These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.

These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style. The comb binding creates a lay-flat book that is perfect for study and performance.

Volume II of two-volume set of excellent Breitkopf & Härtel edition includes Hoboken Nos. 30-52 arranged in chronological sequence: Sonata No. 30 in A Major (ca. 1774-76) culminating with Sonata No. 52 in E-flat Major (1794).

Volume 2 of authoritative Schenker edition includes Op. 31, Nos. 1-3; Op. 49, Nos. 1-2; Op. 53; Op. 54; Op. 57; Op. 79; Op. 81a; Op. 90; Op. 101; Op. 106; Op. 109; Op. 110; Op. 111.

Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.

These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.

A collection of exercises, for Piano, composed by Henri Herz.

Volume II of three-volume set features an essay on Mozart's Symphony No. 40 in G Minor, studies of Bach keyboard and solo cello works, and theoretical writings on sonata form and fugue and Schenkerian theory.

This collection features the most famous of the composer's 32 piano sonatas. Includes "Pathétique," "Moonlight," "Waldstein," "Appassionata," "Les Adieux." New introduction by Carl Schachter, and performance notes by Anton Kuerti.