The nature of Lukan christology has been much debated in recent years, with scholars claiming the pre-eminence of such categories as Lord, Prophet, Christ, or Isaianic Servant. In the present work the author examines one major theme within Luke's christology, that of the coming king from the line of David. A study of the Lukan birth narrative and the speeches in Acts reveals that Luke shows a strong interest in this royal-messianic theme, introducing it into passages which are introductory and programmatic for his christology as a sermon, portraying Jesus in strongly prophetic terms. The author seeks a synthesis of these seemingly conflicting royal and prophetic portraits in Luke's interpretation of the Old Testament book of Isaiah. When Isaiah is read as a unity, the eschatological deliverer is at the same time Davidic king (Isa. 9.11), suffering servant of Yahweh (Isa. 42-53), and prophet herald of salvation (Isa. 61), leading God's people on an eschatological new exodus. On the basis of this synthesis the christology of Luke-Acts is seen to be both consistent and unified, forming an integral part of Luke's wider purpose in his two-volume work.

Revision of the author's thesis (doctoral)--University of Aberdeen, 2005.

Contemporary reconstructions of Luke's theology of the Way should include in a more conscientious manner the contribution of Luke's post-Easter "on the road" encounters (the Emmaus, Gaza, and Damascus road narratives). This book argues that Luke follows here the rules of Hellenistic mimesis (imitation), many of which are illustrated in the novels, dramas, and history treatises of his time. Filtering these rules through his own theology and literary taste, he represents, in the end, the history and the proclamation of the early church, in an attractive and challenging manner, inviting his readers to good literature and to captivating spiritual experiences.

Tannehill shows how the narrative contributes to the impact of Luke's literary whole. The study further shows that Luke's use of recurring words, patterns of repetition and contrast, irony, pathos, and many other features of this narrative contribute to the total fabric of Luke's masterpiece.

In The Face of New Testament Studies, editors Scot McKnight and Grant R. Osborne bring together New Testament experts who track developments in their specialized fields of research-and why those developments are important. It provides scholars and students with a useful survey of the "state-of-the-question" in New Testament Studies.

This scholarly but accessible study examines the relationship between physical appearance and moral character.