The occult was a crucial influence on the Renaissance, and it obsessed thinkers like Isaac Newton. Works of brilliance, sometimes even of genius were produced under the influence of occultism. Yet, not too infrequently, it also opened the door on a peculiar kind of madness. The Dedalus Book of the Occult celebrates the influence of occult thought and sensibility on some of the central poets and writers of the last two centuries, beginning with the Enlightenment obsession with occult politics, through the Romantic explosion, the paradoxically decadent and futuristic occultism of the fin de siecle, and the deep occult roots of the modernist movement. Swedenborg, Baudelaire, Huysmans and Strindberg are only some of the names to feature in this hidden history of western thought.

'Lachman's goal to write a book 'on writers who had killed themselves or had tried to, or had written about suicide at some length or depth' would be immense. To qualify, the author requires the suicide to be in some way 'interesting'. Thus we have the philosopher Philipp Mainlander, who killed himself because of the second law of thermodynamics; Zeno, who purportedly hanged himself after stubbing his toe on a turtle; and Yukio Mishima's sensational and bloody hara-kiri performance Suicides are arranged by type: Existential suicides brought on by metaphysical issues, emotionally rich Romantic suicides; political suicides; manic-depressive mortal coil shuffling a la Sylvia Plath; and the bizarre and often nonchalant suicides of many Surrealists. Lachman focuses on little known or forgotten characters such as Polish avant garde figure Witkacy; Thomas Chatterton, 'the original tragic Romantic genius'; narcissistic publisher Harry Crosby; and the tormented Austrian poet Georg Trakl. The second part of Dead Letters is a selection of writings about suicide whose real value lies in Lachman's research and his knack of smoothly relating obscure biographical tidbits and philosophical ideas. This work on a grim subject never becomes overly morbid and Lachman remains respectful of his troubled subjects. Suicide is not recommended, but this volume surely is. Splendid summary of self destruction.' Mike Pursley in Fortean Times

The 1890s English Decadence was no mere polite response to French invention, but the hothouse blossoming of long indigenous researches into the perverse. Like Imperial Rome, England could hardly subdue and rule the globe without becoming corrupt. The Romantics tried rebellion, but amidst Victorian industry, terminally fatigued Decadents concerned themselves with cultivating their addiction to luxury and sensation. In The Dedalus Book of English Decadence: Vile Emperors and Elegant Degenerates, avatars and acolytes such as Beckford, Byron, De Quincey, Dowson, Bosie and Wilde are all to be found at their unwholesome best.

London, more than any other city, has a secret history concealed from view. Behind the official façade promoted by the heritage industry lies a city of esoteric traditions, obscure institutions, and forgotten locations. Occult London rediscovers this history, unearthing the hidden city that lies beneath our own. From the Elizabethan magic of Dr Dee and Simon Forman to the occult designs of Wren and Hawksmoor; from the Victorian London of Spring-Heeled Jack to the fin de siecle heyday of Madame Blavatsky and Aleister Crowley. This book describes these practitioners of the occult and their unorthodox beliefs, alongside the myths and legends through which the city has always been perceived. The role of the occult within London's literary history is also outlined, while a gazetteer maps the sites of London's most resonant occult locations. Today we are experiencing a renewal of interest in the occult tradition, and Merlin Coverley examines the roots of this revival, exploring the rise of New Age philosophies and the emergence of psychogeography in shaping a new vision of the city

This epic study unveils the esoteric masters who have covertly impacted the intellectual development of the West, from Pythagoras and Zoroaster to the little-known modern icons Jean Gebser and Schwaller de Lubicz. Running alongside the mainstream of Western intellectual history there is another current which, in a very real sense, should take pride of place, but which for the last few centuries has occupied a shadowy, inferior position, somewhere underground. This "other" stream forms the subject of Gary Lachman’s epic history and analysis, The Secret Teachers of the Western World. In this clarifying, accessible, and fascinating study, the acclaimed historian explores the Western esoteric tradition – a thought movement with ancient roots and modern expressions, which, in a broad sense, regards the cosmos as a living, spiritual, meaningful being and humankind as having a unique obligation and responsibility in it. The historical roots of our “counter tradition,” as Lachman explores, have their beginning in Alexandria around the time of Christ. It was then that we find the first written accounts of the ancient tradition, which had earlier been passed on orally. Here, in this remarkable city, filled with teachers, philosophers, and mystics from Egypt, Greece, Asia, and other parts of the world, in a multi-cultural, multi-faith, and pluralistic society, a synthesis took place, a creative blending of different ideas and visions, which gave the hidden tradition the eclectic character it retains today. The history of our esoteric tradition roughly forms three parts: Part One: After looking back at the earliest roots of the esoteric tradition in ancient Egypt and Greece, the historical narrative opens in Alexandria in the first centuries of the Christian era. Over the following centuries, it traces our “other” tradition through such agents as the Hermeticists; Kabbalists; Gnostics; Neoplatonists; and early Church fathers, among many others. We examine the reemergence of the lost Hermetic books in the Renaissance and their influence on the emerging modern mind. Part Two begins with the fall of Hermeticism in the late Renaissance and the beginning of “the esoteric counterculture.” In 1614, the same year that the Hermetic teachings fell from grace, a strange document appeared in Kassel, Germany announcing the existence of a mysterious fraternity: the Rosicrucians. Part two charts the impact of the Rosicrucians and the esoteric currents that followed, such as the Romance movement and the European occult revival of the late nineteenth century, including Madame Blavatsky and the opening of the western mind to the wisdom of the East, and the fin-de-siècle occultism of the Hermetic Order of the Golden Dawn. Part Three chronicles the rise of “modern esotericism,” as seen in the influence of Rudolf Steiner, Gurdjieff, Annie Besant, Krishnamurti, Aleister Crowley, R. A Schwaller de Lubicz, and many others. Central is the life and work of C.G. Jung, perhaps the most important figure in the development of modern spirituality. The book looks at the occult revival of the “mystic sixties” and our own New Age, and how this itself has given birth to a more critical, rigorous investigation of the ancient wisdom. With many detours and dead ends, we now seem to be slowly moving into a watershed. It has become clear that the dominant, left-brain, reductionist view, once so liberating and exciting, has run out of steam, and the promise of that much-sought-after “paradigm change” seems possible. We may be on the brink of a culminating moment of the esoteric intellectual tradition of the West.

The ability to imagine is at the heart of what makes us human. Through our imagination we experience more fully the world both around us and within us. Imagination plays a key role in creativity and innovation. Until the seventeenth century, the human imagination was celebrated. Since then, with the emergence of science as the dominant worldview, imagination has been marginalised -- depicted as a way of escaping reality, rather than knowing it more profoundly -- and its significance to our humanity has been downplayed. Yet as we move further into the strange new dimensions of the twenty-first century, the need to regain this lost knowledge seems more necessary than ever before. This insightful and inspiring book argues that, for the sake of our future in the world, we must reclaim the ability to imagine and redress the balance of influence between imagination and science. Through the work of Owen Barfield, Goethe, Henry Corbin, Kathleen Raine, and others, and ranging from the teachings of ancient mystics to the latest developments in neuroscience, The Lost Knowledge of the Imagination draws us back to a philosophy and tradition that restores imagination to its rightful place, essential to our knowing reality to the full, and to our very humanity itself.

P. D. Ouspensky's classic work In Search of the Miraculous was the first to disseminate the ideas of G. I. Gurdjieff, the mysterious master of esoteric thought in the early twentieth century who still commands a following today. Gurdjieff's mystique has long eclipsed Ouspensky, once described by Gurdjieff as "nice to drink vodka with, but a weak man." Yet Ouspensky was a brilliant, accomplished philosopher in his own right, and some consider his meeting with the charismatic "Mr. G." the catastrophe of his life. Indeed, in subsequent years Ouspensky tried hard, with limited success, to break away. This book moves Ouspensky's own story center stage, against the backdrop of the Russian Revolution, the dervishes of Constantinople, and a cosmopolitan Europe entre deux guerres. The archetypal encounter it describes echoes that of Don Juan and Castaneda, or perhaps Mephistopheles and Faust. One of the great mystical adventures of our time, it will fascinate everyone interested in the farthest reaches of what it means to be human. The paperback edition includes a new chapter on Gary Lachman's own former work in Gurdjieff's psychology.

This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world.

Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.

First published in 2003, Book of Lies was hailed as a 21st century grimoire and instantly became a cult classic. Now reformatted for the next generation of magicians and all counterculture devotees, it gathers an unprecedented cabal of occultists, esoteric scholars,and forward thinkers, all curated by Disinformation’s former "wicked warlock" Richard Metzger. This compendium of the occult includes entries on topics as diverse and dangerous as Aleister Crowley, secret societies, psychedelics, and magick in theory and practice. The result is an alchemical formula that may well rip a hole in the fabric of your reality: Mark Pesce, author of The Playful World, compares computer programming and spellcasting. Genesis Breyer P-Orridge, father of Industrial Music and Rave culture explains how samples in a rave song can have magical consequences. William Burroughs and the occult. Nevill Drury, Australia's most noted occult writer, tells of Dion Fortune, Austin Spare, and Rosaleen Norton. Donald Tyson's "The Enochian Apocalypse Working" ask if the seeds of the end of the world sown in the Elizabethan era. A biographical essay on Marjorie Cameron, the fascinating character from Los Angeles' occult and beatnik scene. Hitler and the occult--Peter Levenda interview by Tracy Twyman. Robert Temple on how his book The Sirius Mystery's, controversial thesis (for which he was ridiculed) was proven by the Hubble telescope twenty-five years late. An exclusive Anton LaVey interview by Michael Moynihan, author of best-selling book Lords of Chaos. Erik Davis, author of Techgnosis, looks at H. P. Lovecraft's Magick Realism Robert Anton Wilson on Timothy Leary and Aleister Crowley Comics genius Grant Morrison offers Magic for the people. It’s all here and more!