Everyone has a story to tell, myself included, and though I will never claim mine is any more spectacular or important than the next, I will say that if I had a book from someone else who had dealt with the kinds of issues I was, it would have literally changed my life. It is with that in mind that I present my raw, honest, and most intimate thoughts I somehow worked through after just surviving an uphill battle with cancer, only to get married, and subsequently divorced... All before I could legally drink. But writing in a journal, I think, saved my life. I was able to talk about all of the sad, depressing, angry, mean, and just plain odd things that went through my mind at such a confusing point in my life. Every page bleeds emotion, and every mark screams with honesty. By no means does The Dead-Heart Diaries read like a typical book/memoir/autobiography, or whatever you want to classify it as; it reads like words poured straight from the heart into a pen, and I can only classify it as Honesty.

To find one's self is a battle we all face, but it's harder to find yourself while also trying to find love, from someone else and from someone you call your self. This is my story of love, loss, life, and the struggle of becoming the person I've always known myself to be, no matter how hard it may be to admit it to the world or myself.

TH/IS 5/8 is a combination of the style(s) and ideas from Jamie Kranig's previous books This Is A Promise: A Modern Literary Compilation and 6/7. TH/IS 5/8 is meant to keep the prose and abstract thinking of the previous books while focusing on moving beyond the age-old concept of "Good vs Evil" to a more Human perspective on life. A reminder that to be Human is to make mistakes and progress from them, no matter how hard the circumstances may be.

Portrayals of death and the dead are everywhere within popular culture revealing much about contemporary society’s engagement with mortality. Drawing upon celebrity posthumous careers, organ transplantation mythology and the fictional dead, this book considers how representations of the dead in popular culture exert powerful agency.

Nikolay Punin (1888-1953) was the most articulate Russian/Soviet art critic of the 1920s. He strongly advocated Constructivism, an avant-garde impulse that favored mechanomorphic abstraction and proclaimed a movement to bring art into the center of popular life. In the United States, he is perhaps best remembered for his love affair with Anna Akhmatova, one of the great poets of the twentieth century. This volume presents the first English translation of ten diary notebooks that Punin wrote between 1915 and 1936, as well as selections from his earlier (1904-1910) and later (1941-1946) diaries and some thirty notes and letters relating to his affair with Anna Akhmatova. These materials offer a rare glimpse into the life of art and artists in Russia. They also present vivid scenes from the 1905 Revolution, World War I, the 1917 Revolutions, World War II, and Stalinist oppression through the reflections of a talented man, who, unlike many of his generation, lived to tell the tale.

Now after 141 years, these diaries originally compiled in two manuscripts, are being published for the first time unedited and in thier entirety. Rarely are any new discoveries made of the written material on the American Civil War and this may be the last major find of Civil War period literature.

Douglas Mawson was determined to make his mark on Antarctica as no other explorer had done before him. What really happened on the ice has been buried for a century. Flaws in the Ice is the untold true story of Douglas Mawson’s 1911-1914 Antarctic Expedition, mistakenly hailed for a century as a courageous survival story from the Heroic Age of Antarctic Exploration. Prize-winning historian David Day takes off on a five-week odyssey in search of the real Douglas Mawson, famed colleague and contemporary of Ernest Shackleton and Robert Falcon Scott. Beginning his book on board an expedition ship bound for the Antarctic, Dr. Day asks the difficult questions that have hitherto lain buried about Mawson —, his leadership of the ill-fated Australasian Antarctic Expedition of 1911–14, his conduct during the trek that led to the death of his two companions, and his intimate relationship with Scott’s widow. The author also explores the ways in which Mawson subsequently concealed his failures and deficiencies as an explorer, and created for himself a heroic image that has persisted for a century. To bolster his career and dig himself out of debt, Mawson would have to return from Antarctica with a stirring story of achievement calculated to capture public attention. South Pole expeditions, by-among others--Robert Falcon Scott and Roald Amundsen--were going on at same time With Amundsen having reached the South Pole-- and Scott having died on his return--Mawson would be forgotten if he did not return with an exciting story of achievement and adversity overcome. Mawson obliged, though the truth was something entirely different. For many decades, there has been only one published first-hand account of the expedition —Mawson’s. Only now have alternative accounts become publicly available. The most important of these is the long-suppressed diary of Mawson’s deputy, Cecil Madigan, who is scathing in his criticisms of Mawson’s abilities, achievements, and character that he instructed that his diary was not to be published until the last of Mawson’s children had died. At the same time, other accounts have appeared from leading members of the expedition that also challenge Mawson’s official story. While most historians ascribe the deaths of the two men to bad luck, the author’s re-examination of the existing evidence, and a reading of the new evidence, reveals that the deaths of two men on the expedition were caused by Mawson’s relative inexperience, overweening ambition, and poor decision-making. In fact, there’s some suggestion that Mawson was consciously responsible for one’s starvation so that Mawson himself could survive on the limited food rations. After the death of his companions, Mawson’s bungling of his return to the ship forced a team to remain for another full year during which he recovered his strength and began to craft an image of himself as a courageous and resourceful polar explorer. The British Empire needed heroes, and Mawson was determined to provide it with one. In this compelling and revealing new book, David Day draws upon all this new evidence, as well as on the vast research he undertook for his international history ofAntarctica, and on his own experience of sailing to the Antarctic coastline where Mawson’s reputation was first created. Flaws in the Ice will change perceptions of Douglas Mawson—one of the icons of the Heroic Age of Antarctic Exploration— forever.

Does love survive beyond the grave? Arista is a young, successful woman whose life is moving in a positive direction. At the peak of her career, she is reunited with her high school sweetheart Scott. Their strong connection leads them both down a path neither was expecting...a path that will lead to either salvation or condemnation. Arista quickly realizes that the choices she makes and actions she takes will affect her forever, even beyond the grave. Will Arista's diary hold the answers too many of her friend's questions? Can true love live on after death? Can we choose our paths in preparation for death? Read Arista's diary and find out .

The Dead City unearths meanings from such depictions of ruination and decay, looking at representations of both thriving cities and ones which are struggling, abandoned or simply in transition. It reveals that ruination presents a complex opportunity to envision new futures for a city, whether that is by rewriting its past or throwing off old assumptions and proposing radical change. Seen in a certain light, for example, urban ruin and decay are a challenge to capitalist narratives of unbounded progress. They can equally imply that power structures thought to be deeply ingrained are temporary, contingent and even fragile. Examining ruins in Chernobyl, Detroit, London, Manchester and Varosha, this book demonstrates that how we discuss and depict urban decline is intimately connected to the histories, economic forces, power structures and communities of a given city, as well as to conflicting visions for its future.

The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats, including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.