The Corruption of Ethos in Fortress America: Billionaires, Bureaucrats, and Body Slams argues that authoritarian strains of U.S. governance violate the idea of ethos in its ancient, collectivist sense. Christopher Carter posits that this corrupts the cultural “dwelling place” through public relations strategies, policies on race and immigration, and a general disregard for environmental concerns. Donald Trump’s presidency provides a signal instance of the problem, refashioning the dwelling place as a fortress while promoting sweeping forms of exclusion and appealing to power for power’s sake. Carter’s analysis shows that, emboldened by the purported flexibility of truth, Trump’s authoritarian rhetoric underwrites unrestrained policing, militarized borders, populist nationalism, and relentless assaults on investigative journalism. These trends bode ill for human rights and critical education as well as progressive social movements and the forms of life they entail. Worse yet, the corruption of ethos threatens life in general by privileging corporate prerogatives over ecological attunement. In response to those tendencies, Carter highlights modes of activism that merge antiracist and labor rhetoric to offer a more fluid, unpredictably emergent vision of social space, allying with ecofeminism in ways that make that vision durable. Scholars of rhetoric, political science, history, ecology, race studies, and American studies will find this book particularly useful.

Rhetoric of the Opioid Epidemic demonstrates that framing the epidemic as a medical issue instead of an effect of moral failing holds more potential for solving the epidemic through medical treatment and reconnecting sufferers back to society. This rhetorical move separates the opioid epidemic from the criminal and immoral frames that were cast upon the crack epidemic and initial framing of the AIDS epidemic. Popular culture and governmental response case studies include: President Trump’s March 19, 2018 address to the nation, ODMAP produced by the Washington/Baltimore High Intensity Drug Trafficking in January 2017, news stories from national sources dating from 2015 to 2020 about the chronic pain management debate, two documentaries, Heroin(e) (2017) and One Nation Under Stress: Deaths of Despair in the United States (2019), and Ben is Back (2018).

Rhetoric and Public Memory in the Science of Disaster grapples with the role of science in the public memory of natural disasters. Taking a psychoanalytic and genealogical approach to the rhetoric of disaster science throughout the twentieth century, this book explores how we remember natural disasters by analyzing how we try to prevent them. Chapters track the development of predictive modeling methods alongside some of the worst and most consequential natural disasters in the history of the United States. From miniaturized physical scale models, to cartographic renderings within a burgeoning statistical science, to ever more complex simulation scenarios, disaster science has long created imaginary versions of horrific events in the effort to prevent them. Through an exploration of these hypothetical disasters, this book theorizes how science itself becomes a site of public memory, an increasingly important question in a world of changing weather.

In Nikki Haley's Lessons from the New South, Wanda Little Fenimore traces the resurrection of the phrase “New South” with South Carolina’s former governor, Nikki Haley. Through analyzing speeches, Fenimore demonstrates how politicians use historical terms in new ways that obscure their roots but remain oppressive in the twenty-first century. This book reveals how Nikki Haley manufactured her “New South” as progressive, and forward-thinking, yet the term functions as a form of inferential racism, ultimately, reproducing traditional conservatism rooted in white supremacy. Scholars of rhetoric, communication, political science, and women’s studies will find this book of particular interest.

The most original and authoritative voice of today's English lexicography presents a fully revised new edition of his beloved usage dictionary When Bryan Garner published the first edition of A Dictionary of Modern American Usage in 1999, the book quickly became one of the most influential style guides ever written for the English language. After four previous editions and over twenty years, our language has evolved in many ways, and the powerful tool of big data has revolutionized lexicography. This extensively revised new edition fully captures these changes, featuring a thousand new entries and over two hundred replacement entries, thoroughly updated usage data and ratios on word frequency based on the Google Ngram Viewer, a more balanced coverage of World Englishes, not just American and British, and the inclusion of gender-neutral language. However, one thing has not changed: in no sense is this a regular dictionary but a masterpiece of lexicography written with wit and personality by one of the preeminent authorities on the English language. To put it in David Foster Wallace's words, Garner's discussion of rhetoric and style still borders on genius. From the (lost) battle between self-deprecating and self-depreciating to the misuse of it's for its, from the variant spelling patty-cake taking over pat-a-cake in American English to the singular uses of they, Garner explains the nuances of grammar and vocabulary and the linguistic blunders to which modern writers and speakers are prone, whether in word choice, syntax, phrasing, punctuation, or pronunciation. His empirical approach liberates English from two extremes: from the purists who maintain that split infinitives and sentence-ending prepositions are malfeasances and from the linguistic relativists who believe that whatever people say or write must necessarily be accepted. The purpose of Garner's dictionary is to help writers, editors, and speakers use the language effectively. And it does so in a playful and persuasive way that will help you sound grammatical but relaxed, refined but natural, correct but unpedantic.

A Rhetoric of Ruins contributes to an interdisciplinary conversation about the role of wrecked and abandoned places in modern life. Topics in this book stretch from retro- and post-human futures to a Jeremiadic analysis of the role of ruins in American presidential discourse. From that foundation, A Rhetoric of Ruins employs hauntology to visit a California ghost-town, psychogeography to confront Detroit ruins, heterochrony to survey Pennsylvania’s once (and future) Graffiti Highway, an expanded articulation of heterotopia to explore the pleasurable contamination of Chernobyl, and an evening in Turkmenistan’s Doorway to Hell that stretches across time from Homer’s Iliad to Little Richard’s “Long Tall Sally.” Written to engage scholars and students of communication studies, cultural geography, anthropology, landscape studies, performance studies, public memory, urban studies, and tourism studies, A Rhetoric of Ruins is a conceptually rich and vividly written account of how broken and derelict places help us manage our fears in the modern era.

The constitutional structure of the American federal government is no longer providing responsible and effective governance. To overcome the current paralysis in government, to resume effective management of its crippled economy and of its global empire, a new pattern of government is emerging, one that adheres to the earlier outlines of the garrison state. This volume takes account of the gradual measures that have already been taken to respond to the current paralysis outlines the new pattern of governance that will replace the failing institutions of the constitutional state.

About the Book Meet Solly, a likeable PhD with a weakness for cars, self-doubt, and interests spanning belles-lettres to physics. He becomes a rhetoric/literature teacher and RA at CalTech. Unwittingly, Solly gets involved with his students, especially brilliant Darryl, and with the attempt of local mobsters to recruit Darryl to hack into local municipal databases to demand ransom. Darryl's partner in hacking, Fang Lou, has quit school and is working with the mob. Early in his RA role, bachelor Solly meets and falls for Ewa ('Mia') Kulpa, the RA of another undergrad house. The relationship of Mia and Solly develops as the mob ransom hacking escalates until the threads come together in a violent denouement. The cast of characters also includes Clarence, a 300-pound gay pro wrestler and philosopher; FBI forensic expert Xi Luk; Solly's previous mate, Sweet Caroline; the ambitious criminal leader Sashi; and several unusual undergraduates, Toobee, Zonker, and more. As the book progresses, Solly experiences how life confronts us with choices and how difficult it is to be honest with ourselves. About the Author R. Henry Price is a scientist who considers writing an important part of a scientific career. He was a professor for 33 years at the University of Utah, for 11 years at the University of Texas, and is now a Senior Lecturer at MIT. He has also have been an adjunct professor of mechanical engineering at Utah and an adjunct professor of physics at several institutions. Price has coauthored three published books, one of which, The Future of Spacetime, is a trade book that made the top 100 on Amazon. He has also been elected a Fellow of the American Physical Society and a Fellow of the American Association for the Advancement of Science. Price has a PhD in physics from Caltech where (like protagonist Solly of Mentis and Ethos) he was a resident associate in one of the undergraduate houses.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

A theology in tune with postcolonial theory has the potential to creatively inform and transform ecclesial practice. Focusing on the relation of theology to postcolonial theory, Postcolonial Theologies brings together a wide diversity of authors, many of them fresh and exciting theological voices, in essays that are stunningly creative and prophetically lucid. All essays are theologically constructive, not merely deconstructive or critical, in their visions for Christianity. Forming a sort of doctrinal landscape, they emerge under the themes of theological anthropology shaped by ethnicity, class, and privilege; a Christology that intersects the claims of Christ and empire; and a Cosmology that imagines a postcolonial world.