The Dark Has Its Own Light chronicles the authors experience as a patient in a psychiatric hospital, at a time when limited treatment methods meant less chance of recovery. Alternating between recounting the family history that resulted in hospitalization, and the relationships that developed in the hospital, the book charts a story of loss, suffering, and the discovery of hope and love where none seemed possible.

Picturing God demonstrates the importance of confronting our unconscious selves and allowing our images of God " both positive and negative " to surface. Such inner exploration reveals not only relevant insights about ourselves, but also pulls us beyond our private pictures of God toward a truer view of the living God. Picturing God shows us how to explore our unconscious selves and how this spiritual exercise can change the whole of our lives: how we respond to God, how we relate to others, and how we view ourselves.

Jung's last major work, completed in his 81st year, on the synthesis of the opposites in alchemy and psychology.

Jacob Boehme’s Of the Three Principles of Divine Being, 1619, is vital for understanding his work as a whole, its relationship to its epoch, and its role in intellectual history. Reproduced here using the methods of critical edition, the original of the work and its adjacent translation, together with an extensive introduction and commentary, provide unprecedented access to this essential work of early modern thought and cast a fresh light on the revolutionary theological, philosophical, and scientific developments coinciding with the start of the Thirty Years’ War. The 1730 edition is annotated with reference to the manuscript sources to clarify ambiguities so that the translation can interpret the text without refracting its meaning. This makes it possible to interpret Boehme’s complex theories of the origin of the divine being and of nature, the human creature, and the female aspect of divinity.

This volume presents two important lecture cycles delivered after WWII, exploring the poetry of Hölderlin and the nature of thought itself. Heidegger delivered his lecture series, Insight into That Which Is, at Bremen in 1949. It was his first speaking engagement after World War II, when he was officially banned from teaching. Here, Heidegger openly resumes thinking that deeply engaged him with Hölderlin’s poetry and themes developed in his earlier works. In the Freiburg lectures, delivered in 1957, Heidegger ponders thought itself and freely engages with the German idealists and Greek thinkers who had provoked him in the past. Andrew J. Mitchell’s translation allows English-speaking readers to explore important connections with Heidegger’s earlier works on language, logic, and reality.

He was called "the greatest of all mystical theologians" by spiritual teacher Thomas Merton. And when St. John of the Cross was proclaimed to be a Doctor of the Church, Pope Pius XI praised his work as "a guide and handbook for the man of faith who proposes to embrace a life of perfection." The writings of the pious Carmelite priest, as well as those of St. Teresa of Avila, are regarded as the peak of Spanish mysticism. This remarkable guide to the spiritual life stands as his most popular work. Imprisoned in Toledo during the sixteenth century, St. John wrote about his spiritual struggles with a unique poetic vision, illuminating a path for the faithful to grow closer to God. He believed that a spiritual union was open to us, but not before experiencing the confusion and despair of a dark night of the soul. Yet John's words are uplifting, lyrical, and filled with hope for any soul who aspires to the Divine union. By emptying ourselves of earthly distractions—memory, will, and sensual desires—we can make room for the pure light of God's grace. A primer to his Dark Night of the Soul, this acclaimed translation will resonate with modern pilgrims searching for wisdom.

Considered by many film critics and scholars as a master of Japanese Cinema, director Ozu Yasujiro still inspires filmmakers both within and outside of Japan. With fifteen never before published chapters in English by contributors from North America, Europe, and Japan, Reorienting Ozu explores the Japanese director's oeuvre and his lasting impact on global art cinema. Exploring major theoretical frameworks that characterize Ozu studies, chapters consider the various cultural factors that influenced the director's cinematic output, such as the anxiety of middleclass Japan in the 1930s, the censorship imposed by the US-occupation after World War II, and women's rights in Ozu's late work such as Tokyo Twilight (1957). Ultimately, chapters illuminate Ozu's influence on the directors of Japan and beyond. With the recent restoration and re-release of Ozu's early and late films, this volume provides an opportunity to examine not only the auteur's major works but also the relationships--both cultural and aesthetic--that are forged among directors across the world.