In 'The Collected Short Stories of H. G. Wells,' readers are taken on a journey through the imaginative and thought-provoking works of one of the most renowned science fiction writers of the 19th century. Wells' literary style is characterized by his ability to blend scientific concepts with social commentary, creating stories that are not only entertaining but also thought-provoking. The collection covers a range of themes, from time travel and alien invasions to ethical dilemmas and societal issues, showcasing Wells' versatility as a writer in the literary context of Victorian science fiction. Each story presents a unique perspective on humanity's future and the consequences of technological advancements, making this collection a must-read for fans of speculative fiction. H. G. Wells, known for his groundbreaking novels such as 'The War of the Worlds' and 'The Time Machine,' was a visionary writer who used his works to explore the possibilities and pitfalls of a rapidly changing world. His keen insight into human nature and his ability to foresee the impact of scientific progress on society set him apart as a pioneer of the science fiction genre. It is evident that Wells' own experiences and observations of the world around him influenced his writing, making his stories both relatable and relevant to contemporary readers. I highly recommend 'The Collected Short Stories of H. G. Wells' to readers who are interested in exploring the intersection of science, society, and human nature through the lens of speculative fiction. This collection is a testament to Wells' enduring legacy as a master storyteller and a pioneer of the science fiction genre.

This carefully edited collection of science fiction, action adventure novels & dystopias has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents: H. G. Wells by J. D. Beresford Mr. Wells as Historian by Arnold Wycombe Gomme Mr. H. G. Wells and the Giants by G. K. Chesterton Essays and Articles Novels and Short Stories: A Modern Utopia Ann Veronica Bealby In the Days of the Comet Joan and Peter Kipps Love and Mr. Lewisham Marriage Mr. Britling Sees It Through The Chronic Argonauts The First Men in the Moon The Food of the Gods The History of Mr Polly The Invisible Man The Island of Dr Moreau The New Machiavelli The Passionate Friends The Prophetic Trilogy The Research Magnificent The Sea Lady The Secret Places of the Heart The Soul of a Bishop The Time Machine The Undying Fire The War in the Air The War of the Worlds The Wheels of Chance The Wife of Sir Isaac Harman The Wonderful Visit The World Set Free Tono-bungay When the Sleeper Wakes Collections of Short Stories Short Stories: A Catastrophe A Deal in Ostriches A Dream of Armageddon A Slip Under the Microscope A Story of the Days to Come A Story of the Stone Age A Tale of the Twentieth Century A Talk with Gryllotalpa How Gabriel Became Thompson How Pingwill Was Routed In the Abyss Le Mari Terrible Little Mother Up the Morderberg Miss Winchelsea's Heart Mr. Brisher's Treasure Mr. Ledbetter's Vacation Mr. Marshall's Doppelganger Mr. Skelmersdale in Fairyland My First Aeroplane Our Little Neighbour Perfect Gentleman on Wheels Pollock and the Porroh Man The Empire of the Ants The Flowering of the Strange Orchid The Flying Man The Grisly Folk ...

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. H. G. Wells, was a prolific English writer in many genres, including the novel, history, politics, and social commentary, and textbooks and rules for war games. He is now best remembered for his science fiction novels, and Wells is called a father of science fiction. Table of Contents: H. G. Wells by J. D. Beresford Mr. Wells as Historian by Arnold Wycombe Gomme Mr. H. G. Wells and the Giants by G. K. Chesterton Essays and Articles Novels and Short Stories: A Modern Utopia Ann Veronica Bealby In the Days of the Comet Joan and Peter Kipps Love and Mr. Lewisham Marriage Mr. Britling Sees It Through The Chronic Argonauts The First Men in the Moon The Food of the Gods The History of Mr Polly The Invisible Man The Island of Dr Moreau The New Machiavelli The Passionate Friends The Prophetic Trilogy The Research Magnificent The Sea Lady The Secret Places of the Heart The Soul of a Bishop The Time Machine The Undying Fire The War in the Air The War of the Worlds The Wheels of Chance The Wife of Sir Isaac Harman The Wonderful Visit The World Set Free Tono-bungay When the Sleeper Wakes Collections of Short Stories Short Stories: A Catastrophe A Deal in Ostriches A Dream of Armageddon A Slip Under the Microscope A Story of the Days to Come A Story of the Stone Age A Tale of the Twentieth Century A Talk with Gryllotalpa How Gabriel Became Thompson How Pingwill Was Routed In the Abyss Le Mari Terrible Little Mother Up the Morderberg Miss Winchelsea's Heart Mr. Brisher's Treasure Mr. Ledbetter's Vacation Mr. Marshall's Doppelganger...

Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter's nonfiction writings, never have so many of Porter's reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter's opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers. In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porter's fiction. Other scholars as well have regarded Porter's critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover "the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime." Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses--she apparently undertook for financial reasons, but occasionally she would agree to review a friend's latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools. Porter's scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied "primitive" Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthony's translation of Catherine the Great's memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles. These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction.

Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.

Entertaining tales from the foremost science-fiction writer of the early 20th century include the title tale, "The Star," "The New Accelerator," "The Remarkable Case of Davidson's Eyes," "Under the Knife," and others.

Joseph Conrad's collection of works encompasses a wide range of captivating stories that explore themes of colonialism, morality, and the human condition. Known for his intricate prose style and psychological depth, Conrad's writing is often considered a staple of English literature. The collection includes his most famous novels such as Heart of Darkness and Lord Jim, as well as a selection of his short stories and personal letters. Through his vivid descriptions and complex characters, Conrad offers readers a glimpse into the complexities of imperialist societies and the impact of human nature on individuals and communities. His works continue to be studied and celebrated for their profound insights into human nature and societal dynamics. As a master storyteller and a keen observer of the world around him, Conrad's writing remains relevant and thought-provoking in today's society. Fans of classic literature and those interested in exploring themes of morality and power will find Conrad's collection to be a rewarding and enlightening read.

Each vol. is divided into 2 parts 1st-7th ed.: Dictionary catalog and Classified catalog; 8th-9th ed. have 3rd. part: Directory of publishers.

This monograph provides an insight into English country house fiction by twentieth and twenty-first century authors, with a focus on the works of E.M. Forster, Evelyn Waugh, Iris Murdoch, Alan Hollinghurst, and Sarah Waters. The country house is explored within the wider social and cultural contexts of the period, including contemporary architectural development. The variety of literary depictions of the country house reflects the physical diversification of buildings which can be classified as such, from smaller variants to formerly grand residences on the brink of physical collapse. Within the scope of contemporary fiction, architecture and poetics of space, the country house, given its uniquely integrating and exceptionally evocative qualities, accentuates different conceptions of dwelling. Consequently, literary portrayals of the country house can be seen as both prefiguring and reflecting the contemporary practice of living.