Gary Powell takes the reader through a year of crime and punishment in London, covering over 400 years of history.

What would you do for the one you love? What about if the Grim Reaper fell in love, what would he do? While reaping an old soul, Death runs into a doctor and falls in love with her, but when he is tricked into showing her who he really is and breaking the horsemen's one rule, she is taken by Lucifer as punishment. Death must fight his way through the Seven Deadly Sins in hell and the archangels of the heavens, run by Zeus, Ra, and God, to save her, but when it comes to his brothers and sister--War, Pestilence, and Famine--will he be able to bring himself to fight his family for his love?

Edgar Allan Poe (1809-1849) was an American original-a luminous literary theorist, an erratic genius, and an analyst par excellence of human obsession and compulsion. The scope of his literary achievements and the dramatic character of Poe's life have drawn readers and critics to him in droves. And yet, upon his death, one obituary penned by a literary enemy in the New York Daily Tribune cascaded into a lasting stain on Poe's character, leaving a historic misunderstanding. Many remember Poe as a difficult, self-pitying, troubled drunkard often incapable of caring for himself. Poe reclaims the Baltimore and Virginia writer's reputation and power, retracing Poe's life and career. Biographer and critic James M. Hutchisson captures the boisterous worlds of literary New York and Philadelphia in the 1800s to understand why Poe wrote the way he did and why his achievement was so important to American literature. The biography presents a critical overview of Poe's major works and his main themes, techniques, and imaginative preoccupations. This portrait of the writer emphasizes Poe's southern identity; his existence as a workaday journalist in the burgeoning magazine era; his authority as a literary critic and cultural arbiter; his courtly demeanor and sense of social propriety; his advocacy of women writers; his adaptation of art forms as diverse as the so-called gutter press and the haunting rhythms of African American spirituals; his borrowing of imagery from such popular social movements as temperance and freemasonry; and his far-reaching, posthumous influence. James M. Hutchisson, Charleston, South Carolina, is a professor of American literature and southern studies at The Citadel.

Based on an analysis of Sherwood Anderson's letters, this study explores the novelist's principal inspiration during his final years (1938-1941): his exposure to Latin America. Thematically arranged correspondence traces his positive reception in South America--a place he saw as a source of fresh ideas and publishing opportunities--his desire to promote cultural relations between the two Americas, and his legacy among Spanish-speaking readers. The author discusses the political and economic climates of mid-20th century South American nations, their emerging liberal ideologies and the concerns Latin American readers had regarding societal upheaval, urbanization and the inequities of capitalism--all vividly depicted in Anderson's works.

PROSE 2020 Single Volume Reference Finalist! Philosophers throughout history have debated the existence of gods, but it is only in recent years that the absence of such a belief has become a significant topic of philosophical analysis, in particular for philosophers of religion. Although it is difficult to trace the historical contours of atheism as the lack of belief in a higher power, the reasoned, reflective, and thoughtful rejection of theism has become commonplace in many modern intellectual circles, including academic philosophy where disciplinary data indicates that a large majority of philosophers self-identify as atheists. As the first book of its kind to bring together a collection of writing on the philosophical aspects of atheism both historical and contemporary, the Companion to Atheism and Philosophy stages an explicit, constructive, and comprehensive conversation between philosophy and atheism to examine the ways in which atheist thought intersects with ideas and positions from a variety of philosophical and theological sub-disciplines. The Companion begins by addressing the foundational questions and lingering controversies which underpin philosophical thought about atheism, exploring the implications of major developments in the history of philosophy for the modern atheistic worldview. Divided into eight distinct sections, essays consider a range of thinkers who were widely believed to have been atheists—including David Hume, Mary Wollstonecraft, Karl Marx, and Elizabeth Cady Stanton—and survey different kinds of objections to theism and atheism, including logical, evidential, normative, and prudential. Later chapters trace the relationship between atheism and metaphysics, epistemology, ethics, and political philosophy oriented around topics such as pragmatism, postmodernism, freedom, education, violence, and happiness. Deftly curated and thoughtfully composed, A Companion to Atheism and Philosophy is the most ambitious and authoritative account of philosophical thinking on atheism available, and is a first-rate resource for academics, professionals, and students of philosophy, religious studies, and theology.

What - or who - really killed the young conqueror of the known world? Master historian Paul Doherty investigates an outstanding figure who achieved so much before his premature end in this remarkable non-fiction work, Alexander the Great: The Death of a God. Perfect for fans of Philip Freeman and Robin Lane Fox. 'Riveting... compelling... an important contribution to the literature on the period' - Sunday Times Alexander the Great was an enigma, a man who wanted to be a god, a Greek who wanted to be Persian, a defender of liberties who spent most of his life taking away the liberties of others, and a king who could be compassionate yet also had the capacity to ruthlessly wipe out an ancient city. The Death of Alexander scrutinizes the circumstances surrounding the young king's death in the summer palace of the Persian kings. Did Alexander die of alcohol poisoning? Or where there other, more sinister factors involved? The great general had surrounded himself with outstanding captains of war. Was it they who ultimately made a decision to bring this young god's life to a violent, untimely end? What readers are saying about Paul Doherty: 'Doherty proves that he is a scholar as well as a writer of novels' 'I could not stop reading this book by Paul Doherty as it is very well written, immensely readable and fascinating. For me an absolute MUST' 'Pure brilliance'

Cultural Geography in Practice provides an innovative and accessible approach to the sources, theories and methods of cultural geography. Written by an international team of prominent cultural geographers, all of whom are experienced researchers, this book is a fully illustrated guide to methodological approaches in cultural geography. In order to demonstrate the practice of cultural geography each chapter combines the following features: ·Practical instruction in using one of the main methods of cultural geography (e.g. interviewing, interpreting texts and visual images, participatory methods) ·An overview of a key area of concern in cultural geography (e.g. the body, national identity, empire, marginality) ·A nuts and bolts description of the actual application of the theories and methods within a piece of research With the addition of boxed definitions of key concepts and descriptions of research projects by students who devised and undertook them, Cultural Geography in Practice is an essential manual of research practice for both undergraduate and graduate geography students.

SHORTLISTED FOR THE GORDON BURN PRIZE Mrs Death tells her intoxicating story in this life-affirming fire-starter of a novel Mrs Death has had enough. She is exhausted by her job and now seeks someone to unburden her conscience to. She meets Wolf, a troubled young writer, who – enthralled by her stories – begins to write Mrs Death’s memoirs. As the two reflect on the losses they have experienced (or facilitated), their friendship flourishes. All the while, despite her world-weariness, Death must continue to hold humans’ fates in her hands, appearing in our lives when we least expect her . . .

The prequel to The Crown: the first truly candid portrait of George V and Mary, the Queen's grandparents and creators of the modern monarchy Shortlisted for the Elizabeth Longford Historical Biography prize and the History Reclaimed Book of the Year prize The lasting reputation of George V is for dullness. However throughout his reign, the monarch navigated a constitutional crisis, the First World War, the fall of thirteen European monarchies and the rise of Bolshevism. The suffragette Emily Davison threw herself under his horse at the Derby, he refused asylum to his cousin the Tsar Nicholas II and he facilitated the first Labour government. How this supposedly limited man steered the Crown through so many perils is a gripping tale. With unprecedented access to the Royal archives, Jane Ridley has been able to reassess the many myths associated with this dramatic period for the first time. 'Wonderful... Never a dull paragraph' Ysenda Maxtone Graham, The Times 'Magnificent... An evocative and touching portrait of a surprisingly impressive man' Philip Hensher, Spectator 'A big, beautiful beast of a book. Fair, thorough and unexpectedly funny' Lucy Worsley

Madox Brown, who grew up in France and Belgium before he came to England and won fame with paintings like 'The Last of England', was always an outsider, and the women he loved also burst out of stereotypes. His two wives, Elisabeth Bromley and Emma Hill, and his secret passions, the artist Marie Spartali and the author Mathilde Blind, were all remarkable personalities, from very different backgrounds. Their striving for self-expression, in an age that sought to suppress them, tells us much more about women's journey towards modern roles. Their lives - full of passion, sexual longing, tragedy and determination - take us from the English countryside and the artist's studio to a Europe in turmoil and revolution. These are not silent muses hidden in the shadow of a 'Master'. They step out of the shadows and into the picture, speaking with voices we can hear and understand.