Keats’s first volume of poems, published in 1817, demonstrated both his belief in the consummate power of poetry and his liberal views. While he was criticized by many for his politics, his immediate circle of friends and family immediately recognized his genius. In his short life he proved to be one of the greatest and most original thinkers of the second generation of Romantic poets, with such poems as ‘Ode to a Nightingale’, ‘On First Looking into Chapman’s Homer’ and ‘La Belle Dame sans Merci’. While his writing is illuminated by his exaltation of the imagination and abounds with sensuous descriptions of nature’s beauty, it also explores profound philosophical questions. John Barnard’s acclaimed volume contains all the poems known to have been written by Keats, arranged by date of composition. The texts are lightly modernized and are complemented by extensive notes, a comprehensive introduction, an index of classical names, selected extracts from Keats’s letters and a number of pieces not widely available, including his annotations to Milton’s Paradise Lost.

V. I. Poems published in 1817. Endymion -- v. II. Lamia. Isabella, &c. Posthumous poems to 1818 -- v. III. Posthumous poems 1819-1820. Essays & notes -- v. IV. Letters 1814 to Jan. 1819 -- v. V. Letters 1819 & 1820.

'I think I shall be among the English Poets after my death,' John Keats soberly prophesied in 1818 as he started writing the blankverse epic Hyperion. Today he endures as the archetypal Romantic genius who explored the limits of the imagination and celebrated the pleasures of the senses but suffered a tragic early death. Edmund Wilson counted him as 'one of the half dozen greatest English writers,' and T. S. Eliot has paid tribute to the Shakespearean quality of Keats's greatness. Indeed, his work has survived better than that of any of his contemporaries the devaluation of Romantic poetry that began early in this century. This Modern Library edition contains all of Keats's magnificent verse: 'Lamia,' 'Isabella,' and 'The Eve of St. Agnes'; his sonnets and odes; the allegorical romance Endymion; and the five-act poetic tragedy Otho the Great. Presented as well are the famous posthumous and fugitive poems, including the fragmentary 'The Eve of Saint Mark' and the great 'La Belle Dame sans Merci,' perhaps the most distinguished literary ballad in the language. 'No one else in English poetry, save Shakespeare, has in expression quite the fascinating felicity of Keats, his perception of loveliness,' said Matthew Arnold. 'In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare.'

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.y

“Poems once in motion…continue to move their readers. And what an imaginative variety of poetic delights is offered here.”—Billy Collins It would have pleased Walt Whitman, that poet of urban motion, to envision his words coursing by electrified rail through a diverse, global city of 8 million souls. Since 1992, with the presentation of an excerpt from Walt Whitman’s “Crossing Brooklyn Ferry,” the Poetry in Motion program—co-sponsored by MTA Arts & Design and the Poetry Society of America—has brought more than 200 poems, in whole or in part, before the eyes of millions of subway and bus riders, offering a moment of timelessness in the busy day. The poems are by an eclectic mix of writers, from Sappho and Sylvia Plath to W. H. Auden, Rita Dove, Seamus Heaney, Nikki Giovanni, Patrick Phillips, and Aracelis Girmay. Each of the 100 poems gathered here has, in sixteen lines or less, the power to enliven the quotidian, provide nourishment for the soul, and enchant even the youngest among us.