From the depths of outer space to the tight spaces of the inner mind, the short stories in this collection range from the confessions of a Shakespearian monster, to the rantings of a serial killer who exists outside time and space, and to the bemused thoughts of a man whose world is literally falling apart around him. Moving from the humorous The World, the Flesh, and Maxwell Harrison to the horrific Melissa's Bear and the cautionary Priorities, the Confession of Caliban and Other Stories seeks to go beyond the average science fiction or fantasy story and explore human experiences in a variety of writing styles, from the traditional to the experimental. Whether you come away with a smirk, a smile, or a decided chill up your spine, you will find these short stories an unforgettable experience.

'I loved Mrs Caliban. So deft and austere in its prose, so drolly casual in its fantasy...' John Updike First published in 1982, Mrs Caliban was in 1986 selected by the British Book Marketing Council as one of the 20 best post-war American novels. 'Ingalls takes a B-movie premise (aquatic humanoid escapes from lab) and pounds it into a thrilling new shape - a vehicle for social satire, kitchen-sink realism, surreal domesticity, and just plain blood-curdling screams. The book deals with incest and insanity, curtailed feminine social spheres and the Other; horrific violence and a palpable sadness saturate the pages.' Ed Park, Village Voice This volume also includes two story collections, Three of a Kind and The End of Tragedy, so making a tremendous primer in the subtle prose style and fabulist force of Rachel Ingalls.

More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

Rational Emotive Behaviour Therapy in a Nutshell provides a concise overview of a popular therapeutic approach, starting with the ABCDE Model of Emotional Disturbance and Change. Written by leading REBT specialists, Michael Neenan and Windy Dryden, the book goes on to explain the core of the therapeutic process: - Assessment - Disputing - Homework - Working through - Promoting self-change. As an introduction to the basics of the approach, this updated and revised edition of Rational Emotive Behaviour Therapy in a Nutshell is the ideal first text and a springboard to further study.

Mulk Raj Anand Was An Indian English Writer Of World Repute. His First Ten Books Were From London. He Has Over 22 Books Of Fiction And A Large Number Of Publications On Art, Education And Culture, And Thousands Of Letters. Only Three Volumes Of His Letters Have Been Published. Some Of His Works Have Gone Out Of Print. The Book Is The First Attempt Of Its Kind To Fill This Gap And Introduce The Author To A Large Readership. Here Is An Earnest Endeavour To Give A ýFeelý Of His Immortal Art And Vision. It Opens With ýThe Lost Childý And Records, In All, 15 Short Stories. Then Selections From 15 Novels Have Been Given. The Final Part Carries Four Letters Of Anand, Culled From Three Anthologies Of Letters.

Taking seriously the critical conception of diplomacy as the mediation of estrangement, Diplomatic Para-citations turns to the politics and laws that tie modern diplomacy to colonial cultures and the ‘genres of Man’ that they privilege. In an attempt to read ‘the diplomatic’ from the African postcolony, the book probes the injunction at the center of the law of genre that states that “genres are not to be mixed.” This enables it to investigate the citational/recitational forms of knowledge and practices of recognition that reproduce the diplomatic and colonial order of things in the African context. Through a reading of literature, philosophy, and a multiplicity of everyday practices in Africa and its diasporas, Sam Okoth Opondo explores amateur diplomatic practices that provide a counterforce to laws that prescribe faithfulness to a norm/form while proscribing the mixing of genres.

'A groundbreaking work . . . Federici has become a crucial figure for . . . a new generation of feminists' Rachel Kushner, author of The Mars Room A cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist societies was transformed into a set of predictable and controllable mechanisms. It Is a study of indigenous traditions crushed, of the enclosure of women's reproductive powers within the nuclear family, and of how our modern world was forged in blood. 'Rewarding . . . allows us to better understand the intimate relationship between modern patriarchy, the rise of the nation state and the transition from feudalism to capitalism' Guardian

The New Zealand-born writer Katherine Mansfield associated intimately with many members of the Bloomsbury group, but her literary aesthetics placed her at a distance from the artistic works of the group. With chapters written by leading international scholars, Katherine Mansfield and the Bloomsbury Group explores this conflicted relationship. Bringing together biographical and critical studies, the book examines Mansfield's relationships – personal and literary – with such major Modernist figures as Virginia Woolf, T.S. Eliot, Aldous Huxley and Walter de la Mare as well as the ways in which her work engaged with and reacted against Bloomsbury. In this way the book reveals the true extent of Mansfield's wider influence on 20th-century modernist writing.