The Dark Foundations continues the epic story begun in The Shadow and Night. Far beyond the tranquility of the Assembly worlds, Nezhuala, Lord-Emperor of the Dominion, is preparing a merciless and crushing attack on Farholme as a prelude to an onslaught on the Assembly. Back on Farholme, Commander Merral D’Avanos recovers from his wounds after the battle at Fallambet where the intruders were destroyed. Yet even as Merral dreams of a return to peace, he receives a warning of imminent war on a massive scale he cannot ignore. Amid the urgent preparations for battle, Merral and his friends realize the inadequacy of their defenses. Then, with weeks to spare before the predicted eve of war, Merral receives an offer of assistance from the strangest of sources. But can it be trusted? As the wave of war finally crashes over Farholme, Merral must find the answer to other questions in the heat of battle: Can Farholme survive the growing internal strains? Who will pay the price for victory? Will his own weaknesses undo both him and his world?

How were blacks in American slavery formed, out of a multiplicity of African ethnic peoples, into a single people? In this major study of Afro-American culture, Sterling Stuckey, a leading thinker on black nationalism for the past twenty years, explains how different African peoples interacted during the nineteenth century to achieve a common culture. He finds that, at the time of emancipation, slaves were still overwhelmingly African in culture, a conclusion with profound implications for theories of black liberation and for the future of race relations in America. By examining anthropological evidence about Central and West African cultural traditions--Bakongo, Ibo, Dahomean, Mendi and others--and exploring the folklore of the American slave, Stuckey has arrived at an important new cross-cultural analysis of the Pan-African impulse among slaves that contributed to the formation of a black ethos. He establishes, for example, the centrality of an ancient African ritual--the Ring Shout or Circle Dance--to the black American religious and artistic experience. Black nationalist theories, the author points out, are those most in tune with the implication of an African presence in America during and since slavery. Casting a fresh new light on these ideas, Stuckey provides us with fascinating profiles of such nineteenth century figures as David Walker, Henry Highland Garnet, and Frederick Douglas. He then considers in detail the lives and careers of W. E. B. Dubois and Paul Robeson in this century, describing their ambition that blacks in American society, while struggling to end racism, take on roles that truly reflected their African heritage. These concepts of black liberation, Stuckey suggests, are far more relevant to the intrinsic values of black people than integrationist thought on race relations. But in a final revelation he concludes that, with the exception of Paul Robeson, the ironic tendency of black nationalists has been to underestimate the depths of African culture in black Americans and the sophistication of the slave community they arose from.

John H. Stanfield II, a leading historian of Black social science, distills decades of his research and thinking in a set of articles—some original to the volume, others from fugitive sources—that trace the trajectories of Black scholars and scholarship in relationship to the broader African American experience over the past two centuries. Stanfield’s signature contributions to this research tradition range from the role of philanthropy in the study and life of African Americans to institutional racism in sociology and the impacts of race on scholarly careers. His analyses run from global formulations to individual biographies, including his own, and stretch from the early decades of social science to the present. This work creates a nuanced historical context for reflective Black sociology that will be of interest to social historians, sociologists, and scholars of color from all disciplines.

Aimed at beginners, Foundation Course: Landscape Photography is part of a series of tutorials that explain the basic skills and techniques of photography in relation to a specific subject area. Each book is divided into six main sections: Basics, Lessons, Revision, Project, Analysis and Progress. The concept of photography is presented in a concise, easy-to-follow manner. There's information on the types of camera, lenses, tripods, filters and other useful accessories; the basics of exposure, metering, aperture and shutter speed, ISO, dynamic range and using filters. There is also information on colour and composition, including the effects of light, the effects of colour on the perception of a photograph, and the basic 'rules' of composition.

A collection of twenty-three articles, led by "Deciphering the Text Foundations of Traveller" (about the role-playing game from GDW) and "Languages of the Dying Sun" (about science fantasy from Jack Vance, Gene Wolfe, and Damien Broderick).