Traditional apocalyptic texts concern the advent of a better world at the end of history that will make sense of everything that happened before. But what is at stake in the contemporary shift to apocalyptic narratives in which the utopian end of time is removed? The Contemporary Post-Apocalyptic Novel offers an innovative critical model for our cultural obsession with 'the end' by focussing on the significance of time in the 21st-century post-apocalyptic novel and challenging traditional apocalyptic logic. Once confined to the genre of science fiction, the increasing popularity of end-of-the-world narratives has caused apocalyptic writing to feature in the work of some of contemporary literature's most well-known fiction writers. Considering novels by Will Self, Cormac McCarthy, David Mitchell, Emily St. John Mandel, Jeanette Winterson and others, Diletta De Cristofaro frames the contemporary apocalyptic imagination as a critique of modernity's apocalyptic conception of time and history. Interdisciplinary in scope, the book historicises apocalyptic beliefs by exploring how relentlessly they have shaped the modern world.

"Traditional apocalyptic texts concern the advent of a better world at the end of history that will make sense of everything that happened before. But what is at stake in the contemporary shift to apocalyptic narratives in which the utopian end of time is removed? The Contemporary Post-Apocalyptic Novel offers an innovative critical model for our cultural obsession with 'the end' by focussing on the significance of time in the 21st-century post-apocalyptic novel and challenging traditional apocalyptic logic. Once confined to the genre of science fiction, the increasing popularity of end-of-the-world narratives has caused apocalyptic writing to feature in the work of some of contemporary literature's most well-known fiction writers. Considering novels by Will Self, Cormac McCarthy, David Mitchell, Emily St. John Mandel, Jeanette Winterson and others, Diletta De Cristofaro frames the contemporary apocalyptic imagination as a critique of modernity's apocalyptic conception of time and history. Interdisciplinary in scope, the book historicises apocalyptic beliefs by exploring how relentlessly they have shaped the modern world."--

Since the beginning of the twenty-first century, major Anglophone authors have flocked to a literary form once considered lowbrow 'genre fiction': the post-apocalyptic novel. Calling on her broad knowledge of the history of apocalyptic literature, Hicks examines the most influential post-apocalyptic novels written since the beginning of the new millennium, including works by Margaret Atwood, David Mitchell, Cormac McCarthy, Jeanette Winterson, Colson Whitehead, and Paolo Bacigalupi. Situating her careful readings in relationship to the scholarship of a wide range of historians, theorists, and literary critics, she argues that these texts use the post-apocalyptic form to reevaluate modernity in the context of the new century's political, economic, and ecological challenges. In the immediate wake of disaster, the characters in these novels desperately scavenge the scraps of the modern world. But what happens to modernity beyond these first moments of salvage? In a period when postmodernism no longer defines cultural production, Hicks convincingly demonstrates that these writers employ conventions of post-apocalyptic genre fiction to reengage with key features of modernity, from historical thinking and the institution of nationhood to rationality and the practices of literacy itself.

Collects together the most important contributions to the theory of the postmodern novel over the last 40 years, guiding readers through the complex questions and wide-ranging debates.

Abstracts of dissertations available on microfilm or as xerographic reproductions.

Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Osnabrück, language: English, abstract: This paper will argue that in "Parable of the Sower" by Octavia Butler creates utopian hope by realistically building a dystopian vision which immanently criticises the present. For reasons of brevity, this will be elucidated mainly using the example of capitalism. While an abundance of other issues taken up by the novel, like climate change, democracy, racism or violence, would certainly serve as productive foci of analysis as well, capitalism will be the centre of attention because it is at the core of the apocalyptic circumstances portrayed in the novel. It also constitutes an intersection with most of the other issues named above, making capitalism a suitable starting point. Firstly, a short overview will be given on contemporary interpretations of the state of utopia, pointing out capitalism as a main factor in the changing of utopianism. Among others, Krishan Kumar’s “The Ends of Utopia”, Jerry Phillips’s “Utopia and Catastrophe in Octavia Butler’s Parable of the Sower” and Darko Suvin’s Metamorphoses of Science Fiction will be consulted. Realism, cognition, and estrangement will be pointed out as main tools of offering immanent critique and, in extension, utopian hope. Secondly, the production of immanent critique in Parable of the Sower will be analysed with the help of Mathias Nilges’s paper on “The Realism of Speculation”. Mike Davis’s City of Quartz will serve to illustrate the realism in Butler’s vision of future Los Angeles. The second example will examine the company town Olivar. Briefly consulting Rottinghaus’, Pluretti’s and Sutko’s discursive paper “The End of Material Scarcity”, the effectiveness of this immanent critique will be discussed. Lastly, this paper will seek to show how immanent critique allows for the creation of utopian hope, pointing towards the transformative value of utopian literature presented in Carl Freedman’s Critical Theory and Science Fiction. This paper will, because of its limited length, not be able to further investigate critiques of capitalism in any other context than that of Butler’s novel. Also, it will not be analysing the portrayal of capitalism as essentially nostalgic and conservative, making it the opposite of the utopian vision of adaptation and progress that it is contrasted with. This paper will not delve deeper into other interesting aspects of the generation of utopian hope, like narration

A biographical and bibliographical guide to current writers in all fields including poetry, fiction and nonfiction, journalism, drama, television and movies. Information is provided by the authors themselves or drawn from published interviews, feature stories, book reviews and other materials provided by the authors/publishers.