This book examines the origins, development and history of the cult of Saint Catherine of Siena. Gerald Parsons argues that the cult of Catherine of Siena constitutes a remarkable example of the cult of a particular saint which, across more than six centuries, has been the vehicle for an evolving sequence of civil religious rituals and meanings. He shows how the cult of this particular saint developed, firstly, as an expression of Sienese civil religion; secondly, as a focus for Italian civil religion; and finally into an expression of European civil religion. Instead of the predominantly devotional - and frequently essentially hagiographical - approach of much of the literature on Catherine of Siena, Parsons examines the significance of her cult from the perspective of civil religion and the social history of religion.

Notwithstanding the wealth of material published about St Clare of Assisi (1193-1253) in the context of medieval scholarship, and the wealth of visual material regarding her, there is a dearth of published scholarship concerning her cult in the early modern period. This work examines the representations of St Clare in the Italian visual tradition from the thirteenth century on, but especially between the fifteenth and the mid-seventeenth centuries, in the context of mendicant activity. Through an examination of such diverse visual images as prints, drawings, panels, sculptures, minor arts, and frescoes in relation to sermons of Franciscan preachers, starting in the thirteenth century but focusing primarily on the later tradition of early modernity, the book highlights the cult of women saints and its role in the reform movements of the Osservanza and the Catholic Reformation and in the face of Muslim-Christian encounter of the early modern era. Debby?s analyses of the preaching of the times and iconographic examination of neglected artistic sources makes the book a significant contribution to research in art history, sermon studies, gender studies, and theology.

St Katherine of Alexandria was one of the most popular saints in both the Orthodox and Latin Churches in the later Middle Ages, yet there has been little study of how her cult developed before c. 1200. This book redresses the balance, providing a thorough examination of the way the cult spread from the Greek-speaking lands of the Eastern Mediterranean and into Western Europe. The author uses the full range of source material available, including liturgical texts, hagiographies, chronicles and iconographical evidence, bringing together these often disparate sources to map the way in which the cult of St Katherine grew from its early stages in the Byzantine Empire up to c.1100, its transmission to Italy, and the introduction and development of the cult in Normandy and England up to c.1200. The book also includes appendices listing early manuscripts containing Katherine's Passio and including key original texts on St Katherine of the period. This study will be welcomed by scholars of medieval history and the history of medieval art, and as a case-study for all those with an interest in the development of medieval saint's cults.

A comprehensive study of female religious life in medieval Tuscany and the development of new categories of religious women.

A study of medieval Hungarian and central European royal saints.

How and why did a medieval female saint from the Eastern Mediterranean come to be such a powerful symbol in early modern Rome? This study provides an overview of the development of the cult of Catherine of Alexandria in Renaissance Rome, exploring in particular how a saint's cult could be variously imaged and 'reinvented' to suit different eras and patronal interests. Cynthia Stollhans traces the evolution of the saint's imagery through the lens of patrons and their interests-with special focus on the importance of Catherine's image in the fashioning of her Roman identity-to show how her imagery served the religious, political, and/or social agendas of individual patrons and religious orders.

Through the use of images, diagrams, and detailed descriptions, this book enables readers to appreciate how the construction, design, and function of famous structures inform our understanding of societies of the past. Buildings and Landmarks of Medieval Europe: The Middle Ages Revealed makes use of significant buildings as "representative structures" to provide insight into specific cultures, historical periods, or topics of the Middle Ages. The explanations of these buildings' construction, original intended use and change over time, and design elements allow readers to better comprehend what life in European societies of the past was like, covering social, political, economic, and intellectual perspectives. Readers will be able to apply what they learn from the discussions of the structures to improve their understanding of the historical period as well as their skills of observation and assessment needed to analyze these landmark structures and draw meaningful conclusions about their context and significance. The book's supporting features—a chronology, biographical appendix, glossary, and subject index—help researchers in successfully completing their papers or projects.

"In this study of complex beliefs in which Aztec religion and Spanish Catholicism blend, Lafaye demonstrates the importance of religious beliefs in the formation of the Mexican nation. Far from being of only parochial interest, this volume is of great value to any historian of religions concerned with problems of nativism and syncretism."—Franke J. Neumann, Religious Studies Review

Discussing medieval and early modern 'disembodied heads' this collection questions the why and how of the primacy of the head in the bodily hierarchy during the premodern period. On the basis of beliefs, mythologies and traditions concerning the head, they come to an ‘cultural anatomy’ of the head.

This bilingual volume (Latin text with English translation) is the second in the series presenting hagiographical narratives from medieval Central Europe. It contains the most important hagiographical corpus of medieval Hungarian history: that of Saint Margaret (1242?1270), daughter of King B‚la IV, who lived her life as a Dominican nun. Margaret?s cult started immediately after her death and the demand to examine her sanctity was first formulated in 1272. The canonization process recommenced in 1276, followed by further initiatives across the centuries. Margaret was eventually canonized only in 1943. Besides the full Latin text and the English translation of her oldest legend, written between 1272 and 1275, this volume contains the acts of the 110 testimonies of the papal investigation concerning her sainthood, recorded between July and October 1276 and prepared from existing source editions. In addition, the editors include a series of recently discovered documents, including a petition by the bishop of V rad (Oradea) to promote the cause, and the notarial records of a set of miracles that occurred at Margaret's grave in the second half of the fifteenth century. The book ends with a selected bibliography of Saint Margaret and of her hagiography.