The final two cases in the series by the #1 New York Times–bestselling author—plus the Edgar Award–winning debut novel that introduced Edward Delaney. Lawrence Sanders’s first novel in the Deadly Sins series became a New York Times bestseller and was made into an acclaimed film starring Frank Sinatra as hard-bitten New York City homicide detective Edward Delaney. Sanders would follow up with three more Deadly Sins novels—each one a New York Times bestseller—proving himself again and again to be “a master” (The New Yorker). This collection also includes Sanders’s first novel, completed at age fifty, The Anderson Tapes, which introduced Edward Delaney and won an Edgar Award, and was made into a film starring Sean Connery. The Third Deadly Sin: By day, she’s an unassuming middle-aged secretary. By night, dressed in a midnight-black wig, a skin-tight dress, and spike heels, she prowls smoky hotel bars for prey. Inside her leather bag are keys, cash, mace, and a Swiss Army knife. Her first victim—a convention guest at an upscale Manhattan hotel—is found dead with multiple stab wounds. Edward Delaney has come out of retirement to stop the so-called Hotel Ripper, who has seized the city in a chokehold of panic. But he’s not expecting the killer to be a woman. “A first-rate thriller . . . as good as you can get.” —The New York Times The Fourth Deadly Sin: With no leads and a case getting colder by the hour, the NYPD calls in former chief Edward Delaney to solve the grisly murder of Dr. Simon Ellerbee, a noted Upper East Side psychiatrist, who not only had his skull bashed in by a ball-peen hammer but had his eyes mutilated. It’s up to the veteran detective to analyze the symbolism of the attack and study the doctor’s patients to find out which one of them wanted to hammer home a point. “Not to be missed.” —Kansas City Star The Anderson Tapes: Newly sprung from prison, professional burglar John Anderson is preparing for the biggest heist of his criminal career. The mark is a Manhattan luxury apartment building. Enlisting a crew of scouts, con artists, and a getaway driver, Anderson orchestrates what he believes to be a foolproof plan. To pull off the big score, he needs one last thing: the permission of the local mafia, who expect a piece of the action. But no one inside Anderson’s operation knows that the police have recorded their conversations. The NYPD has hatched a plot of its own—but even its task force may not be enough to stop such a cunningly planned robbery. “The novel races forward, accelerating in action and suspense.” —TheNew York Times

Here's a riddle for you. What has dark hair, two souls, and a really bad attitude? Good question. Whatever it is, Neveah Lane is currently trapped in a motel room with it. No one should be able to escape from Hell. No one should be able to wriggle out of a contractual soul-bond with a demon. Apparently, the creature that was once Mab, Queen of the Fae, has done both. As the last angel on Earth, Neveah is determined to rescue the human whose body Mab hijacked during her rampage. Meanwhile, everyone else seems committed to capturing an innocent woman and dragging her off for summary execution to kill the thing inside her. Briefly, Neveah thought she'd found an ally in Nigellus, the suave demon spymaster tasked with returning Mab to Hell. But everyone knows angels and demons don't mix. To avert an all-out war between the realms, both Nigellus and Neveah will go to extreme lengths to achieve what they think is right. Neither of them needs another enemy. On the contrary, both of them need all the friends they can get—but the ugly history between Heaven and Hell looms large. Shared adversity might be good for building a bridge. Unfortunately, a flaming sword is better for burning it to ashes. * * * The Sixth Demon is an urban fantasy romance series by R. A. Steffan, set in the same world as the bestselling series The Last Vampire, Vampire Bound, and Forsaken Fae. Download Book Two today, and return to a world shared by humans, angels, demons, fae, and vampires. It's a place where the supernatural threatens the mundane, nothing is as it seems, and love will either be the world's downfall—or its salvation.

New York City cop Edward X. Delaney solves a string of murder cases in these first two novels in the series by the #1 New York Times–bestselling author. Lawrence Sanders’s first novel in the Deadly Sins series became a New York Times bestseller and was made into an acclaimed film starring Frank Sinatra as hard-bitten New York City homicide detective Edward X. Delaney. The Edgar Award–winning Sanders would follow up with three more Deadly Sins novels—each one a New York Times bestseller—proving himself again and again to be “a master” (The New Yorker). The First Deadly Sin: New York Police Department captain Edward Delaney is called to the scene of a brutal murder. A Brooklyn councilman was struck from behind, the back of his skull punctured and crushed with an unknown weapon. No robbery, no known motive. The commissioner appoints Delaney to head up a secret investigation. As more young men are murdered in the same way, Delaney starts putting the pieces together, even as he’s distracted by the serious illness of his wife. Soon, he’s faced with a cop’s dilemma: He knows who the killer is, but the person is untouchable. That’s when Delaney lays a trap to bring a monster to justice . . . “Breathtakingly exciting.” —Newsday The Second Deadly Sin: World-renowned artist Victor Maitland is dead—found in his Mott Street studio stabbed repeatedly in the back. With no clear leads or suspects, the NYPD calls Chief Edward Delaney out of retirement. Following a winding path of greed, deception, and fraud, Delaney uncovers a long line of suspects that includes Maitland’s wife, son, and mistress. When a second murder rocks Manhattan’s art world, Delaney moves closer to the truth about what kind of a man—or monster—Maitland really was. But which of the artist’s enemies was capable of killing him and leaving no trail? “Sanders is a pro!” —Los Angeles Times

From its opening scenes--in which the hero refrains from fighting a duel, then discovers that his horse has been stolen--Book Two of The Faerie Queene redefines the nature of heroism and of chivalry. Its hero is Sir Guyon, the knight of Temperance, whose challenges frequently take the form of temptations. Accompanied by a holy Palmer in place of a squire, Guyon struggles to subdue himself as well as his enemies. His adventures lead up to a climactic encounter with the arch-temptress Acrasia in her Bower of Bliss, which provides the occasion for some of Spenser's most sensuous verse. With its mixture of chivalric romance, history, and moral allegory, Book Two succeeds in presenting an exuberant exploration of the virtue of self-restraint.

Why do humans who seem to be exemplars of virtue also have the capacity to act in atrocious ways? What are the roots of tendencies for sin and evil? A popular assumption is that it is our animalistic natures that are responsible for human immorality and sin, while our moral nature curtails and contains such tendencies through human powers of freedom and higher reason. This book challenges such assumptions as being far too simplistic. Through a careful engagement with evolutionary and psychological literature, Celia Deane-Drummond argues that tendencies towards vice are, more often than not, distortions of the very virtues that are capable of making us good. After beginning with Augustine's classic theory of original sin, the book probes the philosophical implications of sin's origins in dialogue with the philosophy of Paul Ricoeur. Different vices are treated in both individual and collective settings in keeping with a multispecies approach. Areas covered include selfishness, pride, violence, anger, injustice, greed, envy, gluttony, deception, lying, lust, despair, anxiety, and sloth. The work of Thomas Aquinas helps to illuminate and clarify much of this discussion on vice, including those vices which are more distinctive for human persons in community with other beings. Such an approach amounts to a search for the shadow side of human nature, shadow sophia. Facing that shadow is part of a fuller understanding of what makes us human and thus this book is a contribution to both theological anthropology and theological ethics.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

A review and record of current literature.

The extensive scope of this collection means that this documentary record of the reception of German literature in England is a valuable scholarly resource. One of the most important features of British literary and intellectual history over the past 250 years is the influence of German literature. From the second half of the 18th Century, through the first decades of the 19th, German books and ideas attracted, then gained the attention of a nation. Despite the acknowledged importance of the influence on writers such as Coleridge and Carlyle the subject, though often alluded to, was rarely studied. This collection provides a guidebook through the masses of periodical and allows the English side of the Anglo-German literary relationship to be explored in detail. In order to make the collection useful to scholars with a wide range of interest, it has been divided into three parts: Part 1 is a chronological presentation of commentary on German literature in general. It also contains collective reviews of multiple German authors, notices of important anthologies and reactions to influential works about Germany and its culture. Part 2 collects reviews of 18th Century individual German authors and Part 3 is devoted to the English reception of Goethe and Schiller. Parts 2 & 3 contain cross-references to the collective reviews of Part 1. Containing over 200 British serials and articles and reviews from all the major English literary periodicals, the collection also includes a broad sampling of opinion from the more general magazines, including some popular religious publications.

Named a 2010 Outstanding Academic Title by Choice magazine! Fourth Century, West: Optatus of Milevis, Zeno of Verona, Ambrose of Milan, Pope Siricius, Hilary of Poitiers, Pacian of Barcelona, Synod of Elvira (ca. 300); Fourth Century, East: Lactantius, Basil the Great, Gregory of Nazianzus, Pseudo-Ignatius, Gregory of Nyssa, the Council of Nicaea (325), John Chrysostom, Apostolic Constitutions; and others. Lawrence J. Johnson is the former executive secretary of the Federation of Diocesan Liturgical Commissions and the former editor/director of The Pastoral Press. He has written several books on the liturgy and its music, including The Mystery of Faith: A Study of the Structural Elements of the Order of the Mass.