This book is a fresh approach to the Chinese Exclusion Act of 1882. Drawing on stunning evidence from newspapers and exciting currents in scholarship, Qin presents a new interpretation of the anti-Chinese movement. By examining Chinese native-place tradition in Chinese history, he shows that Chinese native-place sentiment was responsible for almost all important features of Chinese community in the nineteenth-century America. Qin further argues, the main lines along which the anti-Chinese movement ran had been all predetermined in the Chinese native-place rootedness which saw the problem originate and develop. This statement, however, should not cause us to overlook racial prejudice within the movement, which actually received an uninterrupted supply of ammunition from Chinese native-place sentiment and practices.

Some things do not change, God and kingdom values. There are things in our cultures that do not correspond to that. There are some parts of our culture that we have to let go of, some we can hold onto, things handed down to us, need to be re-evaluated. Thank you Adrian for helping me to learn to cherish things from my culture that God wants to redeem. Jenny Sinnadurai. Sri Lanka. Church leader And Church Planter In this insightful book Adrian raises the important neglected issue of culture in a thought-provoking way. Culture constantly changes, so must we. A challenging book and, if we allow a broadening of our horizons as we work through it, potentially life-changing! A fantastic and must-use tool for any group wanting to gain an understanding of Culture together. Ann Clifford Film Producer/Script Writer United Kingdom Each community faces different challenges. If we try and change without the spirit of God that could be death. Culture may stop us from experiencing all that God has for us. We load ourselves with transmitted patterns in thinking and action which makes us artificial products. If you are alive, change is inevitable. Adrian, you have done it again: You have helped me learn different ways of looking at and doing-stuff! Sammy Nawali Church leader and Entrepreneur Nakuru Kenya East Africa

A former lecturer at Al-Azhar University explains the mysterious attitudes of the Muslim world, and tells why they resist principles such as equality for women, freedom of speech, and other ideals that Americans see as secular, nonreligious, and good for all people.

The globalization process has foregrounded ethnic discrimination as an increasingly important area of law around the world. Allowing a better understanding of the issue of ethnic discrimination and inequality, this book offers a comparative analysis of legislation impacting ethnic equality in various Anglophone countries. It demonstrates that it is possible to achieve equality at both national and international levels. A compelling historical analysis of the North American Free Trade Agreement and the European Union Treaty is provided together with a detailed examination of diversity and the law. The book will interest practitioners and others interested in ethnic legal issues.

"These guys are funny daredevils of performance, totally fearless as they skewer convention and lazy thinking. Cool."—Eric Bogosian "Important social satire for these urgent times."—Dolores Huerta, Vice President, United Farm Workers Union "Keep kicking them in the cojones."—George Carlin The newest work by the ever-outrageous comic trio, Culture Clash (Richard Montoya, Ric Salinas, and Herbert Siguenza) collects their four most recent investigations into contemporary American culture as viewed in four very distinct American cities. Each piece was commissioned by a local theatre company who invited our three lads into their communities and unlocked the doors. This volume includes: • "Bordertown" examinines the twin border cities of San Diego and Tijuana with special guest appearances by Charleton Heston, Shamu the Killer Whale, and Sidewinder Sam. • "Nuyorican Stories" brings the Clash to the Big Apple as they delve into the personal histories of the early Puerto Rican political activists in New York. • "Mission Magic Mystery Tour" is Culture Clash’s return to their home turf of San Francisco’s Mission District as the locals withstand an all-out invasion by the dot-com generation. •"Dreaming of Lincoln" brings the fearless troupe to our nation’s capital for a unique look at the land of the free. Culture Clash formed in 1984 to fill a unique role in American arts. Their nominal mission is to show cultures in opposition and, by opposing them, bring them closer together. But their talents are too expansive to be restricted to just "political theatre." Culture Clash have managed to gerrymander theatre’s traditional map, erasing the borders between any and all districts they choose to explore. They have a style all their own with a foundation that harkens back to the best vaudevillians of the U.S. and Latin America. Comedy and satire is what they feed on, in the tradition of Lenny Bruce, the Marx Brothers, Charlie Chaplin, and Catinflas.

Sounding 7 begins with Echo 107 titled CONTEMPORARY EUROPEAN EYES ON THE OZ CULTURE-CLASH FRONTIER followed by echoes on BUCKLEY REVISITED, AFTER THE PROTECTORATE CRUMBLED and WHAT OF PROTECTOR ROBINSON? Echoes follow on salvaging tribal ways, the Merri Creek black orphanage, ‘going round the bend’ at the Asylum and Echo 114: THE CELESTIALS OF VICTORIA, being the resented Chinese gold miners. Exploring the contrasting fate of Batman, La Trobe and Derrimut, leads into echoes on fringe-dwelling, cultural resistance and Oz racism, in particular the mass psychology of racist ideology that culminated with World War 2. After the gold rush era, life and right behaviour at the Healesville Coranderrk mission station and re-thinking William Thomas the Aboriginal Guardian lead to the pleasant notion of civilizing British colonies through sport. The life and exploits of Tom Wills is celebrated in Echo 122: THE MAKING & BREAKING OF VICTORIA’S FIRST SPORTING HERO. Turning to political history, Oz class struggles – convicts, capitalism and nation-building asks the question with Echo 124: WHITHER MARXISM [?] and then BRITISH EMPIRE POLICY REFORMS IN THE 1840s to contain a Chartist-led revolution. Facets of Victorian ‘quality of life’ since the land grab are followed by echoes on the astrology of the 1802 Port Phillip Crown possession claim and an echo titled TOWARDS AN ASTROLOGY OF CIVILIZATION. The Sounding concludes with approaches to researching Aboriginal society, an undergraduate essay on the Dreamtime and finally with Echo 130: A RAINBOW SERPENT BRIDGE. Today in the 21s century, I wonder how differently Oz would have developed if the then ruling British government in Sydney and London had not used censorship to delay the gold rush for almost 40 years! Sounding 8 begins with Echo 131: HISTORY DISTORTION & CENSORSHIP and is backed up with a critique of Britannia’s pirate empire that together spawn two more echoes of doubtful but controversial polemics in 1421 – THE YEAR CHINA DISCOVERED THE WORLD suggesting they were here in Oz many centuries before Captain Cook. Echo 135: THE KADAITCHA SUNG MEETS THE DRUID INHERITANCE pits Palm Islander Sam Watson’s 1990s fiction The Kadaitcha Sung [the ‘clever’ occult Oz Dreamtime] in occult war with the equally ancient European / Celtic / Druid magic in the psyche of the Aryan ‘race’, so to speak. Going even further out on a limb, the focus shifts to recent light shed on ‘dark ages barbarians’ now considered by some historians to have been more culturally refined than the modern city individual. Back in Oz with Echo 137: WHITE MAN’S LAW – BLACKFELLOW LAW and Echo 138: McLEOD’S BUCKET FROM SKULL CREEK brings Western Australia after WW2 into wider awareness with the Pilbara pastoral workers strike of 1946-49 that won half-decent wage rights for Aboriginal stockmen. Moving further north, Echo 141: RECENT ARNHEMLAND CONNECTIONS Part 1: Taming the NT is the stuff of White Australia’s race-based patriotism as depicted in Ion Idriess’s once-mainstream fascist fictions counterpointed by Part 2: James Gaykamangus’s Striving to bridge the chasm: my cultural learning journey. The final echo 142 talks treaty.

Sounding 6 begins with Bain Attwood’s thesis Blacks & Lohans and an echo titled SEX & SORROW EAST OF MELBOURNE. Then Henry Meyrick’s frontier life and death in Western Port and Gipps Land leads into Echo 93: TAMING MELBOURNE BAYSIDE & THE DANDENONGS. Turning to OPENING GIPPSLAND: elite squatters at Sale are contrasted by surviving Kooris on Jackson’s Track. The narrative then backtracks in time with Echo 95: CONTRIBUTIONS TO TRUTH ABOUT SLAUGHTER IN GIPPSLAND comprising the Porter, Cox, Fels and Gardner versions of the blood-stained land-grab. Fels then reports on the Native Police actions and Morgan’s recent overview of the Ganai before and after white settlement concludes the shameful issues long denied or excused. Echo 96: LIAR’S LUNCH charts the rise and fall of pioneer Angus McMillan MP before the focus shifts to the historical geography of East Gippsland clans and languages and on to missionary Bulmer at Lake Tyers with the stories of the payback of Hopping Kitty and Attwood’s study of Brataualung man Tarra Bobby. Alfred Howitt’s birthing of Oz anthropology with his opus The Native Tribes of South-east Australia published at the start of the 20th century is the source material of several echoes on the making of ‘clever’ men and on songs and song-makers. Sounding 6 closes with extracts reprinted from Professor Elkin’s Aboriginal Men of High Degree – their personality and ‘making’, the powers of medicine men, and in conclusion Echo 106: ABORIGINAL MEN OF HIGH DEGREE IN A CHANGING WORLD.

Success in international business requires communication across cultures while being sensitive to differing backgrounds and behaviours.

The Culture Clash story begins in the 1970s in the village of Placitas, New Mexico at the north end of the Sandia Mountains, where author Kay Matthews built a house and began a family while involved in disputes with the Forest Service over forest management and with real estate developers bent on gentrification. It then moves to El Valle, a land grant village of 20 families at the base of the Pecos Wilderness, where she and her family moved in the early 1990s seeking a more rural life. Here, during the rest of that decade and into the 2000s, the small villages of el norte were engaged in battles on numerous fronts: protecting the integrity of traditional acequias; guaranteeing the rights of community-based foresters and ranchers to access public lands; addressing the long standing grievances of the loss of land grants; and maintaining the rural nature of communities through appropriate economic development. As a journalist documenting these struggles, and as a norteño living la lucha, Matthews weaves together a personal narrative and political analysis of a complex and dynamic rural New Mexico.

This three-person troupe is unique not only for its imaginative explorations of contemporary Latin/Chicano culture but also for its vision of a society in transition.