The Decline of Sentiment seeks to characterize the radical shifts in taste that transformed American film in the jazz age. Based upon extensive reading of trade papers and the popular press of the day, Lea Jacobs documents the films and film genres that were considered old-fashioned, as well as those dubbed innovative and up-to-date, and looks closely at the works of filmmakers such as Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, and Monta Bell, among many others. Her analysis—focusing on the influence of literary naturalism on the cinema, the emergence of sophisticated comedy, and the progressive alteration of the male adventure story and the seduction plot—is a comprehensive account of the modernization of classical Hollywood film style and narrative form.

While Church attendance in the West is often cited as being in decline, it is argued that this applies primarily to the older established forms of Christianity. Other expressions of the faith are, in fact, stable or even growing. This volume provides multidisciplinary interpretations of and responses to one of the most complicated and controversial issues regarding the global transformation of Christianity today: the decline of "established Christianity" in the Western world. It also addresses the future of Christianity in the West after the decline. Drawing upon historical research, sociology, religious studies, philosophy and theology, an international panel of contributors provide new theoretical frameworks for understanding this decline and offer creative suggestions for responding to it. "Established Christianity" is conceptualized as historically, culturally, socially and politically embedded religion (with or without official established status). This is a dynamic volume that gives fresh perspective on one of the great social changes taking place in the West today. As such, it will be of great interest to scholars of religious sociology, history and anthropology, as well as theologians.

This proceedings volume presents selected papers from the 7th International Conference on Emerging Databases: Technologies, Applications, and Theory (EDB 2017), which was held in Busan, Korea from 7 to 9 August, 2017. This conference series was launched by the Korean Institute of Information Scientists and Engineers (KIISE) Database Society of Korea as an annual forum for exploring novel technologies, applications, and research advances in the field of emerging databases. This forum has evolved into the premier international venue for researchers and practitioners to discuss current research issues, challenges, new technologies, and solutions.

The internationally renowned theorist contends that the sun is setting on the American empire in this “lucid, informed, and insightful” account (The New York Times). The United States currently finds itself [a] superpower that lacks true power, a world leader nobody follows and few respect, and a nation drifting dangerously amidst a global chaos it cannot control. The United States in decline? Its admirers and detractors alike claim the opposite: America is now in a position of unprecedented global supremacy. But in fact, Immanuel Wallerstein argues, a more nuanced evaluation of recent history reveals that America has been fading as a global power since the end of the Vietnam War, and its response to the terrorist attacks of 9/11 looks certain to hasten that decline. In this provocative collection, the visionary originator of world-systems analysis and the most innovative social scientist of his generation turns a practiced analytical eye to the turbulent beginnings of the twenty-first century. Touching on globalization, Islam, racism, democracy, intellectuals, and the state of the left wing, Wallerstein upends conventional wisdom to produce a clear-eyed—and troubling—assessment of the crumbling international order. “[Wallerstein’s thought] provides a new framework for the subject of European history . . . it is compelling, a new explanation, a new classification, indeed a revolutionary one, of received knowledge and current thought.” —Fernand Braudel

Seeking to characterise the radical shifts in taste that changed American life in the Jazz Age, Jacob documents the fims and film genres that were considered old-fashioned, as well as those considered more innovative, and looks closely at the work of Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, Monta Bell, and others.

'An excellent commentary on and an insightful contribution to the current debate on constitutional interpretation.'-Walter F. Murphy, Princeton University

With v. 35 is bound: The Yale potpourri, v. 5; 1869/70.