The third volume of Cobden's Letters covers the Crimean War, the Indian Mutiny, and the preliminary negotiations over the Anglo-French Commercial Treaty of 1860. It reveals the tension between public and private life experienced by Cobden from 1854 until 1859.

This book examines the various ways in which the German philosopher Friedrich Schelling was read and responded to by British readers and writers during the nineteenth century. Challenging the idea that Schelling’s reception was limited to the Romantics, this book shows the ways in which his thought continued to be engaged with across the whole period. It follows Schelling’s reception both chronologically and conceptually as it developed in a number of different disciplines in British aesthetics, literature, philosophy, science and theology. What emerges is a vibrant new history of the period, showing the important role played by reading and responding to Schelling, either directly or more diffusely, and taking in a vast array of major thinkers during the period. This book, which will be of interest not only to historians of philosophy and the history of ideas, but to all those dealing with Anglo-German reception during the nineteenth century, reveals Schelling to be a kind of uncanny presence underwriting British thought.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.

142 Strand was the home of the brilliant, unconventional young publisher John Chapman. All the daring and avant-garde writers and thinkers of Victorian London gathered here, among them Carlyle, Dickens, Thackeray; Americans like Emerson and refugees from revolutionary Europe like Mazzini. In 1851 Chapman brought Marian Evans - the future George Eliot - to London where her arrival caused rows in the household, which included Chapman's wife and also his mistress. The Strand was packed with booksellers, magazine publishers, theatres, clubs, and quack doctors. Only a short distance away were Westminster, the Houses of Parliament and the disreputable pornographers of Holywell street. Chapman's circle touched all these worlds, and the vivid story of these unconventional lives and unorthodox views - marvellously told by Rosemary Ashton - takes us to the heart of Victorian culture, uncovering its surprising energy, its doubts and arguments, and, above all, its passionate reforming spirit.

The Carlyles lived at the heart of English life in mid-Victorian London, but both were outsiders. A largely self-educated pair from Scotland, they often took a caustic look at the society they so influenced - Thomas through his writings and both through their network of acquaintences and correspondents. Thomas would write about matters of the day, while Jane would tell tales of everything from turmoil with dust to Dickens at a party. Yet despite everything, Jane suffered, especially with Thomas Carlyles infatuation with the lion-hunting Lady Ashburton, and the tensions in their own marriage made them sensitive to ceontemporary debates about the position of women, divorce, legitamacy and prostitution. This joint biography describes their relationship with each other, from their first meeting in 1821 to Jane's death in 1866, and their relationship with the outside world.

Winner of the Elizabeth Longford prize for Historical Biography 'Engrossing' Claire Tomalin / 'Superb' Sunday Times / 'A triumph' Daily Mail Whether honoured and admired or criticized and ridiculed, Florence Nightingale has invariably been misrepresented and misunderstood. As the Lady with the Lamp, ministering to the wounded and dying of the Crimean War, she offers an enduring image of sentimental appeal and one that is permanently lodged in our national consciousness. But the awesome scale of her achievements over the course of her 90 years is infinitely more troubling - and inspiring - than this mythical simplification. From her tireless campaigning and staggering intellectual abilities to her tortured relationship with her sister and her distressing medical condition, this vivid and immensely readable biography draws on a wealth of unpublished material and previously unseen family papers, disentangling the myth from the reality and reinvigorating with new life one of the most iconic figures in modern British history. 'Enthralling' Guardian 'Excellent' Spectator 'Hugely readable' Lancet 'Gripping and faultless' Observer, Books of the Year 'Remarkable. A subtle, scholarly and immensely readable portrait. Scrupulous, thoughtful and clear-eyed. A masterly achievement' Financial Times 'It will not be superseded for generations to come' Sunday Telegraph

This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction.