Rooted in recent scholarship, The Columbia History of the Vietnam War offers profound new perspectives on the political, historical, military, and social issues that defined the war and its effect on the United States and Vietnam. Laying the chronological and critical foundations for the volume, David L. Anderson opens with an essay on the Vietnam War's major moments and enduring relevance. Mark Philip Bradley follows with a reexamination of Vietnamese revolutionary nationalism and the Vietminh-led war against French colonialism. Richard H. Immerman revisits Eisenhower's and Kennedy's efforts at nation building in South Vietnam, and Gary R. Hess reviews America's military commitment under Kennedy and Johnson. Lloyd C. Gardner investigates the motivations behind Johnson's escalation of force, and Robert J. McMahon focuses on the pivotal period before and after the Tet Offensive. Jeffrey P. Kimball then makes sense of Nixon's paradoxical decision to end U.S. intervention while pursuing a destructive air war. John Prados and Eric Bergerud devote essays to America's military strategy, while Helen E. Anderson and Robert K. Brigham explore the war's impact on Vietnamese women and urban culture. Melvin Small recounts the domestic tensions created by America's involvement in Vietnam, and Kenton Clymer traces the spread of the war to Laos and Cambodia. Concluding essays by Robert D. Schulzinger and George C. Herring account for the legacy of the war within Vietnamese and American contexts and diagnose the symptoms of the "Vietnam syndrome" evident in later debates about U.S. foreign policy. America's experience in Vietnam continues to figure prominently in discussions about strategy and defense, not to mention within discourse on the identity of the United States as a nation. Anderson's expert collection is therefore essential to understanding America's entanglement in the Vietnam War and the conflict's influence on the nation's future interests abroad.

Beginning with an analysis of cultural themes and ending with a discussion of evolving and expanding political and corporate institutions, The Columbia History of Post-World War II America addresses changes in America's response to the outside world; the merging of psychological states and social patterns in memorial culture, scandal culture, and consumer culture; the intersection of social practices and governmental policies; the effect of technological change on society and politics; and the intersection of changing belief systems and technological development, among other issues. Many had feared that Orwellian institutions would crush the individual in the postwar era, but a major theme of this book is the persistence of individuality and diversity. Trends toward institutional bigness and standardization have coexisted with and sometimes have given rise to a countervailing pattern of individualized expression and consumption. Today Americans are exposed to more kinds of images and music, choose from an infinite variety of products, and have a wide range of options in terms of social and sexual arrangements. In short, they enjoy more ways to express their individuality despite the ascendancy of immense global corporations, and this volume imaginatively explores every facet of this unique American experience.

Television is a form of media without equal. It has revolutionized the way we learn about and communicate with the world and has reinvented the way we experience ourselves and others. More than just cheap entertainment, TV is an undeniable component of our culture and contains many clues to who we are, what we value, and where we might be headed in the future. Media historian Gary R. Edgerton follows the technological developments and increasing cultural relevance of TV from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He begins with the laying of the first telegraph line in 1844, which gave rise to the idea that images and sounds could be transmitted over long distances. He then considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. He talks of the birth of prime time and cable, the influence of innovators like Sylvester "Pat" Weaver, Roone Arledge, and Ted Turner, as well as television's entrance into the international market, describing the ascent of such programs as Dallas and The Cosby Show, and the impact these exports have had on transmitting American culture abroad. Edgerton concludes with a discerning look at our current Digital Era (1995-present) and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape. Richly researched and engaging, Edgerton's history tracks television's growth into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. It took only ten years for television to penetrate thirty-five million households, and by 1983, the average home kept their set on for more than seven hours a day. The Columbia History of American Television illuminates our complex relationship with this singular medium and provides historical and critical knowledge for understanding TV as a technology, an industry, an art form, and an institutional force.

America's experience in Vietnam continues to figure prominently in debates over strategy and defense and within the discourse on the identity of the United States as a nation. Through fifteen essays rooted in recent scholarship, The Columbia History of the Vietnam War is a chronological and critical collective history central to any discussion of America's interests abroad.David Anderson opens with an essay on the Vietnam War's major themes and enduring relevance. Mark Philip Bradley (University of Chicago) reexamines the rise of Vietnamese revolutionary nationalism and the Vietminh-led war against French colonialism. Richard Immerman (Temple University) revisits Eisenhower's and Kennedy's efforts at nation-building in South Vietnam. Gary Hess (Bowling Green State University) reviews America's military commitment under Kennedy and Johnson, and Lloyd Gardner (Rutgers University) investigates the motivations behind Johnson's escalation of force. Robert McMahon (Ohio State University) focuses on the pivotal period before and after the Tet Offensive, and Jeffrey Kimball (Miami University) makes sense of Nixon's paradoxical decision to end U.S. intervention while pursuing a destructive air war. John Prados (National Security Archive) and Eric Bergerud (Naval Postgraduate School) devote their essays to America's military strategy. Helen Anderson (California State University, Monterey Bay) and Robert Brigham (Vassar College) explore the war's impact on Vietnamese women and urban culture. Melvin Small (Wayne State University) recounts the domestic tensions created by America's involvement in Vietnam, and Kenton Clymer (Northern Illinois University) follows the spread of the war to Laos and Cambodia. Concluding essays by Robert Schulzinger (University of Colorado) and George Herring (University of Kentucky) trace the legacy of the war within Vietnamese and American contexts and diagnose the symptoms of the "Vietnam Syndrome" evident in later U.S. foreign policy debat.

Provides users with a detailed and authoritative overview of this event, as well as the principal figures involved in this pivotal episode in U.S. history.

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.

"Vietnam Zippos showcases the engravings made by U.S. soldiers on their lighters during the height of the conflict, from 1965 to 1973. Sherry Buchanan, through the collection of American artist Bradford Edwards, tells the story of how the humble Zippo became a talisman and companion for American GIs during their tours of duty. The engravings gathered in this illustrated volume run the full emotional spectrum with both sardonic reflections - "I love the f***ing Army and the Army loves f***ing me" - and poignant maxims - "When the power of love overcomes the love of power, the world will know peace." Part pop art and part military artifact, they capture the large moods of the sixties and the darkest days of Vietnam - all through the world of the tiny Zippo."--BOOK JACKET.