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The Mesopotamian campaign during World War I was a critical moment in Britain's position in the Middle East. With British and British Indian troops fighting in places which have become well-known in the wake of the 2003 invasion of Iraq, such as Basra, the campaign led to the establishment of the British Mandate in Iraq in 1921. Nadia Atia believes that in order to fully understand Britain's policies in creating the nascent state of Iraq, we must first look at how the war shaped Britons' conceptions of the region. Atia does this through a cultural and military history of the changing British perceptions of Mesopotamia since the period before World War I when it was under Ottoman rule. Drawing on a wide variety of historical and literary sources, including the writing of key figures such as Gertrude Bell, Mark Sykes and Arnold Wilson, but focusing mainly on the views and experiences of ordinary men and women whose stories and experiences of the war have less frequently been told, Atia examines the cultural and social legacy of World War I in the Middle East and how this affected British attempts to exert influence in the region.

The Tempest: Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from key literary figures, such as Ben Jonson, Samuel Taylor Coleridge, John Dryden, John Ruskin and Edward Malone. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which charts the reactions to the play up to the beginning of the twenty first century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication. Reactions are included from: Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.

Designed to introduce the lives and works of those individuals who influenced the development of genre in accepting that "the biographer can create a work of truth and pleasure" by merging scholarship with creativity, thus establishing biography as a literary art.