hundred addresses inside the pages of 100 Things to Do in San Francisco Before You Die. No book on San Francisco would be true to itself without mentioning landmarks like cable cars, the Golden Gate Bridge, Lombard Street, Fisherman’s Wharf, the Presidio, the Ferry Building, and Coit Tower. But turn the pages and you’ll fall deeper into San Francisco. We tell you which hotels have the hippest bar scenes, where to eat egg tarts in Chinatown, and what exactly a Mission-style burrito is. We point the way to a world-renowned tequila bar in the back of a family restaurant and to some of the city’s best neighborhood street fairs. We’ve covered the best museums, including one that hosts a weekly cocktail party. We also tell you where to shop for tie-dye, browse for local art, listen to live music, and follow in the footsteps of the Beat Generation. This second edition of 100 Things to Do in San Francisco Before You Die invites you to climb some of San Francisco’s tiled stairways and hills, take a guided walking tour, practice yoga on a labyrinth, hike along the coastal bluffs and beaches, and pedal your way around town. From colorful neighborhood murals to little-known historical sites, there’s something to satisfy your curiosity. And whether you’re visiting for the first time or make your home in the City by the Bay, we’re sure you’ll leave your heart in San Francisco.

William O. Thweatt This book is the second in three surveys of the literature in the history of economic thought in the Kluwer Recent Economic Thought series. The first book, covering the pre-classical literature, has already been published; a third, on the neo-c1assical period, is planned for 1988. This middle book surveys the writings on classical political economy for the past 30 years, or roughly since the publication of Joseph Schumpeter's 1954 monumental History of Economic Analysis. Shortly after World War II, the American Economic Association spon sored a Survey of Contemporary Economics [1949]. That work covered 13 subdisciples of economics, and in 1952 a companion piece appeared in which surveys of 10 additional subdisciples were presented. As Bernard Haley, editor of the second volume, stated, even "though in the two volumes twenty-three fields have been treated ... there remain some aspects of the subject ... that have not been reviewed" [Haley, 1952, p. v].

This book discusses contemporary banking and monetary policy issues from the perspective of the Austrian School of Economics. Based on the heritage of the Austrian school, leading scholars and practitioners offer a coherent diagnosis and analysis of the factors leading to Europe’s current financial crisis. The first part of the book discusses Ludwig von Mises’s and Friedrich August von Hayek’s ideas on banking and monetary policy from both historical and economic standpoints. It includes contributions on Austrian monetary dynamics and micro-foundational business cycle theory, von Mises’s concepts of liquidity and solvency of fractional-reserve banks, and liberalism of Austrian economics. The second part analyzes the measures taken by the European Central Bank (ECB) in light of the ideas of von Mises and Hayek. It includes contributions on non-neutrality of money, ECB monetary policy, and the future of the ECB. The third and final part presents discussions on monetary reforms, including contributions on Bitcoins, Cryptocurrencies and anti-deflationist Paranoia.