Kensington Palace is now most famous as the former home of Diana, Princess of Wales, but the palace's glory days came between 1714 and 1760, during the reigns of George I and II . In the eighteenth century, this palace was a world of skulduggery, intrigue, politicking, etiquette, wigs, and beauty spots, where fans whistled open like switchblades and unusual people were kept as curiosities. Lucy Worsley's The Courtiers charts the trajectory of the fantastically quarrelsome Hanovers and the last great gasp of British court life. Structured around the paintings of courtiers and servants that line the walls of the King's Staircase of Kensington Palace-paintings you can see at the palace today-The Courtiers goes behind closed doors to meet a pushy young painter, a maid of honor with a secret marriage, a vice chamberlain with many vices, a bedchamber woman with a violent husband, two aging royal mistresses, and many more. The result is an indelible portrait of court life leading up to the famous reign of George III , and a feast for both Anglophiles and lovers of history and royalty.

"The Courtiers Anatomists" is about dead bodies and live animals in Louis XIV s Paris. By exploring the practice of seventeenth-century anatomy, Anita Guerrini reveals how animals were central to collecting, describing, and classifyingnatural historyand how anatomy and natural history were linked through animal dissection and vivisection. She looks at the early modern animal project, and particularly at Joseph-Guichard Duverney and Claude Perrault, in the context of the court, the city of Paris, and burgeoning audiences for natural history. The Academy and the King s Garden were the two main sites in Paris for the performance of natural history, and much of the Scientific Revolution in France played itself out in these two public institutions. Fascinating stories are culled in "The Courtiers Anatomists" to explore the relationships between empiricism and theory, human and animal, the origins of the natural history museum and modern science, and the relationship between science and other cultural activities including art, music, and literature. This book will be warmly welcomed by historians of science, medicine, and France, as well as by early modernists and many others in the growing field of animal studies."

Comprehensive study of the diplomat and the diplomatic mission in Western civilization. The professional diplomat frequently takes a back seat in the public imagination to such figures as the great heads of state and leading military figures. In The Courtiers of Civilization, Sasson Sofer aims to restore the importance and reputation of the diplomat in Western civilization. Drawing on an exhaustive reading of the vast literature on diplomacy, from the late Renaissance forward, he fashions an engaging portrait of the diplomat’s milieu and lifestyle, his place in diplomatic rituals, and his role in international dialogue. Blending historical evidence, sociological analysis, and political thought, Sofer explores the vocational predicament faced by the diplomat, who must play many roles, including negotiator, honorable spy, horse trader, appeaser, and bureaucrat, while at the same time maneuvering in the world of rulers and warriors. Ultimately, the diplomat is a symbol of peace and a custodian of the virtues and norms of a civilized and functional international society—in sum a “courtier of civilization.”