"The Design of "The Waste Land" offers a detailed, comprehensive explanation of T. S. Eliot's enigmatic poem. It relates The Waste Land to earlier and later poems by Eliot, demonstrating that the major poems describe a continuous spiritual odyssey or quest undertaken by the same individual, initiated by the moment of ecstasy in the Hyacinth garden." "Blistein's analysis of Eliot's sources reveals that the protagonist's glimpse of "the heart of light" is equivalent to drinking from the Grail, or communing with God. The incarnate deity momentarily transforms the Hyacinth garden into the likeness of the Edenic paradise. With the inevitable passing of the moment of communion, the protagonist in effect is expelled from the paradisiacal garden as mankind was from Eden. By contrast, the familiar world appears to him a wasteland. The protagonist seeks to drink again from the divine Source and return again to the garden as it was when transfigured by the divine presence. His is a quest for grail and homeland."--BOOK JACKET.

The focal point of this study is one of the masterpieces of Anglo-American poetry, T.S. Eliot’s The Waste Land, tackled from the perspective of translation. In this particular case, translation is deemed to be not only an intra- and inter-linguistic transfer, but also a form of intercultural contact. The book centres on a comparative study of the poem with five of its Romanian translations within the framework of Romanian letters. Thus, it also presents a thorough analysis of the target literary and cultural context of the various moments of the translation production, with particular consideration being given to reception-related issues. Due to this complex approach, this study sketches the most comprehensive contextualisation of Eliot’s poem in Romanian culture. It analyses the source poem as the topos of intercultural exchanges which encourage cultural reconciliation and dialogue. The wide range of cultural references which are recontextualised and reinterpreted in Eliot’s poem suggest the opportunity of seeing The Waste Land as a master work of translation in itself, which accommodates various inter-systemic relations and transfers of meaning. Finally, this study reveals the poet’s activity as a translator guided by the main tenets of modernist production practice. Due to its inter-disciplinary approach and its focus on intercultural dialogue, this book will appeal to a wide range of researchers in the field of Humanities.

The first edition of T. S. Eliot’s masterpiece reappears with a major introduction by Pulitzer Prize–winner Paul Muldoon. The Waste Land is arguably the most important poem of the twentieth century. First published in the United States by Boni & Liveright in 1922, this landmark reissue of the first edition, now back with its original publisher, includes a new introduction by Paul Muldoon, showcasing the poem's searing power and strange, jarring beauty. With a modernist design that matches the original, this edition allows contemporary readers to experience the poem the way readers would have seen it for the first time. As Muldoon writes, "It's almost impossible to think of a world in which The Waste Land did not exist. So profound has its influence been not only on twentieth-century poetry but on how we’ve come to view the century as a whole, the poem itself risks being taken for granted." Famously elliptical, wildly allusive, at once transcendent and bleak, The Waste Land defined modernity after the First World War, forever transforming our understanding of ourselves, the broken world we live in, and the literature that was meant to make sense of it. In a voice that is arch, ironic, almost ebullient, and yet world-weary and tragic, T. S. Eliot mixes and remixes, drawing on a cast of ghosts to create a new literature for a new world. In the words of Edmund Wilson, "Eliot…is one of our only authentic poets…[The Waste Land is] one triumph after another."

A collection of essays analyzing Eliot's The waste land, including a chronology of his works and life.

In this study, first published in 1983, Professor Smith makes the argument that although The Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes. He calls these a ‘music of allusions’ and shows the resemblance of this music in its evocativeness to the technique of Mallarmé and the French symbolists. Smith also comments extensively on Eliot’s critical theories as they bear on The Waste Land and traces the development of Eliot’s allusive and transformational poetic form from its genesis in early work. This title will be of interest to students of literature.

The Waste Land is the greatest poem of the age. But a century after its publication in 1922, T. S. Eliot's masterpiece remains a work of comparative mystery. In this gripping account, award-winning biographer Matthew Hollis reconstructs the making of the poem and brings its times vividly to life. He tells the story of the cultural and personal trauma that forged the poem through the interleaved lives of its protagonists - of Ezra Pound, who edited it, of Vivien Eliot, who endured it, and of T. S. Eliot himself whose private torment is woven into the fabric of the work. The result is an unforgettable story of lives passing in opposing directions: Eliot's into redemptive stardom, Vivien's into despair, Pound's into unforgiving darkness.

This book proposes a renewed myth-critical approach to the so-called ‘wasteland modernism’ of the 1920s to reassess certain key texts of the American modernist canon from a critical prism that offers new perspectives of analysis and interpretation. Myth-criticism and, more specifically, the critical survey of myth as an aesthetic and ideological strategy fundamental for the comprehension of modernist literature, leads to an engaging discussion about the disenchantment of myth in modernist literary texts. This process of mythical disenchantment, inextricable from the cultural and historical circumstances that define the modernist zeitgeist, offers a possibility for revising from a contemporary standpoint a set of classic texts that are crucial to our understanding of the modern literary tradition in the United States. This study carries out an exhaustive and updated myth-critical examination of works by T.S. Eliot, John Dos Passos, F. Scott Fitzgerald, Ernest Hemingway, John Steinbeck and Djuna Barnes to broaden the scope of familiar themes and archetypes, enclosing the textual analysis of these works in a wider exploration about the purpose and functioning of myth in literature, particularly in times of crisis and transformation.

The entire Wasteland Chronicles series - grab all seven books in a single, discounted package. Alex Keener has lived all of his sixteen years in Bunker 108. He's walked the same metal halls, seen the same faces, has followed the same rules. But all that changes the day he goes on his first recon into the post-apocalyptic Wasteland. Things go from bad to worse when the deadly xenovirus infiltrates the bunker. When what should be dead rises up to attack the living, Alex is forced to flee his lifelong home, never to return. Alone and without survival skills, he must fight for his life in a brutal landscape twisted by the impact of the meteor Ragnarok. Raiders, monsters, and deadly weather all threaten to end his life at a moment's notice. Can Alex survive this hellish wasteland, or will he become its newest victim?