"Previously published as How to piss in public."

»Our society has undergone a paradigm shift. In the information age, you and I are the alpha males,« Dr Leonard Hofstadter, experimental physicist and protagonist of the hit sitcom »The Big Bang Theory«, assures himself and his fellow scientists. The success of this and similar formats in American popular culture proves his point: Science has finally discovered the formula for cool. This interdisciplinary study examines how »cool«, a key aesthetic and affective category in the American imagination, informs contemporary representations of technoscience. Analyzing selected audiovisual productions, Judith Kohlenberger sheds light on current processes of interaction between science and popular culture, two pivotal sources for change in post-industrial America.

This collection of new essays explores various ways of reading, interpreting and using digital comics. Contributors discuss comics made specifically for web consumption, and also digital reproductions of print-comics. Written for those who may not be familiar with digital comics or digital comic scholarship, the essays cover perspectives on reading, criticism and analysis of specific titles, the global reach of digital comics, and how they can be used in educational settings.

The author describes Rindi culture within an analytic framework that illustrates connexions between, and common principles among, often apparently disparate realms of thought and action. The book contains chapters on the house; the village and the domain (an aggregate of villages); space and cosmos; religion (the notions "hamangu" and "ndewa"; divinity and the ancestors; the powers of the earth); the cycle of life and death; social order (class stratification; the division of authority; descent groups) and the system of asymmetric prescriptive alliance by which it is governed; marriage prestations and the various ways of contracting a marriage. The study is based on 22 months of fieldwork.

A sociopolitical misadventure from the award-winning, bestselling author of The Loneliness of the Long-Distance Runner Frank Dawley is a working-class escapee. After twelve years of spiritual nullification at a factory in Nottingham, five years in an alienating marriage, and two burdensome kids, Frank is finally free. He has quit his job, burned his possessions, and sold his car, and is hitching a ride to wherever the road will take him. Haunting Frank’s physical and existential travels is a ubiquitous inscription painted on nearly every street corner in England: BILL POSTERS WILL BE PROSECUTED. Who is this Bill Posters, who is so relentlessly hounded by the authorities? To Frank, Bill—or William—becomes a symbol of the servile proletariat, the “put-upon dreg” whose hollow ideologies have bombarded Frank throughout his entire life. As an act of resistance, Frank becomes determined to reject—even to kill—the William Posters that lives inside of him. Ribald misadventures ensue as Frank finds his way from England to Spain to Morocco to Algeria—and into the beds of several married women. En route, he meets a revolutionary American who ends up engaging him in a high-stakes gunrunning mission. The first volume in an epic trilogy, The Death of William Posters sends Frank headfirst into the truth of what he’s been running away from all along. This ebook features an illustrated biography of Alan Sillitoe including rare images from the author’s estate.

Rzepka draws on more than twelve hours of personal interviews with Leonard and applies what he learned to his close analysis of the writer's long life and prodigious output: 45 published novels, 39 published and unpublished short stories, and numerous essays written over the course of six decades.--David Geherin, Eastern Michigan University "International Crime Fiction Association"

In this book, Eric Montgomery and Christian Vannier provide an ethnographically informed text on the cultural meanings and practices surrounding the gods and metaphysics of Vodu, as they relate to daily life in an ethnic Ewe fishing community on the coast of southern Togo. The authors approach this spirit possession and medicinal order through "shrine ethnography," understanding shrines as parts of sacred landscapes that are ecological, economic, political, and social. Giving voice to practitioners and situating shrines and Vodu itself into the history and political economy of the region make this text pertinent to the social changes and global relevance of Millennial Africa.