This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

"This major new collection of almost all the known estate poems of the seventeenth century draws on the literary, historical and artistic traditions of the period to clarify this much debated genre. The poems are mostly reproduced in their entirety and include ten from the Mildmay Fane manuscripts - an important, but so far unpublished source of such material. Full notes accompany the text, explaining difficult passages and relating them to their biographical, social and political contexts. There is a substantial introduction, a comprehensive bibliography, and a listing of visual sources complementing the contemporary illustrations. Containing much new evidence for architectural- and art-historians as well as for literary scholars, The Country House Poem is set to become the definitive work in this field."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

McBride provides new perspectives on the roles of the country house discourse she identifies, linking it with a number of larger historical shifts during the time period. Her interdisciplinary focus allows her to bring together a wide range of material - including architecture, poetry, oil painting, economic and social history, and proscriptive literature - in order to examine their complex interrelationship, revealing connections unexplored in more narrowly focused studies.

Drawing upon a wide array of sources, Martin Wiener explores the English ambivalence to modern industrial society.

Reflecting varieties of theory and practice in both verse and prose from the Middle Ages to the twenty-first century, these essays by many of America's leading literary scholars call for a reinvigorated formalism that can enrich literary studies, open productive routes of commerce with cultural studies, and propel cultural theory out of its thematic ruts. This book reprints Modern Language Quarterly's highly acclaimed special issue Reading for Form, along with new essays by Marjorie Perloff, D. Vance Smith, and Susan Stewart, and a revised introduction by Susan Wolfson. With historical case studies and insightful explorations, Reading for Form offers invaluable material for literary critics in all specializations.

Houses are more than a shelter from the elements: they also offer an unparalleled insight into the beliefs, ideas and experiences of the people who built and lived in them. In this engaging book, Matthew Johnson looks at the traditional houses that still exist throughout the English countryside and examines the lives of the ordinary people who once occupied them. His wide-ranging narrative takes in the medieval hall and the community it framed; the rebuilding and 'improvement'of houses in the sixteenth and seventeenth centuries; and the rise of the Georgian Order in both architecture and eighteenth century culture. This passionate book is animated by the conviction that old houses are much more than just pretty tableaux of an idyllic, unchanging rural England. Vernacular houses are compared to their larger, 'polite' counterparts, and English houses are placed in the wider context of the British Isles and the Atlantic world beyond. The result is a dynamic, compelling account of the development of houses in the English countryside and through this, a portrait of changing patterns of social life from medieval to modern times. Richly illustrated throughout with photographs and drawings, this book will be of interest to anyone who wants to understand the significance of our built heritage and the historic landscape.

Even in an age of emerging nationhood, English men and women still thought very much in terms of their parishes, towns, and counties. This book examines the vitality of early modern local consciousness and its deployment by writers to mediate the larger political, religious, and cultural changes of the sixteenth and seventeenth centuries.

The house is perhaps the most recognizable emblem of the American ideals of self-making: prosperity, stability, domesticity, and upward mobility. Yet over the years from 1945-2021, the American house becomes more famous for the betrayal of those hopes than for their fulfilment: first, through the segregation of cities and public housing; then through the expansion of private credit that lays the ground for the subprime mortgage crisis of the early twenty-first century. Walt Hunter argues that, as access to housing expands to include a greater share of the US population, the house emerges as a central metaphor for the poetic imagination. From the kitchenette of Gwendolyn Brooks to the duplex of Jericho Brown, and from the suburban imagination of Adrienne Rich to the epic constructions of James Merrill, the American house poem represents the changing abilities of US poets to imagine new forms of life while also building on the past. In The American House Poem, 1945-2021, Hunter focuses on poets who register the unevenly distributed pressures of successive housing crises by rewriting older poetic forms. Writing about the materials, tools, and plans for making a house, these poets express the tensions between making their lives into art and freeing their lives from inherited constraints and conditions.