This book brings together, for the first time, the works of Australia's foremost female poet of the first half of the twentieth century.It features a dedicated mailing and e-mail campaign to targeted poetry related media & organisations.With unrivalled access to Gilmore's work, this superb volume features more than 500 previously unpublished poems.Mary Gilmore is considered by many to have been Australia's foremost female poet of the first half of the twentieth century.This superb volume brings together all her poems - from 1887 to 1929 - and presents readers with an unrivalled and enlightening view of a poet who was able to demonstrate radical political ideals, whilst at the same time be praised for the 'womanliness' of works such as Marri'd and Other Verses and The Passionate Heart.For the first time, these poems stand side by side, presenting readers with a truly revealing picture of Gilmore's oeuvre.

AU Author. Mary Gilmore was Australia's foremost woman poet during the first half of the twentieth century and it was as a poet that she wanted to be remembered when she died in 1962. More attention however has been given in recent years to her long and eventful life, her role as feminist, her championing of Australian literature as an instrument of national identity and her activism for various forms of social justice. This two-volume edition honours her wishes by bringing together for the first time all of Mary Gilmore's copious published poetry. Volume one covers the period from 1887 to 1929. These poems reflect her affiliation to the Bulletin in the value placed on pioneering bush traditions, the Australian working man, and the ANZAC tradition, but are also vitally and distinctively interested in the roles and rights of women.

Texts in multiple versions constitute the core problem of textual scholarship. For texts from antiquity and the medieval period, the many versions may be the result of manuscript transmission, requiring editors and readers to discriminate between levels of authority in variant readings produced along the chain of copying. For texts of all periods, and particularly for more modern authors, there may also be multiple authorial versions. These are of particular importance for genetic criticism, as they offer a window on the author's thinking through the developing work. The different contexts in which multiple versions may occur - different languages, different genres, different cultures, ranging in this collection from ancient Greek texts to novels by Cervantes and Aub, dramatic texts from Portugal and Germany, poetry from The Netherlands and Lithuania, scientific texts from the 19th century - provide further layers of complexity. The histories of countries are reflected in the histories of editing. In Europe, this can be seen particularly in the great period of 'nation-building' of the 19th century. Essays in this volume survey editorial activity in The Netherlands, Belgium and Germany in the nineteenth century, concluding that nation building and scholarly editing are twinned. As a nation searches for its own identity, textual scholarship is pressed into service to find and edit the texts on which to establish that identity. The two strands of this volume (multiple versions of texts; editions and national histories) testify to the centrality of textual editing to many fields of research. There is material here for literary scholars, historians, and for readers interested in texts from Ancient Greece to modernist classics.

This volume explores the subterfuges, strategies, and choices that Australian women writers have navigated in order to challenge patriarchal stereotypes and assert themselves as writers of substance. Contextualized within the pioneering efforts of white, Aboriginal, and immigrant Australian women in initiating an alternative literary tradition, the text captures a wide range of multiracial Australian women authors’ insightful reflections on crucial issues such as war and silent mourning, emergence of a Australian national heroine, racial purity and Aboriginal motherhood, communism and activism, feminist rivalry, sexual transgressions, autobiography and art of letter writing, city space and female subjectivity, lesbianism, gender implications of spatial categories, placement and displacement, dwelling and travel, location and dislocation and female body politics. Claiming Space for Australian Women’s Writing tracks Australian women authors’ varied journeys across cultural, political and racial borders in the canter of contemporary political discourse.

In his first days as Prime Minister, John Curtin presented himself to the press as a self-styled intellectual who loved sport and relaxing, when he could, with a book, beach walk, game of cards or fossick in the garden. He also revealed that he enjoyed poetry so much that he held to a Sunday night poetry ritual. Curtin was Australia's third wartime Prime Minister, Labor's eighth Prime Minister, and the first Prime Minister from a Western Australian electorate. 'Toby Davidson reveals a new perspective on John Curtin: the poetry of his times, and the poems he himself read. As Davidson shows, Curtin's poetry reading and his reflections upon it influenced his thoughts and language from his socialist youth to the last days of his leadership of a nation transformed by global peril. Good for the Soul: John Curtin's Life with Poetry is a unique, patiently researched and fascinating re-evaluation of Australia's revered wartime Prime Minister.' – John Edwards, author of John Curtin's War Volume I & II 'A stunningly comprehensive account which shows a side of John Curtin we have only glimpsed before. Davidson skilfully traces how poetry was Curtin's companion and ally from his humble beginnings in rural Victoria to his death in office in 1945, two months before the end of World War II.' – Professor David Black, editor of In His Own Words: John Curtin's Speeches and Writings and Friendship is a Sheltering Tree: John Curtin's Letters 1907 to 1945.

This impressive volume provides over 1,700 biographical entries on poets writing in English from 1910 to the present day, including T. S. Eliot, Dylan Thomas, and Carol Ann Duffy. Authoritative and accessible, it is a must-have for students of English and creative writing, as well as for anyone with an interest in poetry.

Ranging far beyond the traditional canon, this ground-breaking anthology casts a vivid new light on poetic responses to the First World War. Bringing together poems by soldiers and non-combatants, patriots and dissenters, and from all sides of the conflict across the world, International Poetry of the First World War reveals the crucial public role that poetry played in shaping responses to and the legacies of the conflict. Across over 150 poems, this anthology explores such topics as the following: · Life at the Front · Psychological trauma · Noncombatants and the home front · Rationalising the war · Remembering the dead · Peace and the aftermath of the war With contextual notes throughout, the book includes poems written by authors from America, Australia, Austria-Hungary, Belgium, Canada, France, Germany, Great Britain, India, Ireland, Italy, New Zealand, Russia, and South Africa.

Time, Tide and History: Eleanor Dark’s Fiction is the first book-length edited collection of scholarly essays to treat the full span of Eleanor Dark’s fiction, advancing a recent revival of critical and scholarly interest in Dark’s writing. This volume not only establishes a new view of Dark’s fiction as a whole, but also reflects on the ways in which her fiction speaks to our present moment, in the context of a globally fraught, post-pandemic, Anthropocene era. Above all, the revisiting of Dark’s fiction is mandated by a desire to recognise the ways in which it anticipates vital debates in Australian literary and national culture today, about settler colonialism and its legacies, and with regard to the histories, condition and status of Australia’s First Nations people. This volume interweaves varied topical themes, from formal debates about modernism, historical realism and melodrama, to questions about modernity’s time and space, about gender and cultural difference, and about the specifics of built and natural environments. Time, Tide and History intentionally loosens the conventions of literary scholarship by including other kinds of work alongside critical and scholarly readings: a written dialogue between two contemporary historians about Dark’s legacy, and a biographical piece on the life and role of Eleanor Dark’s husband, Eric Payten Dark. Bringing together the interwar fiction’s feminist and modernist dimensions with the historical turn of The Timeless Land trilogy, the essays in Time, Tide and History collectively pursue ethical and political questions while teasing out the distinctive thematic, formal and aesthetic features of Dark’s fiction.

This new addition to the National Librarys popular Little Books series rejoices in our nations unique way of celebrating at Christmas time. Ever since the first settlers struggled with their traditional notions of a White Christmas in Australias December heat, the singularity of an Australian Christmas has been celebrated in verse, art and song. The Little Book of Christmas explores Christmas sentiment in Australia with poems by authors including Norman Lindsay, Colin Thiele, Adele Kipping and Les Murray, carols by John Wheeler and even some Christmas recipes. These are complemented by delightful photographs and images from the Librarys collections.