Foster Hirsch's Dark Side of the Screen is by far the most thorough and entertaining study of the themes, visual motifs, character types, actors, directors, and films in this genre ever published. From Billy Wilder, Douglas Sirk, Robert Aldrich, and Howard Hawkes to Martin Scorsese, Roman Polanski, and Paul Schrader, the noir themes of dread, paranoia, steamy sex, double-crossing women, and menacing cityscapes have held a fascination. The features that make Burt Lancaster, Joan Crawford, Robert Mitchum, and Humphrey Bogart into noir heroes and heroines are carefully detailed here, as well as those camera angles, lighting effects, and story lines that characterize Fritz Lang, Samuel Fuller, and Orson Welles as noir directors.For the current rediscovery of film noir, this comprehensive history with its list of credits to 112 outstanding films and its many illustrations will be a valuable reference and a source of inspiration for further research.

Irreverent stories about running an alternative, locally owned, independent movie theater in a small Oregon town; appreciations of fiercely loyal patrons; and rants about the peculiar business of dealing with movie studios. Paul also writes about his earlier experiences running movie theaters, some of which are now gone forever, and his forays into the American West, as seen from the seat of his motorcycle. Movies and motorcycles, twin passions for Paul, provide a never-ending supply of inspiration for Paul's creativity.

Hundreds of thousands of miles away on the dark side of the moon, the Russian lunar base has self-destructed - all personnel are dead, except one. Olga Sobakin, the lone survivor, seeks refuge at the rival American base. Olga tells the Americans her base was attacked by a horrifying and nightmarish creature - the pattern was the same: people vanished, leaving nothing behind but shredded clothing and an unidentifiable waste product. The Americans are skeptical of her story at first, but then people begin to disappear . . . Back on Earth, just before the American lunar base goes completely dark, a single message is received: "Lifeform". Intercepted whisperings from Russian intelligence indicate a deadly spreading attack and a rising global threat. Escalated to priority one, there's only one team up for the task. Alex Hunter and his elite group of HAWCs are on a rescue mission to the desolate and darkest unknown. Who, or what, awaits them on the dark side? SHORTLISTED FOR THE ITW THRILLER AWARDS, BEST E-BOOK ORIGINAL NOVEL 2022

We have all been there, reading a newspaper, listening to the radio, watching television. There was a murder today at, wherever? Some criminal was blasted to death in a blaze of gunfire. A man was shot in his driveway this evening. Some person has gone missing. Another kid dies of a drug overdose. The police are again investigating pedophilia on the internet. This is the todays news. We look. We listen. We see. But do we care? In some cases people will exhibit apprehension. Or in the case of the criminal, mumble good riddance, and as long as its not our kid using, we turn to the next page. Listen to the next item if its radio or, change channels on the TV. Whatever! That is generally all we think, until you find yourself staring at the results of a gangland hit spread all over a kitchen bench and the victim is an acquaintance. Then you find out, things about him you could never imagine. You begin to discover, what horrific things happen to ordinary people, in the place you call home. Its then you have to make a decision. Do you continue to ignore these issues or, do you try to make a difference? Well, do you?

Managing technological innovations and related policy and strategy issues have been a central focus of the new millennium. This book series presents an interdisciplinary scholarship and dialogue on the management of innovation and technological change in a global context from a variety of perspectives, including strategic, managerial, behavioral, and policy issues. Papers selected in this volume have four prominent themes: the wide spread interests and the global application of the technological innovation; the practicality of the research on technological innovation implementation to foster success and financial growth; the socio-technical challenges behind innovation and creativity that might outweigh the benefits; and the new principles/practices/perspectives on our understanding of the technological innovation. Contributed by prominent scholars and practitioners from around the world in innovation, management and policy area, this book will become a very useful read for anyone who is interested in learning the most contemporary perspectives on the subject.

A ground-breaking comparative analysis of cinematic images of atrocity, combining critical perspectives on contemporary film and human rights.A few days after 9/11, US Vice-President Dick Cheney invoked the need for the USA to work 'the dark side' in its global 'War on Terror'. Cinema of the Dark Side explores how contemporary cinema treats state-sponsored atrocity, evoking multiple landscapes of state terror. Investigating the ethical potential of cinematic atrocity images, this book argues that while films help to create and confirm normative perceptions about atrocities, they can also disrupt those perceptions and build alternative ones. Asserting a crucial distinction between morality and ethics, it proposes a new conceptualisation of human rights cinema, one that repositions human rights morality within an ethical framework that reflects upon the causes and contexts of violence. It builds upon theories of embodied perception to offer a new perspective on the ethics of spectatorship, providing readers with fresh insights into how we respond to atrocity images and the ethical issues at stake.Covering a diverse spectrum of 21st century cinema, this book deals with documentary and fictional representations of atrocity such as state-sanctioned torture, genocide, enforced disappearance, deportation, and apartheid. It features close analysis of contemporary films, including Zero Dark Thirty, Standard Operating Procedure, Hotel Rwanda, Sometimes in April, Nostalgia for the Light, Chronicle of an Escape, Children of Men, District 9, Waltz With Bashir, and Paradise Now.

An all-in-one guide to understanding and managing the dark side of our digital lives. It all started out so well: the online world began as an effective tool for communication that carried with it a great promise to level the playing field and eliminate borders. But it’s morphed into something totally unintended. We’ve all had to endure the troll that derails a generally benign conversation; or received that scam email from a wealthy Nigerian prince; or felt the strange feeling of being watched and tracked by advertising companies as we navigate the web. Welcome to the modern internet. These are but a few of the topics that The Dark Side of Our Digital World: And What You Can Do about It examines to get at the root causes of our current problems with information technology, social media, and problematic online behavior. The book explores the issues raised by the negative side of information technology, including surveillance and spying, declining privacy, information overload, surveillance capitalism and big data analytics, conspiracy theories and fake news, misinformation and disinformation, trolling and phishing. What’s ultimately at stake is how we are able to cope with increasingly invasive anti-social behaviors, the overall decline of privacy in the face of total surveillance technologies, and the lack of a quality online experience that doesn’t devolve into flame wars and insults. The future of the internet as well as our societies depends upon our ability to discern truth from lies and reality from propaganda. The book will therefore also examine the possible directions we could take to improve the situation, looking at solutions in the areas of psychology and behavioral conditioning, social engineering through nudging techniques, the development of e-democracy movements, and the implementation of public policy.

Critics from the UK, US, Australia, Canada and Japan discuss views on canonical surrealist works , and the role of surrealism in modern cinema, animation, digital cinema and documentary.

Most people find colorful brain scans highly compelling—and yet, many experts don't. This discrepancy begs the question: What can we learn from neuroimaging? Is brain information useful in fields such as psychiatry, law, or education? How do neuroscientists create brain activation maps and why do we admire them? Casting Light on The Dark Side of Brain Imaging tackles these questions through a critical and constructive lens—separating fruitful science from misleading neuro-babble. In a breezy writing style accessible to a wide readership, experts from across the brain sciences offer their uncensored thoughts to help advance brain research and debunk the craze for reductionist, headline-grabbing neuroscience. This collection of short, enlightening essays is suitable for anyone interested in brain science, from students to professionals. Together, we take a hard look at the science behind brain imaging and outline why this technique remains promising despite its seldom-discussed shortcomings. - Challenges the tendency toward neuro-reductionism - Deconstructs hype through a critical yet constructive lens - Unveils the nature of brain imaging data - Explores emerging brain technologies and future directions - Features a non-technical and accessible writing style

This book examines different affinities between major classical authors and great filmmakers alongside representations of ancient myth and history in popular cinema.