Is it true that de Gaulle kept journalists at a distance because he disliked the press? Or was the press really against him, as always claimed? How did he exploit his own charisma on radio and television? This book explores the relationship between de Gaulle and the media during his presidency. The author examines de Gaulle's communications strategy and broadcasting policy, comparing his approach to public communications with that of past French leaders and contemporary American presidents.

This book explores Charles De Gaulle's use and strict control of television between 1958 and 1969, highlighting the association between charismatic power and television with regards to legitimizing the Gaullist leadership and determining an evolution towards presidentialism during the Fifth Republic. A protagonist of European political history of the twentieth century, Charles de Gaulle was a pioneer in the use of mass media: in the Second World War he had earned the nickname of Général-micro due to his reliance on radio communication; in 1958 he then started an substantive and fruitful use of television, which some of his opponents labelled as ‘telecracy’. From difficult beginnings, where he followed the advice of publicity and communication experts, through his masterful TV appearances during the dramatic moments of the Algerian War, to the presidential campaign of 1965 and the crisis of May 1968, the author paints a compelling fresco of de Gaulle as the first TV leader in contemporary European history. The book will appeal to students and scholars interested in the fields of French politics, political communication and political leadership.

An analysis of the first half of François Hollande's five-year presidential term that examines the strengths and weaknesses of presidential politics following the Left's return to power in 2012 and puts forward an interpretation of the underlying nature of contemporary French politics, and the French Fifth Republic.

In this definitive history, William R. Keylor traces the tumultuous relationship between Charles de Gaulle and a host of other key twentieth-century figures: his former mentor Marshal Philippe Pétain, who headed the collaborationist government in the southern French city of Vichy as the German army occupied the northern two-thirds of the country; Sir Winston Churchill, the British prime minister whose government supported and financed de Gaulle and the Free French, but who clashed with the French leader on a number of hot-button issues; and, most critically, the six American presidents from FDR to Nixon. Keylor uses the metaphor “thorn in the side” to emphasize the fact that challenges from the intrepid French leader were often an annoyance to the Americans, who all had many more important issues to deal with—World War II for Roosevelt and Truman, the Cold War for Eisenhower, and the Vietnam War for Kennedy and Johnson. Richard Nixon alone had an excellent relationship, but the two men overlapped for only four months before de Gaulle’s retirement. Thoroughly researched and deeply knowledgeable, this gripping book will appeal to all readers interested in contemporary French and US history.

This book explores the following: What is the art of power? What is the art of French power? How did Charles de Gaulle understand and assert power, establishing the Fifth Republic and breaking centuries of political instability? How well or poorly have his successors wielded the art of French power to define, defend, or enhance French interests?

Editorials define at a given time how media construct their socio-cultural environment and where they position themselves in it. In this sense, they are snapshots of media socio-cultural identities whose study is crucial for the understanding of media actions and interactions on the political stage. This book contributes to the study of media roles in politics with a methodological “discursive communication identity framework” and its application to a corpus of editorials. This allows for the definition of editorials as a genre, and it reveals that, thanks to a very adroit interweaving of their socio-cultural identities, news media can play a much more active role on the political stage than studies on framing and agenda setting have hitherto shown. The place of media in political communication models might therefore need to be reviewed. This book is intended for all those interested in media and politics whatever their academic specializations.

Sarkozy came to power promising radical political and social change while simultaneously developing a presidential persona that melded the public and the personal under the glare of media attention, unparalleled in the French Fifth Republic. This volume provides a detailed analysis of the fit between his ambitions and the outcomes of his presidency

The notion of French exceptionalism is deeply embedded in the nation's self-image and in a range of political and academic discourses. Recently, the debate about whether France really is "exceptional" has acquired a critical edge. Against the background of introspection about the nature of "national identity," some proclaim "normalisation" and the end of French exceptionalism, while others point out to the continuing evidence that France remains distinctive at a number of levels, from popular culture to public policy. This book explores the notion of French exceptionalism, places it in its European context, examines its history and evaluate its continuing relevance in a range of fields from politics and public policy to popular culture and sport.

De-Westernizing Media Studies brings together leading media critics from around the world to address central questions in the study of the media. How do the media connect to power in society? Who and what influence the media? How is globalization changing both society and the media?

This analysis of the thought and action of Charles de Gaulle explores the intellectual foundations of Gaullist statecraft. Mahoney's careful exegesis of de Gaulle's major writings and speeches, reveals a penetrating political thinker as well as a major political actor. He explains de Gaulle to an American public that too often sees him as a posturing figure suffering from an exaggerated and misplaced sense of personal and national grandeur. Mahoney shows that de Gaulle's defense of the "grandeur" of France is tied to a fundamentally classical view of human nature and politics. In elucidating de Gaulle's political self-understanding, Mahoney highlights the foundation of his noble but elusive moderation. Mahoney shows how de Gaulle repeatedly and explicitly rejected the cult of the Nietzschean superman, the Bonapartist separation of grandeur from moderation, and all temptations of personal and ideological despotism. He explicates de Gaulle's self-understanding as a statesman or "man of character" who comes to the service of a democratic political order in a time of crisis. He articulates de Gaulle's relationship to classical and Christian thought, his place in the French tradition, his profound debts to the Catholic poet-philosopher Charles Peguy, as well as his important affinities with Alexis de Tocqueville on the need to remain faithful to the dual imperatives of democracy and grandeur. In addition, the book discusses the principal moments of de Gaulle's statecraft from his "appeal" to resistance in June, 1940, and his founding of a new French Republic in 1958, to his articulation of a "Europe of Nations" in the 1960's. In doing so, Mahoney thoughtfully clarifies the Gaullist understanding of the "problem" of democracy: The democratic statesman must correct the corrosive acids of modern individualism, while accepting that democratic individualism sets the inescapable contours of political action in our time. Written in clear and non-technical language for both a scholarly and general audience. De Gaulle will be of interest to students of modern European political history, contemporary political theory, and those concerned with statecraft or statesmanship.