Since its first publication in 1965, this collection has been widely hailed as the best available text of William Blake's poetry and prose. It is now expanded to include a new foreword by Harold Bloom, his definitive statement on Blake's greatness.

Poetry.

It is not surprising that visitors to Blake’s cosmology – the most elaborate in the history of British text and design – often demand a map in the form of a reference book. The entries in this volume benefit from the wide range of historical information made available in recent decades regarding the relationship between Blake’s text and design and his biographical, political, social, and religious contexts. Of particular importance, the entries take account of the re-interpretations of Blake with respect to race, gender, and empire in scholarship influenced by the groundbreaking theories that have arisen since the first half of the twentieth century. The intricate fluidity of Blake’s anti-Newtonian universe eludes the fixity of definitions and schema. Central to this guide to Blake's work and ideas is Kathryn S. Freeman's acknowledgment of the paradox of providing orientation in Blake’s universe without disrupting its inherent disorientation of the traditions whereby readers still come to it. In this innovative work, Freeman aligns herself with Blake’s demand that we play an active role in challenging our own readerly habits of passivity as we experience his created and corporeal worlds.

In Studies in Poetry, J.M. Beach traces the history of poetry and poetic philosophy in the West. Beach provides a comprehensive, yet selective look into the more "radical" figures of English and American literature, and a topical exploration of Western Poetic Theory, centered on a humanistic mysticism--specifically on romantic theories of the mind and subjectivity. This book will give students a generalized, yet relevantly contemporary definition of "poetry," through an in-depth exploration of several poet's major works and themes.

William Blake and the Daughters of Albion offers a challenge to the Blake establishment. By placing some of Blake's early prophetic works in startingly new historical contexts (most provocatively those of female conduct and pornography) a very different image of the radical Blake emerges. The book shows what can be achieved when a challenging methodology, feminist historicism, is brought to bear on a canonical writer and on now canonized interpretations of his work.