Collects all of Synge's published plays, including The Playboy of The Western World, along with his Poetry and Translations, and the prose works that detail his travels in The Aran Islands, In Wicklow, In Kerry and In Connemara.

The playwright J. M. Synge was a key figure in the Irish Literary Revival and was one of the co-founders of the Abbey Theatre. Today he is best known for his controversial play ‘The Playboy of the Western World’, which caused riots in Dublin during its opening run. Synge's writings are chiefly concerned with the world of the Roman Catholic peasants of rural Ireland and with what he saw as the essential paganism of their world view. He was a poetic dramatist of great power, whose modern plays are celebrated for their sophisticated craftsmanship. For the first time in digital publishing, this eBook presents Synge’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Synge’s life and works * Concise introductions to the plays * All 6 plays, with individual contents tables * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare poetry available in no other collection * Includes Synge’s prose, featuring many essays and reviews– available in no other collection * Features two biographies, including Yeats’ seminal work ‘Synge and the Ireland of His Time’ – discover Synge’s literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Plays In the Shadow of the Glen Riders to the Sea The Well of the Saints The Playboy of the Western World The Tinker’s Wedding Deirdre of the Sorrows The Poetry Collections Collected Poems The Prose The Aran Islands In Wicklow and West Kerry Miscellaneous Essays and Reviews The Biographies Synge and the Ireland of His Time by W. B. Yeats Brief Biography of John Millington Synge by William Kirkpatrick Magee Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

DigiCat presents to you this unique and meticulously edited Yeats collection: Volume 1: The Wind Among the Reeds The Old Age of Queen Maeve Baile and Aillinn In the Seven Woods Ballads and Lyrics The Rose The Wanderings of Oisin Volume 2: The King's Threshold On Baile's Strand Deirdre The Shadowy Waters Volume 3: The Countess Cathleen The Land of Heart's Desire The Unicorn from the Stars Volume 4: The Hour-Glass Cathleen ni Houlihan The Golden Helmet The Irish Dramatic Movement Volume 5: The Celtic Twilight Stories of Red Hanrahan Volume 6: What's 'Popular Poetry'? Speaking to the Psaltery Magic The Happiest of the Poets The Philosophy of Shelley's Poetry At Stratford-on-Avon William Blake and the Imagination William Blake and His Illustrations to the 'Divine Comedy' Symbolism in Painting The Symbolism of Poetry The Theatre The Celtic Element in Literature The Autumn of the Body The Moods The Body of the Father Christian Rosencrux The Return of Ulysses Ireland and the Arts The Galway Plains Emotion of Multitude Volume 7: The Secret Rose Rosa Alchemica The Tables of the Law The Adoration of the Magi John Sherman Dhoya Volume 8: Discoveries Edmund Spencer Poetry and Tradition Modern Irish Poetry Lady Gregory's Cuchulain of Muirthemne Lady Gregory's Gods and Fighting Men Mr. Synge and His Plays Lionel Johnson The Pathway

The Complete Works of William Butler Yeats (Vol. 1-8) showcases the unparalleled literary talent of the renowned Irish poet, playwright, and Nobel laureate. Yeats' writing exudes a rich blend of myth, symbolism, and mysticism, reflecting his profound interest in Irish folklore and the occult. His poems and plays often explore themes of love, loss, and the complexities of the human experience, resonating with readers on a deep and emotional level. The collection's literary style is marked by its lyrical language, evocative imagery, and intricate use of symbols, setting it apart as a cornerstone of 20th-century literature. Throughout the eight volumes, Yeats' works are presented in chronological order, allowing readers to witness the evolution of his artistic vision over time. Each volume includes detailed annotations and insightful commentary, offering readers a comprehensive understanding of Yeats' work and its significance within the literary canon.

Gender, Performance, and Authorship at the Abbey Theatre reconsiders authorship at the Abbey Theatre. The actresses who performed the key roles at the Abbey contributed original ideas, language, stage directions, and revisions to the theatre's most renowned performances and texts, and this study asks that we consider the role of actresses in the development of these plays. With a focus on letters, diaries, archival photographs, and memoirs as well as morerecent theatre and performance criticism, this volume examines the way that the women who contributed to these roles have been written out of the history of the creation of these texts. Thinking about theplays as created in part by the actresses reveals new readings of the major texts of the Abbey Theatre. Plays that have been historically attributed to Yeats and Synge have complicated histories that demand re-examination of authorship.

This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.

In the thirty years covered by this anthology, Maunsel & Co. published many major Irish poets who are part of the master narrative (Yeats, Gregory, Stephens etc.) but also 500 separate inclusions by lesser known or unknown poets. Professor Gardiner, head of Irish Studies at Creighton University, has rediscovered some important voices from the Celtic Twilight and reassesses their importance in light of Irish literary development.

Fathers and Sons at the Abbey Theatre demonstrates how the literary archetype of the clash between fathers and sons and the subsequent depiction of anti-oedipal figures become a major concern for the playwrights writing in a specific and crucial moment of Irish history (1904-1938). The father can be conceived both as a historical / political metaphor as well as a real father in a specific historical and social context. The classical models employed as theoretical tools to nuance the argument--Laius and Oedipus, Ulysses and Telemachus, Aeneas and Anchises, Priam and Hector, Hector and Astyanax--are challenged by the Christian example of Abraham and Isaac, subversively adjusted by Yeats to provide a tragic reading of post-colonial Ireland. All of these pairings provide archetypes for the understanding of complex personal and familial dynamics. The book takes into consideration not only the most famous figures of the Irish National Theatre--as W.B. Yeats, J.M. Synge, Augusta Gregory, and Sean O?Casey?but also overlooked authors such as T.C. Murray, Padraic Colum, Paul Vincent Carroll, Lennox Robinson, Denis Johnston, George Shiels, St. John Ervine, Teresa Deevy. Many commentators have written about the playwrights of the Abbey Theatre, mainly focusing on politics, social classes, Irish identity, cultural issues, and linguistic aspects: no thorough analysis of the clash between generations has been published so far. Those who have tackled the issue have devoted their attention to a single author, or to a single aspect; this study aims to demonstrate that the repeated occurrence of anti-oedipal figures and of the archetype of the clash between fathers and sons?a clear manifestation of the need of emancipation from oppressive authorities and of change in Irish society?must be read as a common phenomenon and as a shared concern. The book is written for people interested in Irish studies, post-colonial studies, and theatre studies.

"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.

J. A. Baker’s extraordinary classic of British nature writing